African-American Studies

• All God’s Chillun: Religion and “Painty Faces” versus the NAACP and the Provincetown Players - by Martha Gilman Bower

• A Call to Restore the Classics at Selected Historically Black Colleges and Universities (HBCUs); For Example, Eugene O'Neill - by Glenda E. Gill

• "Darker Brother" in Stage-Center: Eugene O'Neill's Quest for Racial Equity in Three Decades (1913-1939) of American Drama - by Shahed Ahmed

• Eugene O'Neill and Paul Robeson: An Uneasy Collaboration in Three of O'Neill's Early Plays - by Glenda E. Gill

• O’Neill’s African and Irish Americans:  Stereotypes or “Faithful Realism”? - by Edward L. Shaughnessy

Ah, Wilderness!

• A Connecticut Yankee in the Wilderness: The Sterner Stuff of O'Neill's Comedy - by Edward L. Shaughnessy

• Filtering America’s Past Through Sunlight: Eugene O’Neill’s Ah, Wilderness! - by Yvonne Shafer

• O'Neill's Funny Valentine - by Albert Bermel

Albee, Edward

• Albee and the Iceman: O'Neill's Influence on Who's Afraid of Virginia Woolf? - by David W. Berry

Alcohol Addiction

• Drinking and Drunkenness in The Iceman Cometh: A Response to Mary McCarthy - by Steven F. Bloom

• A Family Disease - by Gloria Dibble Pond

• The Role of Drinking and Alcoholism in O'Neill's Late Plays - by Steven F. Bloom

All God's Chillun Got Wings

• All God's Chillun Got Wings and Macbeth - by Philip C. Kolin

• All God’s Chillun: Religion and “Painty Faces” versus the NAACP and the Provincetown Players - by Martha Gilman Bower

• Christianity and All God's Chillun Got Wings - by James A. Robinson

• "Darker Brother" in Stage-Center: Eugene O'Neill's Quest for Racial Equity in Three Decades (1913-1939) of American Drama - by Shahed Ahmed

• Rage Against Miscegenation: The Controversy of Eugene O'Neill's All God's Chillun Got Wings - by Caroline Hill

• The Transitional Nature of All God's Chillun Got Wings - by Michael Hinden

• White Dreams, Black Nightmares: All God's Chillun Got Wings and Light in August - by Susan Tuck

Ancient Mariner, The

• The Ancient Mariner and the Genesis of O'Neill's Romanticism - by Frank R. Cunningham

Anna Christie

• Anna Christie and Christy Mahon - by Richard Brucher

• Beyond Synge: O'Neill's Anna Christie - by Thomas P. Adler

• "My Yosephine": The Music for Anna Christie - by Travis Bogard

• O'Neill's Nausikaa Episode - by Terry Reed

• The Sea versus Anna: Metaphoric Contrarieties - by Eileen Herrmann-Miller

Anti-Semitism

• Dismissed without Prejudice: O'Neill's Anti-Semitism or, Some of My Best Friends. . . - by Madeline C. Smith and Richard Eaton

Baker, George Pierce

• O'Neill and George Pierce Baker - by Paul D. Voelker

• O’Neill’s American Precursors - by Rupendra Guha Majumdar

Beckett, Samuel

• Waiting for the Dough: O'Neill's Hughie - by Steven F. Bloom

Beyond the Horizon

• From Beyond the Horizon to The Good Earth: Transformation of China in American Literary Consciousness - by Haiping Liu

• The Soil and the Sea: Eco-trajectory in Three of Eugene O’Neill’s Formative Works - by Marnie J. Glazier

• Wrestling with God: Old Testament Themes in O'Neill's Beyond the Horizon - by Shelly Regenbaum

Bibliography

• IT HATH MADE US MAD: Two O’Neillians’ Adventures in Bibliography - by Madeline Smith and Richard Eaton

Biography

• In Search of O'Neill - by Barbara Gelb

• Second Thoughts - by Arthur Gelb and Barbara Gelb

Book Reviews

• Adler, Thomas P. Mirror on the Stage: The Pulitzer Plays as an Approach to American Drama - by Thomas F. Connolly

• Ahuja, Chaman. Tragedy, Modern Temper and O'Neill - by Frederick C. Wilkins

• Barlow, Judith E. Final Acts: The Creation of Three Late O'Neill Plays - by Jordan Y. Miller

• Benchley, Robert. Benchley at the Theatre: Dramatic Criticism, 1920-1940 - by Frederick C. Wilkins

• Berlin, Normand. Eugene O'Neill - by Frederick C. Wilkins

• Berlin, Normand. The Secret Cause: A Discussion of Tragedy - by Frederick C. Wilkins

• Bloom, Harold ed. Eugene O'Neill - by Frederick C. Wilkins

• Bloom, Harold ed. Eugene O'Neill's "The Iceman Cometh" - by Frederick C. Wilkins

• Bloom, Harold ed. Eugene O'Neill's "Long Day's Journey Into Night" - by Frederick C. Wilkins

• Bogard, Travis ed. Eugene O'Neill: Complete Plays - by Barbara Gelb

• Bogard, Travis ed. Eugene O'Neill: Complete Plays - by Frederick C. Wilkins

• Bogard, Travis and Bryer, Jackson R. ed. Eugene O'Neill, Selected Letters - by Frederick C. Wilkins

• Book Reviews, Long and Short - by Frederick C. Wilkins

• Brevda, William. Harry Kemp, The Last Bohemian - by Marshall Brooks

• Burkman, Katherine H. The Arrival of Godot: Ritual Patterns in Modern Drama - by Thomas F. Connolly

• Cheuse, Alan. The Bohemians: John Reed and His Friends Who Shook the World - by Frederick C. Wilkins

• Cole, Susan Letzler. The Absent One: Mourning, Ritual, Tragedy and the Performance of Ambivalence - by Stephen A. Black

• Commins, Dorothy. "Love and Admiration and Respect": The O'Neill-Commins Correspondence - by Frederick C. Wilkins

• Egri, Peter. Chekhov and O'Neill: The Uses of the Short Story in Chekhov's and O'Neill's Plays - by Frederick C. Wilkins

• Floyd, Virginia. Eugene O'Neill at Work - by Winifred Frazer

• Floyd, Virginia. Eugene O'Neill: A World View - by Paul D. Voelker

• Floyd, Virginia. The Plays of Eugene O'Neill: A New Assessment - by Jordan Y. Miller

• Gilmore, Thomas B. Equivocal Spirits: Alcoholism and Drinking in Twentieth-Century Literature - by Steven F. Bloom

• Halfmann, Ulrich ed. Eugene O'Neill: Comments on the Drama and the Theatre. A Source Book - by Frederick C. Wilkins

• Henderson, Mary C. Theatre in America - by Yvonne Shafer

• Hirsch, Foster. Eugene O'Neill: Life, Work, and Criticism - by Frederick C. Wilkins

• Kemp, Harry. Poet of the Dunes - by Marshall Brooks

• Lewis, Ward E. Eugene O'Neill: The German Reception of America's First Dramatist - by James P. Pettegrove

• Murphy, Brenda. American Realism and American Drama - by Thomas F. Connolly

• On the Shelf: New Books By and About O'Neill (Part One) - by Frederick C. Wilkins

• On the Shelf: New Books By and About O'Neill (Part Two) - by Frederick C. Wilkins

• Orlandello, John. O'Neill on Film - by Gerald Dorset and Frederick C. Wilkins

• Roberts, Nancy L. and Roberts, Arthur W. "As Ever, Gene": The Letters of Eugene O'Neill to George Jean Nathan - by Jordan Y. Miller

• Smith, Madeline and Eaton, Richard. Eugene O'Neill: An Annotated Bibliography - by Frederick C. Wilkins

• Vena, Gary. O'Neill's "The Iceman Cometh": Reconstruction the Premiere - by Frederick C. Wilkins

• Weathers, Winston. The Broken Word: The Communication Pathos in Modern Literature - by Frederick C. Wilkins

• Wellwarth, George E. Modern Drama and the Death of God - by Frederick C. Wilkins

Boston

• Eugene O'Neill's Boston - by Marshall Brooks

Bound East for Cardiff

• Eugene O'Neill's Innovative Craftsmanship in the "Glencairn" Cycle (1914-1917) - by Marc Maufort

• O’Neill’s Earth: Landscape in Bound East for Cardiff and Beyond - by Marnie J. Glazier

• The Soil and the Sea: Eco-trajectory in Three of Eugene O’Neill’s Formative Works - by Marnie J. Glazier

• Turned Down in Provincetown: O'Neill's Debut Re-Examined - by Gary Jay Williams

California

• Eugene O'Neill in the West - by Travis Bogard

Calms of Capricorn, The

• Beneath The Calms of Capricorn: O'Neill's Adoption and Naturalization of European Models - by Peter Egri

• Dramatic Form in Eugene O'Neill's The Calms of Capricorn - by Esther M. Jackson

Casa Genotta

• O'Neill's Stately Mansions: A Visitors Reminiscences - by Winifred Frazer

Castle of Perseverance

• Elements of Medieval Morality Plays in the Plays of Eugene O'Neill - by Natasa Vucenovic

Catholicism

• Eugene O'Neill, Fidei Defensor: An Eschatological Study of The Great God Brown - by Michael E. Rutenberg

Chekhov, Anton

• Dialogue Between Son and Mother in Chekhov's The Sea Gull and O'Neill's Long Day's Journey Into Night - by Michael Manheim

China

• Directing O'Neill in China - by George C. White

• From Beyond the Horizon to The Good Earth: Transformation of China in American Literary Consciousness - by Haiping Liu

Cole, Lester

• Lawson & Cole Revisited - by Frederick C. Wilkins

Collecting

• Hammerman's O'Neill - by William Davies King

• On Collecting O'Neill - by Harley J Hammerman

• On Collecting O'Neill:  Part Two - by Harley J Hammerman

Comarnescu, Petru

• Four Letters by Eugene O'Neill - by Madeline C. Smith and Richard B. Eaton

Commins, Saxe

• Saxe Commins and The O'Neill's - by Louis Sheaffer

Conrad, Joseph

• Conrad and O'Neill as Playwrights of the Sea - by Kristin Morrison

Craig, Edward Gordon

• Eugene O'Neill and Edward Gordon Craig - by James Fisher

Crane, Stephen

• Crane's Maggie: A Source for The Hairy Ape - by Robert McIlvaine

Cycle, The

• The 'Child' O'Neill Tore Up - by Barbara Gelb

• The Cycle Women and Carlotta Monterey O'Neill - by Martha Bower

• O'Neill's Hopeless Hope for a Giant Cycle - by Arthur Gelb

• Paradise Lost: The Tragic Vision of O’Neill’s Historical Cycle and Faulkner’s Yoknatapawpha Saga - by Laurin Porter

Days Without End

• Elements of Medieval Morality Plays in the Plays of Eugene O'Neill - by Natasa Vucenovic

• Eugene O'Neill's Days Without End and the Tradition of the Split Character in Modern American and British Drama - by Albert Wertheim

• O'Neill's Catholic Dilemma in Days Without End - by Edward L. Shaughnessy

Death of a Salesman

• Willy Loman’s Long Night’s Journey Into Day - by Susan C. W. Abbotson

Desire Under the Elms

• Another Biblical Parallel in Desire Under the Elms - by Patrick Bowles

• Another View of Ephraim Cabot: A Footnote to Desire Under the Elms - by Jean Anne Waterstradt

• At the Roots of O'Neill's 'Elms' - by Arthur Gelb

• Desire Under the Elms: Characters by Jung - by Patrick J. Nolan

• Family Ties: Landscape and Gender in Desire Under the Elms - by Bette Mandl

• Reymont's The Peasants: A Probable Influence on Desire Under the Elms - by Michael Mikoś and David Mulroy

• The Tragic Cosmology of O'Neill's Desire Under the Elms - by Preston Fambrough

• “They’s gold in the fields o’ California…. Dog’ll eat dog” – Insatiable Desire for Possession in Eugene O’Neill’s Desire Under the Elms - by Olfa Gandouz

Diff’rent

• Diff’rent: Variations on a Theme - by William M. Peterson

Dreamy Kid, The

• "Darker Brother" in Stage-Center: Eugene O'Neill's Quest for Racial Equity in Three Decades (1913-1939) of American Drama - by Shahed Ahmed

• Staging Uprising: Eugene O’Neill’s The Dreamy Kid and Racial Anxieties - by Shahed Ahmed

Drug Addiction

• Ella O'Neill's Addiction - by Stephen A. Black

Dynamo

• "Electricity is God Now": D. H. Lawrence and O'Neill - by Susan H. Tuck

• Harnessing O'Neill's Furies: Philip Moeller Directs Dynamo - by Ronald H. Wainscott

Dionysus

• Casting the Curse of Dionysus on the Modern Version of the Greek Gods - by Naeema Ali Abdel Gawad

• Dionysus in Diaspora: O’Neill’s Tragedy of Muted Revelries - by Daniel Larner

• Eugene O’Neill’s Poetics of Dionysus through his Presentation of Xenoi, Metoikoi and Barbaroi - by Yoko Onizuka Chase

• O'Neill's Fear and Pity:  the Dionysian Living Death - by Daniel Larner

Emperor Jones, The

• Blackface and Kabuki Theatre: The Implications of Masks in the Wooster Group’s Production of Eugene O’Neill’s The Emperor Jones - by Lauren Stoner

• Breaking Boundaries: The Wooster Group’s Deconstruction of The Emperor Jones - by Ali Czarnecki

• "Darker Brother" in Stage-Center: Eugene O'Neill's Quest for Racial Equity in Three Decades (1913-1939) of American Drama - by Shahed Ahmed

• The Emperor Jones: O'Neill, Nietzshe, and the American Past - by Michael Hinden

• The Emperor Jones: A Jungian View of the Origin of Fear in the Black Race - by Patrick J. Nolan

• Eugene O’Neill Reconsidered: Trauma and the Tragic in The Emperor Jones - by Radmila Nastić

• The "Formless Fear" of O'Neill's Emperor and Tennyson's King - by Stephen M. Watt

• A Plank in Faulkner's "Lumber Room": The Emperor Jones and Light in August - by Donald P. Duclos

• The Ship Scene in The Emperor Jones - by R. Viswanathan

Everyman

• Elements of Medieval Morality Plays in the Plays of Eugene O'Neill - by Natasa Vucenovic

Faulkner, William

• House of Compson, House of Tyrone: Faulkner's Influence on O'Neill - by Susan H. Tuck

• Paradise Lost: The Tragic Vision of O’Neill’s Historical Cycle and Faulkner’s Yoknatapawpha Saga - by Laurin Porter

• A Plank in Faulkner's "Lumber Room": The Emperor Jones and Light in August - by Donald P. Duclos

• White Dreams, Black Nightmares: All God's Chillun Got Wings and Light in August - by Susan Tuck

First Night Criticism

• From Nobody to Nobel: Two Decades of First Night O'Neill Criticism - by Jordan Y. Miller

Fog

• Fog: An O'Neill Theological Miscellany - by Gerald Lee Ratliff

Francis, John

• John Francis, Go-Between for Provincetown and the Players - by George Monteiro

Gallagher, Peter

• Rethinking O'Neill - by Sheila Hickey Garvey

Gierow, Karl Ragnar

• Karl Ragnar Gierow on O'Neill, October 6, 1970 - by James P. Pettegrove

• Swede Aglow Over Last Unpublished O'Neill Play - by Arthur Gelb

Glaspell, Susan

• Susan Glaspell and Eugene O'Neill - by Linda Ben-Zvi

• Susan Glaspell and Eugene O'Neill: The Imagery of Gender - by Linda Ben-Zvi

Great God Brown, The

• Between Men: Gay Sensibility and The Great God Brown - by Richard Compson Sater

• Casting the Curse of Dionysus on the Modern Version of the Greek Gods - by Naeema Ali Abdel Gawad

• An Epitaph for the O'Neills - by Arthur Gelb

• Eugene O'Neill, Fidei Defensor: An Eschatological Study of The Great God Brown - by Michael E. Rutenberg

Greek Tragedy

• Casting the Curse of Dionysus on the Modern Version of the Greek Gods - by Naeema Ali Abdel Gawad

• Dionysus in Diaspora: O’Neill’s Tragedy of Muted Revelries - by Daniel Larner

• Staging O’Neill: Staging Greek Tragedy - by Eileen Herrmann-Miller

Greenwich Village

• Experiencing the Community: Eugene O'Neill's Ambivalent Response to Bohemian Utopia - by Gwenola Le Bastard

• Interesting People on Christopher Street: The Selling of O’Neill and the Village - by Michael Schwartz

Hairy Ape, The

• The Ape and the Elephant - by P. K. Brask

• Biblical Allusions in The Hairy Ape - by Ann D. Hughes

• Bob Smith Ain't So Dumb: Directing The Hairy Ape - by Michael E. Rutenberg

• Crane's Maggie: A Source for The Hairy Ape - by Robert McIlvaine

• Elements of Medieval Morality Plays in the Plays of Eugene O'Neill - by Natasa Vucenovic

• From Modernism to Post-Modernism: The Modes and Goals of Experimental Theater in Eugene O’Neill’s The Hairy Ape - by Keely Moloney

• The Hairy Ape: An Illustrated Blog - by Nathaniel Jones

• The Hairy Ape as Existential Allegory - by Patrick Bowles

• Ironic Use of Myth in The Hairy Ape - by Michael Hinden

• Jack London and The Hairy Ape - by Joseph Jurich

• January Revival for ‘Hairy Ape’ - by Arthur Gelb

• The Jungle Books and O'Neill - by R. Viswanathan

• Men of Iron, Beasts of Clay: The Confluence of Folk-Tale and Drama in "Joe Magarac" and The Hairy Ape - by Marilyn Jurich

• O’Neill’s Existential Man, Distinguished or Extinguished - by Michael D. Sollars

• Schizorevolution in O’Neill’s The Hairy Ape - by Adel Bahroun

• The Search for Self in The Hairy Ape: An Exercise in Futility? - by Virginia Floyd

• Stumbling Amid the Ruins: Yank’s Absurd Inheritance in The Hairy Ape - by J. Chris Westgate

• Three European Productions of The Hairy Ape - by Horst Frenz

• Yank: A Musical Adaptation of Eugene O'Neill's The Hairy Ape - by Samuel J. Bernstein

• Yank’s Consciousness of Alienation in O’Neill’s The Hairy Ape - by Elizabeth Oldman

Hemingway, Ernest

• The fusion of the Epic and Dramatic: Hemingway, Strindberg and O'Neill - by Peter Egri

Homosexuality

• Between Men: Gay Sensibility and The Great God Brown - by Richard Compson Sater

• Homoeroticism Greek Style: Passion and Celibacy in O’Neill’s Iceman - by Andrew Warnsing

Hughie

• Ain't It the Truth: Hughie and the Power of Fiction - by James C. McKelly

• Artifice and Art -- Words in The Iceman Cometh and Hughie - by Robert Butler

• Dream and Live - by Arthur Gelb

• Hughie and The Zoo Story - by Marcelline Krafchick

• Hughie: By Way of Obit - by Frederic I. Carpenter

• Hughie: Robards' Monte Cristo? - by Harley J Hammerman

• Hughie: Some Light on O'Neill's Moon - by Marcelline Krafchick

• O’Neill’s ‘Hughie’ to Make U.S. Bow - by Arthur Gelb

• Questions and Answers in Hughie - by Edward L. Shaughnessy

• Waiting for the Dough: O'Neill's Hughie - by Steven F. Bloom

Ibsen, Henrik

• In Ibsen's Back Room: Related Patterns in The Iceman Cometh and The Wild Duck - by Yvonne Shafer

Iceman Cometh, The

• Absence as Presence: The Second Sex in The Iceman Cometh - by Bette Mandl

• Albee and the Iceman: O'Neill's Influence on Who's Afraid of Virginia Woolf? - by David W. Berry

• Artifice and Art -- Words in The Iceman Cometh and Hughie - by Robert Butler

• Chipping at the Iceman: The Text and the 1946 Theatre Guild Production - by Gary Vena

• Concealing While Revealing: O'Neill's Way With Truth - by Barbara Gelb

• "Darker Brother" in Stage-Center: Eugene O'Neill's Quest for Racial Equity in Three Decades (1913-1939) of American Drama - by Shahed Ahmed

• Dreaming Pipe Dreams Under the Influence of Dionysus: Nietzsche's The Birth of Tragedy as Inspiration for Eugene O'Neill's The Iceman Cometh - by Kara Reilly

• Drinking and Drunkenness in The Iceman Cometh: A Response to Mary McCarthy - by Steven F. Bloom

• Elements of Medieval Morality Plays in the Plays of Eugene O'Neill - by Natasa Vucenovic

• Ghost Stories: Iceman's Absent Women and Mary Tyrone - by James A. Robinson

• Homoeroticism Greek Style: Passion and Celibacy in O’Neill’s Iceman - by Andrew Warnsing

• The Iceman Cometh - by Michael Manheim

• The Iceman Cometh and the Critics--1946, 1956, 1973 - by William Hawley

• The Iceman Cometh: European Origins and American Originality - by Peter Egri

• The Iceman Cometh: European Origins and American Originality (Part Two) - by Peter Egri

• The Iceman Cometh: European Origins and American Originality (Conclusion) - by Peter Egri

• The Iceman Melteth: O'Neill's Return to Cultural Origins - by Edward L. Shaughnessy

• The Id, Ego and Super Ego of O’Neill: Reflected in The Iceman Cometh - by John Iverson

• In Ibsen's Back Room: Related Patterns in The Iceman Cometh and The Wild Duck - by Yvonne Shafer

• O'Neill and Comedy: The Iceman Cometh - by Normand Berlin

• O'Neill's 'Iceman' Sprang From the Ashes of His Youth - by Barbara Gelb

• O'Neill's Realism: A Structural Approach - by Brenda Murphy

• Reacreating a Myth: The Iceman Cometh in Washington, 1985 - by Sheila Hickey Garvey

• The Role of Drinking and Alcoholism in O'Neill's Late Plays - by Steven F. Bloom

• The Tragedy of the Train Wrecks: O’Neill’s The Iceman Cometh and Reality TV - by John Misak

• The Transcendence of Melodrama in O’Neill’s The Iceman Cometh - by Michael Manheim

Inscriptions: Eugene O'Neill to Carlotta Monterey O'Neill

• January Revival for ‘Hairy Ape’ - by Arthur Gelb

In the Zone

• Eugene O'Neill's Innovative Craftsmanship in the "Glencairn" Cycle (1914-1917) - by Marc Maufort

• Possible Sources for Two O'Neill One-Acts - by Esther Tamár

Irish Themes

• Eugene O’Neill in Ireland: An Update - by Edward L. Shaughnessy

• O’Neill’s African and Irish Americans:  Stereotypes or “Faithful Realism”? - by Edward L. Shaughnessy

• O'Neill's Ireland: Old Sod or Blarney Bog? - by Michael C. O'Neill

Jones, Robert Edmund

• Robert Edmund Jones and Eugene O'Neill: Two American Visionaries - by Dana S. McDermott

Jung, Carl

• Desire Under the Elms: Characters by Jung - by Patrick J. Nolan

• The Emperor Jones: A Jungian View of the Origin of Fear in the Black Race - by Patrick J. Nolan

Jungle Books

• The Jungle Books and O'Neill - by R. Viswanathan

Kemp, Harry

• Harry Kemp: Lest We Forget - by Marshall Brooks

Kierkegaard, Søren

• Issues of Community in O’Neill’s Long Day’s Journey into Night, and Kierkegaard’s Works of Love - by Michael Brandon Lopez

Kipling, Rudyard

• The Jungle Books and O'Neill - by R. Viswanathan

Lawrence, D. H.

• "Electricity is God Now": D. H. Lawrence and O'Neill - by Susan Tuck

Lawson, John Howard

• John Howard Lawson's Souls: A Harbinger of Strange Interlude - by Le Roy Robinson

• Lawson & Cole Revisited - by Frederick C. Wilkins

Light in August

• A Plank in Faulkner's "Lumber Room": The Emperor Jones and Light in August - by Donald P. Duclos

• White Dreams, Black Nightmares: All God's Chillun Got Wings and Light in August - by Susan Tuck

London, Jack

• Jack London and The Hairy Ape - by Joseph Jurich

Long Day's Journey Into Night

• Alone in the Dark:  Isolation in O’Neill’s Long Day’s Journey into Night - by B. Thiessen

• Dialogue Between Son and Mother in Chekhov's The Sea Gull and O'Neill's Long Day's Journey Into Night - by Michael Manheim

• Ella O'Neill's Addiction - by Stephen A. Black

• A Family Disease - by Gloria Dibble Pond

• From Stage to Screen: The Long Voyage Home and Long Day's Journey Into Night - by William L. Sipple

• Ghost Stories: Iceman's Absent Women and Mary Tyrone - by James A. Robinson

• House of Compson, House of Tyrone: Faulkner's Influence on O'Neill - by Susan H. Tuck

• Long Day’s Journey Into Night - by Michael Manheim

• Long Day’s Journey into Night and Hughie - by Michael Manheim

• Long Day's Journey Towards Separation: The Mary-Edmund Struggle - by Robert Einenkel

• Long Journey Into Light - by Arthur Gelb

• Motifs in Long Day’s Journey Into Night - by Michael Manheim

• "Native Eloquence": Multiple Voices in Long Day's Journey Into Night - by Jean Chothia

• Parallelism and Divergence: The Case of She Stoops to Conquer and Long Day's Journey Into Night - by Bert Cardullo

• Rethinking O'Neill - by Sheila Hickey Garvey

• The Return of O'Neill's "Play of Old Sorrow" - by Trudy Drucker

• The Role of Drinking and Alcoholism in O'Neill's Late Plays - by Steven F. Bloom

• The Soil and the Sea: Eco-trajectory in Three of Eugene O’Neill’s Formative Works - by Marnie J. Glazier

• The Stature of Long Day’s Journey Into Night - by Michael Manheim

• The Transcendence of Melodrama in Long Day’s Journey Into Night - by Michael Manheim

• The Tyrone Family as Allegory for Pre-World War Two United States of America: Illusions of an Isolationist Nation - by Jessica L. Nastal

• The War Among the Tyrones - by Stephen A. Black

• Willy Loman’s Long Night’s Journey Into Day - by Susan C. W. Abbotson

• Wrestling with the Angel in the House: Mary Tyrone's Long Journey - by Bette Mandl

Long Voyage Home, The

• Eugene O’Neill and John Ford: Their Long Voyage Home - by Richard Compson Sater

• Eugene O'Neill's Innovative Craftsmanship in the "Glencairn" Cycle (1914-1917) - by Marc Maufort

• From Stage to Screen: The Long Voyage Home and Long Day's Journey Into Night - by William L. Sipple

Macbeth

• All God's Chillun Got Wings and Macbeth - by Philip C. Kolin

Magarac, Joe

• Men of Iron, Beasts of Clay: The Confluence of Folk-Tale and Drama in "Joe Magarac" and The Hairy Ape - by Marilyn Jurich

Magon, Jero

• Jero Magon, Stager of Eugene O'Neill - by George Monteiro

• O'Neill and the Marionette: Über and Otherwise - by Lowell Swortzell

Marco Millions

• Quintero in the Square - by Barbara Gelb

Masks

• Masks in the Dramaturgy of Yeats and O'Neill - by Edward L. Shaughnessy

Melville, Herman

• The Legacy of Melville's Pierre: Family Relationships in Mourning Becomes Electra - by Marc Maufort

Metadrama

• O'Neill's Metadrama - by Richard Hornby

Middleton, Richard

• "Splendid Twaddle": O'Neill and Richard Middleton - by Michael Hinden

Miller, Arthur

• Primogeniture in the Plays of Eugene O’Neill and Arthur Miller - by Stephen Marino

• Willy Loman’s Long Night’s Journey Into Day - by Susan C. W. Abbotson

Moody, William Vaughn

• O’Neill’s American Precursors - by Rupendra Guha Majumdar

Moon for the Misbegotten, A

• A Moon for the Misbegotten - by Michael Manheim

• O’Neill’s Transcendence of Melodrama in A Touch of the Poet and A Moon for the Misbegotten - by Michael Manheim

• The Role of Drinking and Alcoholism in O'Neill's Late Plays - by Steven F. Bloom

• A Second Look, and a Second Chance to Forgive - by Barbara Gelb

• Up From Melodrama - by Michael Manheim

Moon of the Caribbees, The

• Eugene O'Neill's Innovative Craftsmanship in the "Glencairn" Cycle (1914-1917) - by Marc Maufort

More Stately Mansions

• A Cabin in the Woods, A Summerhouse in a Garden: Closure and Enclosure in O'Neill's More Stately Mansions - by Thomas P. Adler

• The 'Child' O'Neill Tore Up - by Barbara Gelb

• Drama by O'Neill Slated in Sweden - by Arthur Gelb

• Eugene O'Neill's More Stately Mansions: Studies in Dramatic Form at the University of Wisconsin-Madison - by Esther M. Jackson

• History as Image: Approaches to the Staging of Eugene O'Neill's More Stately Mansions - by Ronald R. Miller

• New O’Neill Drama Is Found by Swede - by Arthur Gelb

• Onstage He Played the Novelist - by Arthur Gelb

• The Paradox of Power in More Stately Mansions - by Joseph Petite

• Swede Aglow Over Last Unpublished O'Neill Play - by Arthur Gelb

Mourning Becomes Electra

• Electra's First Hazel: An Interview with Mary Arbenz - by Jeffrey Sands

• Eugene O’Neill’s Mourning Becomes Electra: An Overview of Structural and Thematic Traits  - by Shanjida K. Boksh and Shahed Ahmed

• The Legacy of Melville's Pierre: Family Relationships in Mourning Becomes Electra - by Marc Maufort

• Mother and Daughter in Mourning Becomes Electra - by William Young

• O'Neill as Seth in Mourning Becomes Electra - by Joan McQueen

• What's in a Name? The Significance of "Mannon" in Mourning Becomes Electra - by Richard F. Moorton

My Gene

• Carlotta Takes Center-Stage: A Review of My Gene - by Gary Vena

• Notes on a Work in Progress: An Interview with Barbara Gelb - by Sheila Hickey Garvey

Nietzsche, Friedrich

• Dreaming Pipe Dreams Under the Influence of Dionysus: Nietzsche's The Birth of Tragedy as Inspiration for Eugene O'Neill's The Iceman Cometh - by Kara Reilly

• The Emperor Jones: O'Neill, Nietzshe, and the American Past - by Michael Hinden

• Ironic Use of Myth in The Hairy Ape - by Michael Hinden

The Odyssey

• O'Neill's Nausikaa Episode - by Terry Reed

O'Neill, Agnes Boulton

• “Our Home! Our Home!”: Eugene O’Neill and Agnes Boulton at Spithead - by William Davies King

O'Neill and Film

• At the Roots of O'Neill's 'Elms' - by Arthur Gelb

• Eugene O'Neill and Film - by Linda Ben-Zvi

• Eugene O’Neill and John Ford: Their Long Voyage Home - by Richard Compson Sater

• From Stage to Screen: The Long Voyage Home and Long Day's Journey Into Night - by William L. Sipple

• The Long Voyage Home: A Vicious Cycle at Sea - by Zander Brietzke

O'Neill, Carlotta Monterey

• The Cycle Women and Carlotta Monterey O'Neill - by Martha Bower

• Taasinge or Tharsing? - by Louis Sheaffer

• To O'Neill, She Was Wife, Mistress, Mother, Nurse - by Barbara Gelb

O'Neill, Ella Quinlan

• Ella, James, and Jamie O'Neill: "My Name Is Might-Have-Been" - by Edward L. Shaughnessy

• Ella O'Neill and the Imprint of Faith - by Edward L. Shaughnessy

• 'Written in Tears And Blood...' - by Barbara Gelb

O'Neill, Eugene Gladstone

• About O'Neill - by Romulus Linney

• As O’Neill Saw the Theatre - by Arthur and Barbara Gelb

• Coronet Theatre to Be Renamed in Honor Of Eugene O’Neill - by Arthur Gelb

• Correcting Some Errors in Annals of O'Neill (Part I) - by Louis Sheaffer

• Correcting Some Errors in Annals of O'Neill (Part II) - by Louis Sheaffer

• Eugene O’Neill, 1888-1953: A Descriptive Chronology of His Plays, Theatrical Career, and Dramatic Theories - by Charles A. Carpenter

• Eugene O'Neill: America's National Playwright - Michael Manheim

• A Humanitarian Playwright - by George H. Quinby

• Lawson & Cole Revisited - by Frederick C. Wilkins

• The Legacy of O'Neill - by Israel Horovitz

• Name of O’Neill Adorns Theatre - by Arthur Gelb

• Notes on O'Neill and A Touch of the Poet - by Per K. Brask

• O'Neill at Work: A Pen in Trust to Art - by Virginia Floyd

• O'Neill, Eugene Gladstone (1888-1953) - by Edward L. Shaughnessy

• O'Neill Family Genealogy -- Frank A. Kunckel's Letter - by Mary K. Mallett

• O’Neill the Humanist - by Esther M. Jackson

• O’Neill's Birthplace Is Marked By Plaque at Times Square Site - by Arthur Gelb

• O'Neill's First Wife Defamed - by Louis Sheaffer

• What Did Eugene O’Neill Look Like Naked?: Trouble in the Flesh - by William Davies King

O'Neill in Iran

• O’Neill in Iran - by George H. Quinby

O'Neill in Japan

• On Two Major Recent Productions of O’Neill in Japan - by Mariko Hori

O'Neill in Poland

• O'Neill's Plays in Poland - by Halina Filipowicz-Findlay

O'Neill in Sweden

• Sweden to Stage Two O'Neill Plays - by Arthur Gelb

O'Neill, James Jr.

• Ella, James, and Jamie O'Neill: "My Name Is Might-Have-Been" - by Edward L. Shaughnessy

• 'Written in Tears And Blood...' - by Barbara Gelb

O'Neill, James Sr.

• Ella, James, and Jamie O'Neill: "My Name Is Might-Have-Been" - by Edward L. Shaughnessy

• O'Neill's Father Shaped His Son's Vision - by Barbara Gelb

• 'Written in Tears And Blood...' - by Barbara Gelb

O'Neill's Early Plays

• O'Neill's First Families: Warnings through The Personal Equation - by Paul D. Voelker

• Onstage He Played the Novelist - by Arthur Gelb

• Politics, But Literature: The Example of Eugene O'Neill's Apprenticeship - by Paul D. Voelker

O'Neill's Genres

• O'Neill's Genres: Early Performance and Late Achievement - by Peter Egri

O'Neill's Homes

• “C. W. D’s” at Tao House - by Travis Bogard

• O'Neill's Stately Mansions: A Visitors Reminiscences - by Winifred Frazer

O'Neill's Late Plays

• O'Neill's Transcendence of Melodrama in the Late Plays - by Michael Manheim

O'Neill's Poetry

• Eugene O'Neill, Poems: 1912-1944: A Review - by Winifred Frazer

• A Lost Poem by Eugene O'Neill - by Winifred Frazer

• A Touch of the Poet - by Barbara Gelb

O'Neill Studies

• An Agenda for O'Neill Studies - by Paul D. Voelker

• Bringing O'Neill's Works to Life in the Drama Classroom - by Robert Perrin

• Reaching Beyond the Horizon: Introducing a New Generation to Eugene O’Neill at the 2009 O’Neill Studio Retreat - by Beth Wynstra

O'Neill's Women

• Absence as Presence: The Second Sex in The Iceman Cometh - by Bette Mandl

• The Cycle Women and Carlotta Monterey O'Neill - by Martha Bower

• Mother and Daughter in Mourning Becomes Electra - by William Young

• O'Neill and Frank Wekekind (Conclusion) - by Susan Tuck

• O'Neill's Women - by Doris Nelson

• Sexuality as Destiny: The Shadow Lives of O'Neill's Women - by Trudy Drucker

• Susan Glaspell and Eugene O'Neill - by Linda Ben-Zvi

Oresteia

• What's in a Name? The Significance of "Mannon" in Mourning Becomes Electra - by Richard F. Moorton

Pierre, or the Ambiguities

• The Legacy of Melville's Pierre: Family Relationships in Mourning Becomes Electra - by Marc Maufort

Plays

• Gene & Aggie - by Jo Morello

• "Here Before You...Eugene O'Neill" - by David Wheeler

• Yank: A Musical Adaptation of Eugene O'Neill's The Hairy Ape - by Samuel J. Bernstein

Poems

• "Good Morning, Eugene" - by Norman Andrew Kirk

Performance Reviews

• Ah, Wilderness!, Seattle Repertory Theatre, Seattle, 1981 - by Deborah Kellar Pattin

• Ah, Wilderness!, Kennedy Theatre. University of Hawaii, Honolulu, 1985 - by Eugene K. Hanson

• Ah, Wilderness!, Alliance Theatre School of Atlanta, Madison-Morgan Cultural Center, Madison, Georgia, 1986 - by Ward B. Lewis

• Ah, Wilderness!, Winchester Unitarian Players, Winchester, MA, 1987 - by Thomas F. Connolly

• Ah, Wilderness!, Cincinnati Playhouse in the Park, Cincinnati, Ohio, 2002 - by Stephen A. Black

• Ah, Wilderness!, Arena Stage, Washington, DC, 2012 - by Yvonne Shafer

• Andi (Anna Christie), Theater of the Central Academy of Dramatic Arts, Beijing, China, 1984 - by Haiping Liu

• Anna Christie, New England Repertory Theatre, Worcester, 1981 - by Marshall Brooks

• Anna Christie, Your Theatre, New Bedford, 1984 - by Frederick C. Wilkins

• Anna Christie, Ohio University Players, Monomoy Theatre, Chatham, MA, 1987 - by Thomas F. Connolly

• Anna Christie, Arena Stage, Washington, D.C., 2005 - by Yvonne Shafer

• Anna Christie, Arena Stage, Washington, D.C., 2005 - by Norman Roessler

• Beyond the Horizon, Fred Miller Theater, Milwaukee, 1962 - by Arthur Gelb

• Beyond the Horizon, The Berkshire Public Theatre, Pittsfield, MA, 1988 - by Frederick C. Wilkins

• Beyond the Horizon, The Old Barn, Tao House, Danville, California, 2002 - by Stephen A. Black

• Beyond the Horizon, Boomerang Theatre Company at Center Stage, New York, New York, 2004 - by Glenda Frank

• Beyond the Horizon, Ensemble Theatre, Cleveland Heights, Ohio, 2014 - by Yuko Kurahashi

• Desire Under the Elms, Asolo Theatre, Sarasota, 1977 - by Winifred Frazer

• Desire Under the Elms, Guthrie Theater, Minneapolis, 1980 - by Paul D. Voelker

• Desire Under the Elms, Indiana Repertory Theatre, Indianapolis, 1983 - by Susan H. Tuck

• Desire Under the Elms, Roundabout Theatre Company (Stage One), New York City, 1984 - by Frederick C. Wilkins

• Desire Under the Elms, Rand Theater, Amherst, 1984 - by Frederick C. Wilkins

• Desire Under the Elms, Greenwich Theatre, London, 1987 - by Albert E. Kalson

• Desire Under the Elms, American Repertory Theater, Cambridge, MA, 2005 - by Norman Roessler

• Den Ludna Gorillan (The Hairy Ape), Folkteatern (The People's Theatre), Gavle, Sweden, 1986 - by Tom J. A. Olsson

• E.G.O.: The Passions of Eugene Gladstone O'Neill, Provincetown Theater, Provincetown, Massachusetts, 2005 - by Kurt Eisen

• The Emperor Jones, The First Floor Theatre, La MaMa, ETC, New York, NY, 2006 - by Glenda Frank

• The Emperor Jones, The Wooster Group, St. Ann’s Warehouse, Brooklyn, New York, 2006 - by Glenda Frank

• Eugene O’Neill – A Documentary Film, PBS, 2006 - by Harley Hammerman

• "Eugene O'Neill: From the Sea to the City," Studio Theatre Productions, New York City, 1982 - by Vera Jiji

• The First Man, New Vic Theatre, New York City, 1984 - by Gary Vena

• Four Plays of the Sea ("S.S. Glencairn"), Just So Productions, San Francisco, 1988 - by Jeffrey D. Mason

• The Great God Brown, Laurie Theatre, Brandeis University, Waltham, 1984 - by Marshall Brooks

• The Great God Brown, State University of New York, Albany, 1985 - by Jarka Burian

• The Hairy Ape, Hopkins Center, Hanover, 1979 - by Frederick C. Wilkins

• The Hairy Ape, Studio Theatre Productions, New York City, 1982 - by Frederick C. Wilkins

• The Hairy Ape, National Theatre, London, 1987 - by Albert E. Kalson

• Hughie, American Repertory Theatre, Cambridge, 1983 - by Thomas F. Connolly

• Hughie, Provincetown Playhouse, Provincetown, 1984 - by Frederick C. Wilkins

• Hughie Nattportiern (Hughie), Stockholm, Sweden, 1988 - by Frederick C. Wilkins

• Hughie, Center Stage Theater, Santa Barbara, CA, 2006 - by William Davies King

• Hughie, Shakespeare Theatre, Washington, D.C., 2013 - by Yvonne Shafer

• The Iceman Cometh, Trinity Square Repertory Company, Providence, 1981 - by Frederick C. Wilkins

• The Iceman Cometh, Lunt-Fontanne Theatre, New York, 1985 - by Frederick C. Wilkins

• The Iceman Cometh, Oregon Shakespearean Festival, Ashland, OR, 1988 - by Stephen A. Black

• The Iceman Cometh, Dulaang Theater, University of the Philippines, Manila, 2004 - by Stephen A. Black

• Kejsar Jones, Royal Opera, Stockholm, Sweden, 1984 - by Tom J. A. Olsson

• Lang Dags Fard Mot Natt (Long Day's Journey Into Night), Kungliga Dramatiska Teatern, Stockholm, Sweden, 1988 - by Frederick C. Wilkins

• Long Day's Journey Into Night, Cort Theatre, New York, 1962 - by Arthur Gelb

• Long Day's Journey Into Night, New York Shakespeare Festival Public Theater, New York City, 1981 - by Marshall Brooks

• Long Day's Journey Into Night, Nucleo Eclettico, Boston, 1982 - by Marshall Brooks

• Long Day's Journey Into Night, Richmond Shepard Theater Studios, Hollywood, 1982 - by Eugene K. Hanson

• Long Day's Journey Into Night (abridged), Edinburgh International Festival, Scotland, 1982 - by Gerald M. Berkowitz

• Long Day's Journey Into Night, High Point Theatre, North Carolina Shakespeare Festival, 1983 - by Joedy Lister

• Long Day's Journey Into Night, Court Theatre (University of Chicago), Chicago, 1984 - by Michael Manheim

• Long Day's Journey Into Night, Arts Theatre, London, 1984 - by Albert E. Kalson

• Long Day's Journey, Intiman Theatre, Seattle, 1984 - by Eugene K. Hanson

• Long Day's Journey,Gateway Playhouse, Wareham, 1984 - by Thomas F. Connolly

• Long Day's Journey and Ah, Wilderness!, San Diego Repertory Theatre, 1984 - by Eugene K. Hanson

• Long Day's Journey Into Night, Pacific Conservatory of the Performing Arts, Santa Maria, California, 1985 - by Luther Hanson

• Long Day's Journey Into Night, Broadhurst Theatre, New York City, 1986 - by Steven F. Bloom

• Long Day's Journey Into Night, Korrekelder Theatre Company, Bruges, Belgium, 1986 - by Marc Maufort

• Long Day's Journey Into Night, Portland Stage Company, Portland, Maine, 1987 - by Frederick C. Wilkins

• Long Day's Journey Into Night, Denver Center Theatre Company, 1988 - by Linda Ben-Zvi

• Long Day's Journey Into Night and Ah, Wilderness!, Yale Repertory Theatre, New Haven, CT, 1988 - by Frederick C. Wilkins

• Long Day's Journey Into Night, Indiana Repertory Theater, Indianapolis, IN, 1988 - by A. James Fisher

• Long Day's Journey Into Night, Plymouth Theatre, New York, New York, 2003 - by Yvonne Shafer

• Long Day's Journey Into Night, Town Hall, Provincetown, Massachusetts, 2003 - by Yvonne Shafer

• Long Day's Journey Into Night, Théâtre Royal du Parc, Brussels, Belgium and Théâtre Jean Vilar, Louvain, Belgium, 2003 - by Marc Maufort

• Long Day’s Journey Into Night, Cleveland Play House, Cleveland, 2005 - by Yuko Kurahashi

• Long Day's Journey Into Night, Northwest Actors Studio, Seattle, Washington, 2005 - by Stephen A. Black

• Long Day's Journey Into Night, Arena Stage, Washington, DC, 2012 - by Yvonne Shafer

• The Long Voyage Home, Mermaid Theatre, New York, 1961 - by Arthur Gelb

• The Long Voyage Home, Kresge Little Theatre, Cambridge, 1984 - by Thomas F. Connolly

• The Lost Works of Eugene O'Neill, Key Theatre, New York, 1959 - by Arthur Gelb

• L'Etrange Intermede (Strange Interlude), National Theatre of Belgium in Brussels, 1988 - by Frederick C. Wilkins

• Marco Millions, National Theatre, Prague, Czechoslovakia, 1988 - by Jarka M. Burian

• Marco Millions (based on lies), Waterwell, Lion at Theatre Row, New York, NY, 2006 - by Robert M. Dowling

• A Moon for the Misbegotten, Guthrie Theater, Minneapolis, 1977 - by Paul D. Voelker

• A Moon for the Misbegotten, Barton Square Playhouse, Salem, 1982 - by Thomas F. Connolly

• A Moon for the Misbegotten, The Lyric Stage, Boston, 1983 - by Thomas F. Connolly

• A Moon for the Misbegotten, Steppenwolf Theatre Company, Chicago, 1983 - by Susan H. Tuck

• A Moon for the Misbegotten, Riverside Studios, London, 1983 - by Gerald M. Berkowitz

• A Moon for the Misbegotten, American Repertory Theatre, Cambridge, 1983 - by Frederick C. Wilkins

• A Moon for the Misbegotten, Asolo State Theater, Sarasota, Florida, 1986 - by Winifred L. Frazer

• A Moon for the Misbegotten, Grove Theatre Company, Gem Theatre, Garden Grove, CA, 1986 - by Eugene K. Hanson

• A Moon for the Misbegotten, Theatrical Outfit, Atlanta, Georgia, 1987 - by Ward B. Lewis

• A Moon for the Misbegotten, Sacramento Theatre Company, Sacramento, CA, 1987 - by Eugene K. Hanson

• A Moon for the Misbegotten, ACT, Seattle, Washington, 2003 - by Stephen A. Black

• A Moon for the Misbegotten, Triad Stage, Greensboro, NC, 2005 - by Stephen A. Black

• A Moon for the Misbegotten, Hartford Stage, Hartford, Connecticut, 2006 - by Joanne Greco Rochman

• A Moon for the Misbegotten, The Old Vic Theatre, London, England, 2006 - by Anna Airoldi

• Mourning Becomes Electra, The Harvard-Radcliffe Summer Theatre, Loeb Drama Center, Cambridge, 1983 - by Frederick C. Wilkins

• Mourning Becomes Electra, Indiana Repertory Theatre, Indianapolis, 1986 - by James Fisher

• Mourning Becomes Electra, Trinity Repertory Company, Providence, RI, 1987 - by Frederick C. Wilkins

• Mourning Becomes Electra, PlayMakers Repertory Company, University of North Carolina at Chapel Hill, 1988 - by Frederick C. Wilkins

• Mourning Becomes Electra, Mahen [State] Theatre, Brno, Czechoslovakia, 1988 - by Jarka M. Burian

• Mourning Becomes Electra, New York City Opera, Lincoln Center, New York, New York, 2004 - by Yvonne Shafer

• Sea Plays, Rand Theater, University of Massachusetts at Amherst, 1988 - by Frederick C. Wilkins

• Servitude, University of Wisconsin Center-Richland, 1981 - by Paul D. Voelker

• Strange Interlude, Duke of York's Theatre, London, 1984 - by Albert E. Kalson

• Strange Interlude, Bretania Theatre, Athens, Greece, Spring 1985 - by Eugene K. Hanson

• Strange Interlude, Nederlander Theatre, New York, 1985 - by Frederick C. Wilkins

• Strange Interlude, Shakespeare Theatre Company, Washington, DC, 2012 - by Yvonne Shafer

• Strindberg and O'Neill: A Shared Legacy, Circle in the Square, New York City, 1982 - by Frederick C. Wilkins

• Take Me Along, The Irish Repertory Theatre, New York, NY, 2008 - by Yvonne Shafer

• "Three Lost Plays of Eugene O'Neill," Lotus Theatre Group, Playhouse 46, New York City, 1982 - by Frederick C. Wilkins

• A Touch of the Poet, Intiman Theatre, Seattle, 1981 - by Deborah Kellar Pattin

• A Touch of the Poet, Yale Repertory Theatre, New Haven, 1983 - by Frederick C. Wilkins

• A Touch of the Poet, The Concord Players, Concord, 1983 - by Marshall Brooks

• A Touch of the Poet, The Young Vic and Comedy Theatres, London, 1988 - by Laurin R. Porter

• A Touch of the Poet, The Young Vic and Comedy Theatres, London, 1988 - by William F. Condee

• A Touch of the Poet, Roundabout Theatre Company, New York, NY, 2005 - by Yvonne Shafer

• A Touch of the Poet, Roundabout Theatre Company, New York, NY, 2005 - by Glenda Frank

• A Touch of the Poet, Roundabout Theatre Company, New York, NY, 2005 - by Andrea Grunert

• "Where the Cross is Made," "Before Breakfast," and "The Dreamy Kid," Tower Theatre, Massachusetts College of Art, Boston, 1986 - by Thomas F. Connolly

Primogeniture

• Primogeniture in the Plays of Eugene O’Neill and Arthur Miller - by Stephen Marino

Provincetown Players

• From Modernism to Post-Modernism: The Modes and Goals of Experimental Theater in Eugene O’Neill’s The Hairy Ape - by Keely Moloney

• From Paterson to P’town: How a Silk Strike in New Jersey Inspired the Provincetown Players - by Rosemary McLaughlin

• John Francis, Go-Between for Provincetown and the Players - by George Monteiro

• Short Plays, Small Spaces, Dreamy Kids - by Michael C. O’Neill

• Turned Down in Provincetown: O'Neill's Debut Re-Examined - by Gary Jay Williams

Provincetown Playhouse

• Short Plays, Small Spaces, Dreamy Kids - by Michael C. O’Neill

• Wharf-Theater Era Takes a Curtain Call - by Arthur Gelb

Production, Direction, and Staging

• Doing O'Neill - by Brad Field

• Stage Directions: O'Neill's Unheard Voice - by Michael Basile

• Staging O’Neill: Staging Greek Tragedy - by Eileen Herrmann-Miller

Puppetry

• O'Neill and the Marionette: Über and Otherwise - by Lowell Swortzell

Quintero, José

• Quintero in the Square - by Barbara Gelb

• A Touch of the Tragic - by Barbara Gelb

Recklessness

• Possible Sources for Two O'Neill One-Acts - by Esther Tamár

Riders to the Sea

• Beyond Synge: O'Neill's Anna Christie - by Thomas P. Adler

Robards, Jason

• Hughie: Robards' Monte Cristo? - by Harley J Hammerman

• Jason Jamie Robards Tyrone - by Barbara Gelb

• Long Journey Into Light - by Arthur Gelb

• A Meeting with the Redoubtable Jason - by Edward L. Shaughnessy

Robeson, Paul

• Eugene O'Neill and Paul Robeson: An Uneasy Collaboration in Three of O'Neill's Early Plays - by Glenda E. Gill

Rope, The

• Nina Moise Directs Eugene O'Neill's The Rope - by Robert K. Sarlós

Royalties

• A Mint From the 'Misbegotten' - by Barbara Gelb

"Screenews of War, The"

• Debunking "The Screenews of War" - by Harley J Hammerman

Shakespeare, William

• All God's Chillun Got Wings and Macbeth - by Philip C. Kolin

S.S. Glencairn Cycle

• Eugene O’Neill and John Ford: Their Long Voyage Home - by Richard Compson Sater

• Eugene O'Neill's Innovative Craftsmanship in the "Glencairn" Cycle (1914-1917) - by Marc Maufort

• O’Neill’s S.S. Glencairn Cycle: Page Vs. Stage - by Richard Compson Sater

Strange Interlude

• The Evil Particles of Desire in O’Neill’s Strange Interlude - by Adel Bahroun

• The Inescapable Father:  O'Neill's Strange Interlude - by B. Thiessen

• John Howard Lawson's Souls: A Harbinger of Strange Interlude - by Le Roy Robinson

• O'Neill and Frank Wekekind (Conclusion) - by Susan Tuck

• O'Neill's Seething 'Interlude' Returns to Broadway - by Barbara Gelb

• Strange Interlude, and the Quest for Truth - by Thierry Dubost

• Strange Interlude -- Strange Criticism - by Frederic I. Carpenter

• What They Really Saw: Using Archives to Reconstruct the Censored Performance of Eugene O’Neill’s Strange Interlude - by Claudia Wilsch Case

Strindberg, August

• The fusion of the Epic and Dramatic: Hemingway, Strindberg and O'Neill - by Peter Egri -

Synge, John Millington

• Anna Christie and Christy Mahon - by Richard Brucher

• Beyond Synge: O'Neill's Anna Christie - by Thomas P. Adler

Tao House

• “C. W. D’s” at Tao House - by Travis Bogard

Taoism

• Taoism in O'Neill's Tao House Plays - by Liu Haiping

Theatre History

• The Development of a Theatre Historian: An Interview with Glenda E. Gill - by Glenda E. Gill

Thirst

• "Darker Brother" in Stage-Center: Eugene O'Neill's Quest for Racial Equity in Three Decades (1913-1939) of American Drama - by Shahed Ahmed

Touch of the Poet, A

• A Crutch of the Poet - by Albert Bermel

• The Function of Simon Harford in A Touch of the Poet - by Bert Cardullo

• Notes on O'Neill and A Touch of the Poet - by Per K. Brask

• O'Neill's Hopeless Hope for a Giant Cycle - by Arthur Gelb

• O’Neill’s Transcendence of Melodrama in A Touch of the Poet and A Moon for the Misbegotten - by Michael Manheim

• O'Neill's Use of Irish-Yankee Stereotypes in A Touch of the Poet - by Norma Jenckes

• The Role of Drinking and Alcoholism in O'Neill's Late Plays - by Steven F. Bloom

• A Touch of the Tragic - by Barbara Gelb

Trouble in the Flesh

• What Did Eugene O’Neill Look Like Naked?: Trouble in the Flesh - by William Davies King

Yale University

• The Eugene O'Neill Collection at Yale - by Donald Gallup

Yeats, William Butler

• Masks in the Dramaturgy of Yeats and O'Neill - by Edward L. Shaughnessy

Waiting For Godot

• Waiting for the Dough: O'Neill's Hughie - by Steven F. Bloom

Wedekind, Frank

• O'Neill and Frank Wedekind (Part One) - by Susan Tuck

• O'Neill and Frank Wekekind (Conclusion) - by Susan Tuck

Welch, Marion

• First Love: Eugene O'Neill and "Boutade" - by Travis Bogard

Where the Cross Is Made

• O'Neill's Use of Language in Where the Cross Is Made - by Robert Perrin

Wild Duck, The

• In Ibsen's Back Room: Related Patterns in The Iceman Cometh and The Wild Duck - by Yvonne Shafer

Wife for a Life, A

• Biography, Autobiography and Artistry in A Wife for a Life - by Paul D. Voelker

Who's Afraid of Virginia Woolf?

• Albee and the Iceman: O'Neill's Influence on Who's Afraid of Virginia Woolf? - by David W. Berry

Wilson, August

• Parallels in the Work of Eugene O’Neill and August Wilson - by Yvonne Shafer

Wooster Group, The

• Blackface and Kabuki Theatre: The Implications of Masks in the Wooster Group’s Production of Eugene O’Neill’s The Emperor Jones - by Lauren Stoner

• Breaking Boundaries: The Wooster Group’s Deconstruction of The Emperor Jones - by Ali Czarnecki

• From Modernism to Post-Modernism: The Modes and Goals of Experimental Theater in Eugene O’Neill’s The Hairy Ape - by Keely Moloney

Wylie, Max

• What Did Eugene O’Neill Look Like Naked?: Trouble in the Flesh - by William Davies King