Abbey Theatre

• Synge and the Irish Influence of the Abbey Theatre on Eugene O'Neill - by Nelson O`Ceallaigh Ritschel

African-American Studies

• All God’s Chillun: Religion and “Painty Faces” versus the NAACP and the Provincetown Players - by Martha Gilman Bower

• Eugene O'Neill and Paul Robeson: An Uneasy Collaboration in Three of O'Neill's Early Plays - by Glenda E. Gill

• “Interlopers”: African-American Actors in Non-Traditional Roles in the Works of Eugene O’Neill - by Glenda E. Gill

• O’Neill’s African and Irish Americans:  Stereotypes or “Faithful Realism”? - by Edward L. Shaughnessy

Ah, Wilderness!

• A Connecticut Yankee in the Wilderness: The Sterner Stuff of O'Neill's Comedy - by Edward L. Shaughnessy

• Filtering America’s Past Through Sunlight: Eugene O’Neill’s Ah, Wilderness! - by Yvonne Shafer

• Two Journeys to Wilderness - by Sharon O. Watkinson

Alcohol Addiction

• Drinking and Drunkenness in The Iceman Cometh: A Response to Mary McCarthy - by Steven F. Bloom

• A Family Disease - by Gloria Dibble Pond

• The Role of Drinking and Alcoholism in O'Neill's Late Plays - by Steven F. Bloom

All God's Chillun Got Wings

• All God’s Chillun: Religion and “Painty Faces” versus the NAACP and the Provincetown Players - by Martha Gilman Bower

• Christianity and All God's Chillun Got Wings - by James A. Robinson

• Making It, Madness, and Motherhood: The Deep Structure of All God's Chillun Got Wings - by Samuel J. Bernstein

• The Transitional Nature of All God's Chillun Got Wings - by Michael Hinden

Ancient Mariner, The

• The Ancient Mariner and the Genesis of O'Neill's Romanticism - by Frank R. Cunningham

Anna Christie

• Anna Christie and Christy Mahon - by Richard Brucher

• “Anna Christie”: the Repentant Courtesan, Made Respectable - by Katie N. Johnson

• "My Yosephine": The Music for Anna Christie - by Travis Bogard

• The Sea versus Anna: Metaphoric Contrarieties - by Eileen Herrmann-Miller

• Tragic Vision and the Happy Ending in “Anna Christie” - by Zander Brietzke

Anti-Semitism

• Dismissed without Prejudice: O'Neill's Anti-Semitism or, Some of My Best Friends. . . - by Madeline C. Smith and Richard Eaton

Baker, George Pierce

• O'Neill and George Pierce Baker - by Paul D. Voelker

• O’Neill’s American Precursors - by Rupendra Guha Majumdar

Before Breakfast

• An Augmented Euphony in Paradise: A Film Adaptation of Eugene O'Neill's Before Breakfast - by Dale and Yvonne Sims

Beyond the Horizon

• From Beyond the Horizon to The Good Earth: Transformation of China in American Literary Consciousness - by Haiping Liu

• Wrestling with God: Old Testament Themes in O'Neill's Beyond the Horizon - by Shelly Regenbaum

Bibliography

• IT HATH MADE US MAD: Two O’Neillians’ Adventures in Bibliography - by Madeline Smith and Richard Eaton

Biography

• Second Thoughts - by Arthur Gelb and Barbara Gelb

Book Reviews

• Ahuja, Chaman. Tragedy, Modern Temper and O'Neill - by Frederick C. Wilkins

• Alexander, Doris. Eugene O'Neill's Last Plays: Separating Art from Autobiography - by Thomas F. Connolly

• Barlow, Judith E. Final Acts: The Creation of Three Late O'Neill Plays - by Jordan Y. Miller

• Benchley, Robert. Benchley at the Theatre: Dramatic Criticism, 1920-1940 - by Frederick C. Wilkins

• Ben-Zvi, Linda. Susan Glaspell: Essays on her Theater and Fiction - by Jon D. Rossini

• Ben-Zvi, Linda. Susan Glaspell: Her Life and Times - by Kurt Eisen

• Berlin, Normand. Eugene O'Neill - by Frederick C. Wilkins

• Berlin, Normand. The Secret Cause: A Discussion of Tragedy - by Frederick C. Wilkins

• Black, Cheryl. The Women of Provincetown, 1915-1922 - by Kurt Eisen

• Bogard, Travis ed. Eugene O'Neill: Complete Plays - by Barbara Gelb

• Bogard, Travis and Jackson R. Bryer ed. The Provincetown Players and the Playwrights’ Theatre, 1915-1922 by Edna Kenton - by Brenda Murphy

• Book Reviews, Long and Short - by Frederick C. Wilkins

• Brevda, William. Harry Kemp, The Last Bohemian - by Marshall Brooks

• Brietzke, Zander. The Aesthetics of Failure: Dynamic Structure in the Plays of Eugene O'Neill - by Michael Manheim

• Cheuse, Alan. The Bohemians: John Reed and His Friends Who Shook the World - by Frederick C. Wilkins

• Commins, Dorothy. "Love and Admiration and Respect": The O'Neill-Commins Correspondence - by Frederick C. Wilkins

• Deboer-Langworthy, Carol Ed. The Modern World of Neith Boyce: Autobiography and Diaries - by Cheryl Black

• Egri, Peter. Chekhov and O'Neill: The Uses of the Short Story in Chekhov's and O'Neill's Plays - by Frederick C. Wilkins

• Floyd, Virginia. Eugene O'Neill at Work - by Winifred Frazer

• Floyd, Virginia. Eugene O'Neill: A World View - by Paul D. Voelker

• Floyd, Virginia. The Plays of Eugene O'Neill: A New Assessment - by Jordan Y. Miller

• Gelb, Arthur. City Room - by Thomas F. Connolly

• Glaspell, Susan. The Road to the Temple: A Biography of George Cram Cook. Ed. Linda Ben-Zvi - by Robert K. Sarlós

• Johnson, Katie N. Sisters in Sin: Brothel Drama in America, 1900-1920 - by Penny Farfan

• King, William Davies. "A Wind is Rising": The Correspondence of Agnes Boulton and Eugene O'Neill - by Madeline Smith

• Koutsoudaki, Mary. The Greek Plays of Eugene O'Neill - by Robert Simpson McLean

• Lewis, Ward E. Eugene O'Neill: The German Reception of America's First Dramatist - by James P. Pettegrove

• Majumdar, Rupendra Guha. Central Man: The Paradox of Heroism in Modern American Drama - by Michael Manheim

• Manheim, Michael. Vital Contradictions: Characterization in the Plays of Ibsen, Strindberg, Chekhov and O'Neill - by Kurt Eisen

• Murphy, Brenda. O'Neill: Long Day's Journey Into Night - by Zander Brietzke

• Murphy, Brenda. The Provincetown Players and the Culture of Modernity - by Marcia Noe

• On the Shelf: New Books By and About O'Neill (Part One) - by Frederick C. Wilkins

• On the Shelf: New Books By and About O'Neill (Part Two) - by Frederick C. Wilkins

• Orlandello, John. O'Neill on Film - by Gerald Dorset and Frederick C. Wilkins

• Ozieblo, Barbara. Susan Glaspell: A Critical Biography - by Cheryl Black

• Richter, Robert A. Eugene O’Neill and “Dat Ole Davil Sea”: Maritime Influences in the Life and Works of Eugene O’Neill - by Kurt Eisen

• Smith, Madeline C. and Eaton, Richard B. Eugene O'Neill: An Annotated International Bibliography, 1973 through 1999 - by Samuel J. Bernstein

• Smith, Madeline C. and Eaton, Richard B. Eugene O'Neill Production Personnel - by Zander Brietzke

• Tornqvist, Egil. Eugene O'Neill: A Playwright's Theatre - by Laurin Porter

• Viswanathan, R. O'Neill and the Sea - by William M. Peterson

• Walker, Julia A. Expressionism and Modernism in the American Theatre: Bodies, Voices, Words - by Kurt Eisen

• Wakefield, Thaddeus. The Family in Twentieth-Century American Drama - by Steven F. Bloom

• Weathers, Winston. The Broken Word: The Communication Pathos in Modern Literature - by Frederick C. Wilkins

Boston

• Eugene O'Neill's Boston - by Marshall Brooks

Bryant, Louise

• Eugene O’Neill and Louise Bryant: New Documents - by Paul Roazen

Buried Child

• Teaching Long Day’s Journey and Shepard’s Buried Child - by Laurin Porter

California

• Eugene O'Neill in the West - by Travis Bogard

Calms of Capricorn, The

• Beneath The Calms of Capricorn: O'Neill's Adoption and Naturalization of European Models - by Peter Egri

Cambridge Theatre Festival

• American Drama at the Cambridge Theatre Festival, 1928-1935 - by Paul Cornwell

Camus, Albert

• Camus, O’Neill, and the Dead Mother Society - by Robert Combs

Casa Genotta

• O'Neill's Stately Mansions: A Visitors Reminiscences - by Winifred Frazer

Catholicism

• Eugene O'Neill, Fidei Defensor: An Eschatological Study of The Great God Brown - by Michael E. Rutenberg

Chekhov, Anton

• Dialogue Between Son and Mother in Chekhov's The Sea Gull and O'Neill's Long Day's Journey Into Night - by Michael Manheim

China

• Directing O'Neill in China - by George C. White

• From Beyond the Horizon to The Good Earth: Transformation of China in American Literary Consciousness - by Haiping Liu

Cole, Lester

• Lawson & Cole Revisited - by Frederick C. Wilkins

Collecting

• On Collecting O'Neill - by Harley J Hammerman

• On Collecting O'Neill:  Part Two - by Harley J Hammerman

Comedy

• Fractured Comedy: A Glimpse into Eugene O’Neill’s Tragic Constructs - by Glenda Frank

Commins, Saxe

• Saxe Commins and The O'Neill's - by Louis Sheaffer

Conrad, Joseph

• Conrad and O'Neill as Playwrights of the Sea - by Kristin Morrison

Craig, Edward Gordon

• Eugene O'Neill and Edward Gordon Craig - by James Fisher

Crane, Hart

• Affinities Between the Poetry of Hart Crane and the Plays of Eugene O’Neill - by Robert Combs

Crane, Stephen

• Crane's Maggie: A Source for The Hairy Ape - by Robert McIlvaine

Cycle, The

• The 'Child' O'Neill Tore Up - by Barbara Gelb

• The Cycle Women and Carlotta Monterey O'Neill - by Martha Bower

• O'Neill's Hopeless Hope for a Giant Cycle - by Arthur Gelb

Days Without End

• Eugene O'Neill's Days Without End and the Tradition of the Split Character in Modern American and British Drama - by Albert Wertheim

• O'Neill's Catholic Dilemma in Days Without End - by Edward L. Shaughnessy

Desire Under the Elms

• Another Biblical Parallel in Desire Under the Elms - by Patrick Bowles

• Another View of Ephraim Cabot: A Footnote to Desire Under the Elms - by Jean Anne Waterstradt

• At the Roots of O'Neill's 'Elms' - by Arthur Gelb

• Cross Cultural O’Neill: A Bengali Desire Under The Elms - by James R. Fleming

• Desire Under the Elms: Characters by Jung - by Patrick J. Nolan

• Reymont's The Peasants: A Probable Influence on Desire Under the Elms - by Michael Mikoś and David Mulroy

• The Tragic Cosmology of O'Neill's Desire Under the Elms - by Preston Fambrough

Diff’rent

• Diff’rent: Variations on a Theme - by William M. Peterson

Drug Addiction

• Ella O'Neill's Addiction - by Stephen A. Black

Dynamo

• "Electricity is God Now": D. H. Lawrence and O'Neill - by Susan H. Tuck

• Harnessing O'Neill's Furies: Philip Moeller Directs Dynamo - by Ronald H. Wainscott

Dionysus

• Casting the Curse of Dionysus on the Modern Version of the Greek Gods - by Naeema Ali Abdel Gawad

• Dionysus in Diaspora: O’Neill’s Tragedy of Muted Revelries - by Daniel Larner

• Eugene O’Neill’s Poetics of Dionysus through his Presentation of Xenoi, Metoikoi and Barbaroi - by Yoko Onizuka Chase

• O'Neill's Fear and Pity:  the Dionysian Living Death - by Daniel Larner

Emperor Jones, The

• “Black is white, I yells it out louder ’n deir loudest”: Unraveling The Wooster Group’s The Emperor Jones - by Johan Callens

• Brutus in the Heartland:  The Emperor Jones in Indianapolis, 1921 - by Edward L. Shaughnessy

• The Emperor Jones: A Struggle for Individuality - by Diya M. Abdo

• The Emperor Jones: O'Neill, Nietzshe, and the American Past - by Michael Hinden

• The Emperor Jones: A Jungian View of the Origin of Fear in the Black Race - by Patrick J. Nolan

• The "Formless Fear" of O'Neill's Emperor and Tennyson's King - by Stephen M. Watt

• The Ship Scene in The Emperor Jones - by R. Viswanathan

Faulkner, William

• House of Compson, House of Tyrone: Faulkner's Influence on O'Neill - by Susan H. Tuck

Fog

• Hints of the Tragic in Fog and Other Early O'Neill Plays - by Stephen A. Black

• Fog: An O'Neill Theological Miscellany - by Gerald Lee Ratliff

• Shifting Perceptions, Precarious Perspectives in Two of O'Neill's Early Sea Plays - by Michael D'Alessandro

Francis, John

• John Francis, Go-Between for Provincetown and the Players - by George Monteiro

• Will the Real John Francis Please Step Forward? - by Madeline C. Smith and Richard B. Eaton

Gallagher, Peter

• Rethinking O'Neill - by Sheila Hickey Garvey

Gierow, Karl Ragnar

• Karl Ragnar Gierow on O'Neill, October 6, 1970 - by James P. Pettegrove

• Swede Aglow Over Last Unpublished O'Neill Play - by Arthur Gelb

Glaspell, Susan

• Susan Glaspell and Eugene O'Neill - by Linda Ben-Zvi

• Susan Glaspell and Eugene O'Neill: The Imagery of Gender - by Linda Ben-Zvi

Gorelik, Max

• Closed Shop?: Max Gorelik and the Provincetown - by Anne Fletcher

Great God Brown, The

• Between Men: Gay Sensibility and The Great God Brown - by Richard Compson Sater

• Casting the Curse of Dionysus on the Modern Version of the Greek Gods - by Naeema Ali Abdel Gawad

• An Epitaph for the O'Neills - by Arthur Gelb

• Eugene O'Neill, Fidei Defensor: An Eschatological Study of The Great God Brown - by Michael E. Rutenberg

Greek Tragedy

• Casting the Curse of Dionysus on the Modern Version of the Greek Gods - by Naeema Ali Abdel Gawad

• Dionysus in Diaspora: O’Neill’s Tragedy of Muted Revelries - by Daniel Larner

• Mourning Becomes Electra as a Greek Tragedy - by Stephen A. Black

• Oresteian Structures in The Iceman Cometh - by William Davies King

• Staging O’Neill: Staging Greek Tragedy - by Eileen Herrmann-Miller

Hairy Ape, The

• Biblical Allusions in The Hairy Ape - by Ann D. Hughes

• Bob Smith Ain't So Dumb: Directing The Hairy Ape - by Michael E. Rutenberg

• Crane's Maggie: A Source for The Hairy Ape - by Robert McIlvaine

• Global Futurism, Divine Comedy, Greek Tragedy, and . . . The Hairy Ape - by Bert Cardullo

• The Hairy Ape: An Illustrated Blog - by Nathaniel Jones

• The Hairy Ape as Existential Allegory - by Patrick Bowles

• The Hairy Ape in the Context of Early 20th Century American Modernism - by Thomas F. Connolly

• Ironic Use of Myth in The Hairy Ape - by Michael Hinden

• Jack London and The Hairy Ape - by Joseph Jurich

• January Revival for ‘Hairy Ape’ - by Arthur Gelb

• The Search for Self in The Hairy Ape: An Exercise in Futility? - by Virginia Floyd

• Stumbling Amid the Ruins: Yank’s Absurd Inheritance in The Hairy Ape - by J. Chris Westgate

• Three European Productions of The Hairy Ape - by Horst Frenz

• Yank: A Musical Adaptation of Eugene O'Neill's The Hairy Ape - by Samuel J. Bernstein

• Yank’s Consciousness of Alienation in O’Neill’s The Hairy Ape - by Elizabeth Oldman

Hemingway, Ernest

• The fusion of the Epic and Dramatic: Hemingway, Strindberg and O'Neill - by Peter Egri

Homosexuality

• Between Men: Gay Sensibility and The Great God Brown - by Richard Compson Sater

Hughie

• Ain't It the Truth: Hughie and the Power of Fiction - by James C. McKelly

• Artifice and Art -- Words in The Iceman Cometh and Hughie - by Robert Butler

• Dream and Live - by Arthur Gelb

• Hughie and The Zoo Story - by Marcelline Krafchick

• Hughie: By Way of Obit - by Frederic I. Carpenter

• Hughie: Robards' Monte Cristo? - by Harley J Hammerman

• Hughie: Some Light on O'Neill's Moon - by Marcelline Krafchick

• O’Neill’s ‘Hughie’ to Make U.S. Bow - by Arthur Gelb

• Questions and Answers in Hughie - by Edward L. Shaughnessy

Iceman Cometh, The

• Absence as Presence: The Second Sex in The Iceman Cometh - by Bette Mandl

• Artifice and Art -- Words in The Iceman Cometh and Hughie - by Robert Butler

• Chipping at the Iceman: The Text and the 1946 Theatre Guild Production - by Gary Vena

• Concealing While Revealing: O'Neill's Way With Truth - by Barbara Gelb

• Dreaming Pipe Dreams Under the Influence of Dionysus: Nietzsche's The Birth of Tragedy as Inspiration for Eugene O'Neill's The Iceman Cometh - by Kara Reilly

• Drinking and Drunkenness in The Iceman Cometh: A Response to Mary McCarthy - by Steven F. Bloom

• Female Characters in (and not in) Eugene O’Neill’s The Iceman Cometh: Tracing Twentieth-Century Feminist Response into a New Era - by Christopher S. Glover

• The Iceman Cometh - by Michael Manheim

• The Iceman Cometh and the Critics--1946, 1956, 1973 - by William Hawley

• The Iceman Cometh as Infertility Myth - by Julia White

• The Iceman Cometh: European Origins and American Originality - by Peter Egri

• The Iceman Cometh: European Origins and American Originality (Part Two) - by Peter Egri

• The Iceman Cometh: European Origins and American Originality (Conclusion) - by Peter Egri

• The Iceman Cometh in Context: An American Saloon Trilogy - by Brenda Murphy

• The Iceman Melteth: O'Neill's Return to Cultural Origins - by Edward L. Shaughnessy

• O'Neill's 'Iceman' Sprang From the Ashes of His Youth - by Barbara Gelb

• O'Neill's Realism: A Structural Approach - by Brenda Murphy

• Oresteian Structures in The Iceman Cometh - by William Davies King

• Reacreating a Myth: The Iceman Cometh in Washington, 1985 - by Sheila Hickey Garvey

• The Role of Drinking and Alcoholism in O'Neill's Late Plays - by Steven F. Bloom

• Tragic Anagnorisis in The Iceman Cometh - by Stephen A. Black

• The Transcendence of Melodrama in O’Neill’s The Iceman Cometh - by Michael Manheim

Immigrant Experience

• Using O’Neill on the Immigrant Experience in the American Literature Classroom - by Glenda Frank

Inscriptions: Eugene O'Neill to Carlotta Monterey O'Neill

• January Revival for ‘Hairy Ape’ - by Arthur Gelb

In the Zone

• Possible Sources for Two O'Neill One-Acts - by Esther Tamár

Irish Themes

• Eugene O’Neill in Ireland: An Update - by Edward L. Shaughnessy

• O’Neill’s African and Irish Americans:  Stereotypes or “Faithful Realism”? - by Edward L. Shaughnessy

• O'Neill's Ireland: Old Sod or Blarney Bog? - by Michael C. O'Neill

Jansen, Cornelis

• Jansenism and O’Neill’s “Black Mystery of the Soul” - by Thomas E. Porter

Jones, Robert Edmund

• Robert Edmund Jones and Eugene O'Neill: Two American Visionaries - by Dana S. McDermott

Jung, Carl

• Desire Under the Elms: Characters by Jung - by Patrick J. Nolan

• The Emperor Jones: A Jungian View of the Origin of Fear in the Black Race - by Patrick J. Nolan

Kemp, Harry

• Harry Kemp: Lest We Forget - by Marshall Brooks

Lawrence, D. H.

• "Electricity is God Now": D. H. Lawrence and O'Neill - by Susan Tuck

Lawson, John Howard

• John Howard Lawson's Souls: A Harbinger of Strange Interlude - by Le Roy Robinson

• Lawson & Cole Revisited - by Frederick C. Wilkins

Le Plessis

• Remembrance of Things Past: Le Plessis Revisited - by Richard Eaton and Madeline Smith

London, Jack

• Jack London and The Hairy Ape - by Joseph Jurich

Long Day's Journey Into Night

• Alone in the Dark:  Isolation in O’Neill’s Long Day’s Journey into Night - by B. Thiessen

• Dialogue Between Son and Mother in Chekhov's The Sea Gull and O'Neill's Long Day's Journey Into Night - by Michael Manheim

• Ella O'Neill's Addiction - by Stephen A. Black

• A Family Disease - by Gloria Dibble Pond

• From Stage to Screen: The Long Voyage Home and Long Day's Journey Into Night - by William L. Sipple

• House of Compson, House of Tyrone: Faulkner's Influence on O'Neill - by Susan H. Tuck

• Long Day’s Journey Into Night - by Michael Manheim

• Long Day’s Journey into Night and Hughie - by Michael Manheim

• Long Day's Journey Towards Separation: The Mary-Edmund Struggle - by Robert Einenkel

• Long Journey Into Light - by Arthur Gelb

• “The Mad Scene: Enter Ophelia!”: O’Neill’s Use of the Delayed Entrance in Long Day’s Journey into Night - by Steven F. Bloom

• Motifs in Long Day’s Journey Into Night - by Michael Manheim

• Parallelism and Divergence: The Case of She Stoops to Conquer and Long Day's Journey Into Night - by Bert Cardullo

• Rethinking O'Neill - by Sheila Hickey Garvey

• The Return of O'Neill's "Play of Old Sorrow" - by Trudy Drucker

• The Role of Drinking and Alcoholism in O'Neill's Late Plays - by Steven F. Bloom

• The Stature of Long Day’s Journey Into Night - by Michael Manheim

• Teaching Long Day’s Journey and Shepard’s Buried Child - by Laurin Porter

• Too Close for Comfort: Biographical Truth in Long Day’s Journey Into Night - by Zander Brietzke

• The Transcendence of Melodrama in Long Day’s Journey into Night - by Michael Manheim

• The "Veil," Neoplatonism, and Genre in Long Day's Journey into Night - by Vivian Casper

Long Voyage Home, The

• Eugene O’Neill and John Ford: Their Long Voyage Home - by Richard Compson Sater

• From Stage to Screen: The Long Voyage Home and Long Day's Journey Into Night - by William L. Sipple

• The Long Voyage Home: A Vicious Cycle at Sea - by Zander Brietzke

Lynch, Peter

• O’Neill’s Bridge - by Sheila Hickey Garvey

Magaldi, Sábato

• Sábato Magaldi: Carlotta O’Neill’s Man in Brazil - by George Monteiro

Marco Millions

• All the Wrong Dreams: Marco Millions and the Acquisitive Instinct - by Cynthia McCown

• Marco Millions—Not Theatrical Millions - by Yvonne Shafer

• O’Neill in the Czech Republic: Marco Millions and the Velvet Revolution - by Laurin Porter

• Quintero in the Square - by Barbara Gelb

Masks

• Masks in the Dramaturgy of Yeats and O'Neill - by Edward L. Shaughnessy

Middleton, Richard

• "Splendid Twaddle": O'Neill and Richard Middleton - by Michael Hinden

Moody, William Vaughn

• O’Neill’s American Precursors - by Rupendra Guha Majumdar

Moon for the Misbegotten, A

• A Moon for the Misbegotten - by Michael Manheim

• New Myths for Old: A Production History of the 2000 Broadway Revival of A Moon for the Misbegotten - by Sheila Hickey Garvey

• O’Neill’s Transcendence of Melodrama in A Touch of the Poet and A Moon for the Misbegotten - by Michael Manheim

• O’Neill, the Theatre Guild, and A Moon for the Misbegotten - by Laura Shea

• The Role of Drinking and Alcoholism in O'Neill's Late Plays - by Steven F. Bloom

• A Second Look, and a Second Chance to Forgive - by Barbara Gelb

• The Stillbirth of Modern Humanity in A Moon for the Misbegotten - by Yuji Omori

• Up From Melodrama - by Michael Manheim

More Stately Mansions

• A Cabin in the Woods, A Summerhouse in a Garden: Closure and Enclosure in O'Neill's More Stately Mansions - by Thomas P. Adler

• The 'Child' O'Neill Tore Up - by Barbara Gelb

• Drama by O'Neill Slated in Sweden - by Arthur Gelb

• Eugene O'Neill's More Stately Mansions: Studies in Dramatic Form at the University of Wisconsin-Madison - by Esther M. Jackson

• History as Image: Approaches to the Staging of Eugene O'Neill's More Stately Mansions - by Ronald R. Miller

• More Stately Mansions Redux: Straightening Out the “Twisted Path” - by Martha Gilman Bower

• New O’Neill Drama Is Found by Swede - by Arthur Gelb

• Onstage He Played the Novelist - by Arthur Gelb

• The Paradox of Power in More Stately Mansions - by Joseph Petite

• Swede Aglow Over Last Unpublished O'Neill Play - by Arthur Gelb

Mourning Becomes Electra

• Electra's First Hazel: An Interview with Mary Arbenz - by Jeffrey Sands

• Iphigenia: An Overlooked Influence in Mourning Becomes Electra - by Lisa Miller

• Mother and Daughter in Mourning Becomes Electra - by William Young

• Mourning Becomes Electra as a Greek Tragedy - by Stephen A. Black

• Mourning Becomes Electra at 74 - by Stephen A. Black

• Moving Fate into the Family: Tragedy Redefined in O’Neill’s Mourning Becomes Electra - by Miriam M. Chirico

• O'Neill as Seth in Mourning Becomes Electra - by Joan McQueen

My Gene

• Carlotta Takes Center-Stage: A Review of My Gene - by Gary Vena

• Notes on a Work in Progress: An Interview with Barbara Gelb - by Sheila Hickey Garvey

Nietzsche, Friedrich

• Dreaming Pipe Dreams Under the Influence of Dionysus: Nietzsche's The Birth of Tragedy as Inspiration for Eugene O'Neill's The Iceman Cometh - by Kara Reilly

• The Emperor Jones: O'Neill, Nietzshe, and the American Past - by Michael Hinden

• Ironic Use of Myth in The Hairy Ape - by Michael Hinden

O'Neill, Agnes Boulton

• The O’Neill of Pulp Fiction - by William Davies King

• “Our Home! Our Home!”: Eugene O’Neill and Agnes Boulton at Spithead - by William Davies King

O'Neill and Film

• At the Roots of O'Neill's 'Elms' - by Arthur Gelb

• Eugene O'Neill and Film - by Linda Ben-Zvi

• Eugene O’Neill and John Ford: Their Long Voyage Home - by Richard Compson Sater

• From Stage to Screen: The Long Voyage Home and Long Day's Journey Into Night - by William L. Sipple

• The Gift of Ric Burns - by Zander Brietzke

• The Long Voyage Home: A Vicious Cycle at Sea - by Zander Brietzke

• “The Scope of the Movies”: Three Films and Their Influence on Eugene O’Neill - by Richard Hayes

O'Neill, Carlotta Monterey

• The Cycle Women and Carlotta Monterey O'Neill - by Martha Bower

• Taasinge or Tharsing? - by Louis Sheaffer

• To O'Neill, She Was Wife, Mistress, Mother, Nurse - by Barbara Gelb

O'Neill, Ella Quinlan

• Ella, James, and Jamie O'Neill: "My Name Is Might-Have-Been" - by Edward L. Shaughnessy

• Ella O'Neill and the Imprint of Faith - by Edward L. Shaughnessy

• 'Written in Tears And Blood...' - by Barbara Gelb

O'Neill, Eugene Gladstone

• About O'Neill - by Romulus Linney

• As O’Neill Saw the Theatre - by Arthur and Barbara Gelb

• Coronet Theatre to Be Renamed in Honor Of Eugene O’Neill - by Arthur Gelb

• Correcting Some Errors in Annals of O'Neill (Part I) - by Louis Sheaffer

• Correcting Some Errors in Annals of O'Neill (Part II) - by Louis Sheaffer

• Eugene O’Neill, 1888-1953: A Descriptive Chronology of His Plays, Theatrical Career, and Dramatic Theories - by Charles A. Carpenter

• Eugene O'Neill: America's National Playwright - Michael Manheim

• The Genius of O’Neill - by Tony Kushner

• A Humanitarian Playwright - by George H. Quinby

• Lawson & Cole Revisited - by Frederick C. Wilkins

• The Legacy of O'Neill - by Israel Horovitz

• Name of O’Neill Adorns Theatre - by Arthur Gelb

• Notes on O'Neill and A Touch of the Poet - by Per K. Brask

• O'Neill, Eugene Gladstone (1888-1953) - by Edward L. Shaughnessy

• O'Neill Family Genealogy -- Frank A. Kunckel's Letter - by Mary K. Mallett

• O’Neill the Humanist - by Esther M. Jackson

• O’Neill's Birthplace Is Marked By Plaque at Times Square Site - by Arthur Gelb

• O'Neill's First Wife Defamed - by Louis Sheaffer

• What Did Eugene O’Neill Look Like Naked?: Trouble in the Flesh - by William Davies King

O'Neill in the Czech Republic

• O’Neill in the Czech Republic: Marco Millions and the Velvet Revolution - by Laurin Porter

O'Neill in France

• O’Neill in France - by Brian Rogers

O'Neill in Iran

• O’Neill in Iran - by George H. Quinby

O'Neill in Japan

• On Two Major Recent Productions of O’Neill in Japan - by Mariko Hori

O'Neill in Poland

• O'Neill's Plays in Poland - by Halina Filipowicz-Findlay

O'Neill in Sweden

• Sweden to Stage Two O'Neill Plays - by Arthur Gelb

O'Neill, James Jr.

• Ella, James, and Jamie O'Neill: "My Name Is Might-Have-Been" - by Edward L. Shaughnessy

• 'Written in Tears And Blood...' - by Barbara Gelb

O'Neill, James Sr.

• Ella, James, and Jamie O'Neill: "My Name Is Might-Have-Been" - by Edward L. Shaughnessy

• O'Neill's Father Shaped His Son's Vision - by Barbara Gelb

• 'Written in Tears And Blood...' - by Barbara Gelb

O'Neill's Characters

• Unseen, Unheard, Inescapable: Unseen Characters in the Dramaturgy of Eugene O’Neill - by Robert E. Byrd

O'Neill's Early Plays

• Hints of the Tragic in Fog and Other Early O'Neill Plays - by Stephen A. Black

• Onstage He Played the Novelist - by Arthur Gelb

• Politics, But Literature: The Example of Eugene O'Neill's Apprenticeship - by Paul D. Voelker

• Twitting O’Neill: His Plays of the 1920s Subjected to La Critique Créatrice - by Felicia Hardison Londré

O'Neill's Genres

• O'Neill's Genres: Early Performance and Late Achievement - by Peter Egri

O'Neill's Homes

• “C. W. D’s” at Tao House - by Travis Bogard

• O'Neill's Stately Mansions: A Visitors Reminiscences - by Winifred Frazer

• Remembrance of Things Past: Le Plessis Revisited - by Richard Eaton and Madeline Smith

O'Neill's Late Plays

• “The End of the Quest”: Freedom and Selfhood in O’Neill’s Late Plays - by Laurin Porter

• Musical and Literary Allusions in O'Neill's Final Plays - by Laurin Porter

O'Neill's Poetry

• Eugene O'Neill, Poems: 1912-1944: A Review - by Winifred Frazer

• A Lost Poem by Eugene O'Neill - by Winifred Frazer

• A Touch of the Poet - by Barbara Gelb

O'Neill Studies

• An Agenda for O'Neill Studies - by Paul D. Voelker

• Bringing O'Neill's Works to Life in the Drama Classroom - by Robert Perrin

O'Neill's Women

• Absence as Presence: The Second Sex in The Iceman Cometh - by Bette Mandl

• Camus, O’Neill, and the Dead Mother Society - by Robert Combs

• The Cycle Women and Carlotta Monterey O'Neill - by Martha Bower

• The Magna Mater: The Maternal Goddess in O’Neill’s Plays - by Thomas E. Porter

• Mother and Daughter in Mourning Becomes Electra - by William Young

• O'Neill and Frank Wekekind (Conclusion) - by Susan Tuck

• O'Neill's Women - by Doris Nelson

• Sexuality as Destiny: The Shadow Lives of O'Neill's Women - by Trudy Drucker

• Staging the "Poor, Wicked Lot": O'Neill's Rebuttal to Fallen Woman Plays - by J. Chris Westgate

• Susan Glaspell and Eugene O'Neill - by Linda Ben-Zvi

Philosophical Anarchism

• On Eugene O'Neill's "Philosophical Anarchism" - by Robert M. Dowling

Plays

• Gene & Aggie - by Jo Morello

• "Here Before You...Eugene O'Neill" - by David Wheeler

• Laughing Lazarus: Eugene O’Neill’s Lost Burlesque Sketch - by Louis Phillips

• Trial Run: A One-Act Drama - by Jack Donahue

• Yank: A Musical Adaptation of Eugene O'Neill's The Hairy Ape - by Samuel J. Bernstein

Poems

• Ah, Wilderness! - by Louis Phillips

• "Good Morning, Eugene" - by Norman Andrew Kirk

Performance Reviews

• Abortion, Studio Theatre, New York City - by Robert S. McLean

• Ah, Wilderness!, Seattle Repertory Theatre, Seattle, 1981 - by Deborah Kellar Pattin

• Ah, Wilderness!, Kennedy Theatre. University of Hawaii, Honolulu, 1985 - by Eugene K. Hanson

• Ah, Wilderness!, Alliance Theatre School of Atlanta, Madison-Morgan Cultural Center, Madison, Georgia, 1986 - by Ward B. Lewis

• Ah, Wilderness!, The Rozsa Center, Michigan Technological University, 2002 - by Glenda E. Gill

• Ah, Wilderness!, Cincinnati Playhouse in the Park, Cincinnati, Ohio, 2002 - by Stephen A. Black

• Ah, Wilderness!, The Court House Theater, Shaw Festival, Niagara-on-the-Lake, Canada, 2004 - by Robert S. McLean

• Ah, Wilderness!, The Court House Theater, Shaw Festival, Niagara-on-the-Lake, Canada, 2004 - by Michael C. O’Neill

• All God's Chilluns Got Wings, Peccadillo Theater, New York City, 2001 - by Glenda Frank

• All God's Chilluns Got Wings, Peccadillo Theater, New York City, 2001 - by William M. Peterson

• Andi (Anna Christie), Theater of the Central Academy of Dramatic Arts, Beijing, China, 1984 - by Haiping Liu

• Anna Christie, New England Repertory Theatre, Worcester, 1981 - by Marshall Brooks

• Anna Christie, Your Theatre, New Bedford, 1984 - by Frederick C. Wilkins

• Anna Christie, The Studio Theatre, New York City, 2002 - by Robert S. McLean

• "Anna Christie", Arena Theatre Company, Washington, D.C., 2005 - by Glenda Frank

• "Anna Christie", Boomerang Theatre Company, 2006 - by Robert S. McLean

• Beyond the Horizon, Fred Miller Theater, Milwaukee, 1962 - by Arthur Gelb

• Beyond the Horizon, The Old Barn, Tao House, Danville, California, 2002 - by Stephen A. Black

• Beyond the Horizon, Boomerang Theatre Company at Center Stage, New York, NY, 2004 - by Glenda Frank

• Desire Under the Elms, Asolo Theatre, Sarasota, 1977 - by Winifred Frazer