Abbey Theatre

• Synge and the Irish Influence of the Abbey Theatre on Eugene O'Neill - by Nelson O`Ceallaigh Ritschel

African-American Studies

• All God’s Chillun: Religion and “Painty Faces” versus the NAACP and the Provincetown Players - by Martha Gilman Bower

• A Call to Restore the Classics at Selected Historically Black Colleges and Universities (HBCUs); For Example, Eugene O'Neill - by Glenda E. Gill

• Eugene O'Neill and Paul Robeson: An Uneasy Collaboration in Three of O'Neill's Early Plays - by Glenda E. Gill

• “Interlopers”: African-American Actors in Non-Traditional Roles in the Works of Eugene O’Neill - by Glenda E. Gill

• O’Neill’s African and Irish Americans:  Stereotypes or “Faithful Realism”? - by Edward L. Shaughnessy

Ah, Wilderness!

• A Connecticut Yankee in the Wilderness: The Sterner Stuff of O'Neill's Comedy - by Edward L. Shaughnessy

• Filtering America’s Past Through Sunlight: Eugene O’Neill’s Ah, Wilderness! - by Yvonne Shafer

• Two Journeys to Wilderness - by Sharon O. Watkinson

Alcohol Addiction

• Drinking and Drunkenness in The Iceman Cometh: A Response to Mary McCarthy - by Steven F. Bloom

• A Family Disease - by Gloria Dibble Pond

• The Role of Drinking and Alcoholism in O'Neill's Late Plays - by Steven F. Bloom

Allen, Woody

• The Lingering (Comic?) Legacy of Eugene O'Neill - by Steven Bloom

All God's Chillun Got Wings

• All God’s Chillun: Religion and “Painty Faces” versus the NAACP and the Provincetown Players - by Martha Gilman Bower

• Christianity and All God's Chillun Got Wings - by James A. Robinson

• Making It, Madness, and Motherhood: The Deep Structure of All God's Chillun Got Wings - by Samuel J. Bernstein

• Revealing Blindness, Revealing Vision: Interpreting O'Neill's Black Female Characters in Moon of the Caribbees, The Dreamy Kid and All God's Chillun Got Wings - by Deborah Wood Holton

• The Transitional Nature of All God's Chillun Got Wings - by Michael Hinden

Ancient Mariner, The

• The Ancient Mariner and the Genesis of O'Neill's Romanticism - by Frank R. Cunningham

Anderson, Sherwood

• Tender Men: The Acquaintanceship of Eugene O'Neill and Sherwood Anderson - by James Fisher

Anna Christie

• Anna Christie and Christy Mahon - by Richard Brucher

• Anna Christie and the “Fallen Woman Genre” - by Sheila Hickey Garvey

• “Anna Christie”: the Repentant Courtesan, Made Respectable - by Katie N. Johnson

• Fallen Angels at Sea: Garbo, Ullman, Richardson, and the Contradictory Prostitute in Anna Christie - by Arthur Holmberg

• "My Yosephine": The Music for Anna Christie - by Travis Bogard

• The Sea versus Anna: Metaphoric Contrarieties - by Eileen Herrmann-Miller

• Tragic Vision and the Happy Ending in “Anna Christie” - by Zander Brietzke

Anti-Semitism

• Dismissed without Prejudice: O'Neill's Anti-Semitism or, Some of My Best Friends. . . - by Madeline C. Smith and Richard Eaton

Baker, George Pierce

• O'Neill and George Pierce Baker - by Paul D. Voelker

• O’Neill’s American Precursors - by Rupendra Guha Majumdar

Bentley, Eric

• The Turks on O'Neill: Putting the Iceman on Ice - by Eileen Miller

Beyond the Horizon

• From Beyond the Horizon to The Good Earth: Transformation of China in American Literary Consciousness - by Haiping Liu

• Wrestling with God: Old Testament Themes in O'Neill's Beyond the Horizon - by Shelly Regenbaum

Bibliography

• IT HATH MADE US MAD: Two O’Neillians’ Adventures in Bibliography - by Madeline Smith and Richard Eaton

Biography

• Interviewing Ghosts - by Barbara Gelb

• O'Neill in Mourning - by Stephen A Black

• Second Thoughts - by Arthur Gelb and Barbara Gelb

Book Reviews

• Ahuja, Chaman. Tragedy, Modern Temper and O'Neill - by Frederick C. Wilkins

• Alexander, Doris. Eugene O'Neill's Creative Struggle: The Decisive Decade - by Steven F. Bloom

• Alexander, Doris. Eugene O'Neill's Last Plays: Separating Art from Autobiography - by Thomas F. Connolly

• Barlow, Judith E. Final Acts: The Creation of Three Late O'Neill Plays - by Jordan Y. Miller

• Benchley, Robert. Benchley at the Theatre: Dramatic Criticism, 1920-1940 - by Frederick C. Wilkins

• Ben-Zvi, Linda. Susan Glaspell: Essays on her Theater and Fiction - by Jon D. Rossini

• Ben-Zvi, Linda. Susan Glaspell: Her Life and Times - by Kurt Eisen

• Berlin, Normand. Eugene O'Neill - by Frederick C. Wilkins

• Berlin, Normand, O'Neill's Shakespeare - by Frederick C. Wilkins

• Berlin, Normand. The Secret Cause: A Discussion of Tragedy - by Frederick C. Wilkins

• Black, Cheryl. The Women of Provincetown, 1915-1922 - by Kurt Eisen

• Bogard, Travis ed. Eugene O'Neill: Complete Plays - by Barbara Gelb

• Bogard, Travis and Jackson R. Bryer ed. The Provincetown Players and the Playwrights’ Theatre, 1915-1922 by Edna Kenton - by Brenda Murphy

• Book Reviews, Long and Short - by Frederick C. Wilkins

• Brevda, William. Harry Kemp, The Last Bohemian - by Marshall Brooks

• Brietzke, Zander. The Aesthetics of Failure: Dynamic Structure in the Plays of Eugene O'Neill - by Michael Manheim

• Cheuse, Alan. The Bohemians: John Reed and His Friends Who Shook the World - by Frederick C. Wilkins

• Commins, Dorothy. "Love and Admiration and Respect": The O'Neill-Commins Correspondence - by Frederick C. Wilkins

• Deboer-Langworthy, Carol Ed. The Modern World of Neith Boyce: Autobiography and Diaries - by Cheryl Black

• Egan, Leona Rust, Provincetown as a Stage - by Frederick C. Wilkins

• Egri, Peter. Chekhov and O'Neill: The Uses of the Short Story in Chekhov's and O'Neill's Plays - by Frederick C. Wilkins

• Fleming, Bruce. Homage to Eugene O'Neill: Literary Criticism in a New Key - by Robert Combs

• Floyd, Virginia. Eugene O'Neill at Work - by Winifred Frazer

• Floyd, Virginia. Eugene O'Neill: A World View - by Paul D. Voelker

• Floyd, Virginia. The Plays of Eugene O'Neill: A New Assessment - by Jordan Y. Miller

• Gelb, Arthur. City Room - by Thomas F. Connolly

• Glaspell, Susan. The Road to the Temple: A Biography of George Cram Cook. Ed. Linda Ben-Zvi - by Robert K. Sarlós

• Hall, Ann C., “A Kind of Alaska”: Women in the Plays of O'Neill, Pinter and Shepard - by Bette Mandl

• Houchin, John H., ed., The Critical Response to Eugene O'Neill - by Glenda Frank

• Johnson, Katie N. Sisters in Sin: Brothel Drama in America, 1900-1920 - by Penny Farfan

• King, William Davies. "A Wind is Rising": The Correspondence of Agnes Boulton and Eugene O'Neill - by Madeline Smith

• Koutsoudaki, Mary. The Greek Plays of Eugene O'Neill - by Robert Simpson McLean

• Lewis, Ward E. Eugene O'Neill: The German Reception of America's First Dramatist - by James P. Pettegrove

• Liu, Haiping and Swortzell, Lowell, eds., Eugene O'Neill in China: An International Centenary Celebration - by Martha Bower

• Majumdar, Rupendra Guha. Central Man: The Paradox of Heroism in Modern American Drama - by Michael Manheim

• Manheim, Michael. Vital Contradictions: Characterization in the Plays of Ibsen, Strindberg, Chekhov and O'Neill - by Kurt Eisen

• Mann, Theodore. Journeys in the Night: Creating a New American Theater with Circle in the Square - by Dan Sullivan

• Murphy, Brenda. O'Neill: Long Day's Journey Into Night - by Zander Brietzke

• Murphy, Brenda. The Provincetown Players and the Culture of Modernity - by Marcia Noe

• On the Shelf: New Books By and About O'Neill (Part One) - by Frederick C. Wilkins

• On the Shelf: New Books By and About O'Neill (Part Two) - by Frederick C. Wilkins

• Orlandello, John. O'Neill on Film - by Gerald Dorset and Frederick C. Wilkins

• Ozieblo, Barbara. Susan Glaspell: A Critical Biography - by Cheryl Black

• Richter, Robert A. Eugene O’Neill and “Dat Ole Davil Sea”: Maritime Influences in the Life and Works of Eugene O’Neill - by Kurt Eisen

• Shea, Laura. A Moon for the Misbegotten on the American Stage: A History of the Major Productions - by Kurt Eisen

• Smith, Madeline C. and Eaton, Richard B. Eugene O'Neill: An Annotated International Bibliography, 1973 through 1999 - by Samuel J. Bernstein

• Smith, Madeline C. and Eaton, Richard B. Eugene O'Neill Production Personnel - by Zander Brietzke

• Tornqvist, Egil. Eugene O'Neill: A Playwright's Theatre - by Laurin Porter

• Viswanathan, R. O'Neill and the Sea - by William M. Peterson

• Walker, Julia A. Expressionism and Modernism in the American Theatre: Bodies, Voices, Words - by Kurt Eisen

• Wakefield, Thaddeus. The Family in Twentieth-Century American Drama - by Steven F. Bloom

• Weathers, Winston. The Broken Word: The Communication Pathos in Modern Literature - by Frederick C. Wilkins

Boston

• Eugene O'Neill's Boston - by Marshall Brooks

Brady, Alice

• Alice and Alla - by Travis Bogard

Bryant, Louise

• Eugene O’Neill and Louise Bryant: New Documents - by Paul Roazen

• O'Neill's Strange Interlude and the "Strange Marriage" of Louise Bryant - by Patrick Chura

Buried Child

• Modern and Postmodern Wastelands: Long Day's Journey and Shepard's Buried Child - by Laurin R. Porter

• Teaching Long Day’s Journey and Shepard’s Buried Child - by Laurin Porter

California

• Eugene O'Neill in the West - by Travis Bogard

Calms of Capricorn, The

• Beneath The Calms of Capricorn: O'Neill's Adoption and Naturalization of European Models - by Peter Egri

Cambridge Theatre Festival

• American Drama at the Cambridge Theatre Festival, 1928-1935 - by Paul Cornwell

Camus, Albert

• Camus, O’Neill, and the Dead Mother Society - by Robert Combs

Casa Genotta

• O'Neill's Stately Mansions: A Visitors Reminiscences - by Winifred Frazer

Catholicism

• Eugene O'Neill, Fidei Defensor: An Eschatological Study of The Great God Brown - by Michael E. Rutenberg

Chekhov, Anton

• Dialogue Between Son and Mother in Chekhov's The Sea Gull and O'Neill's Long Day's Journey Into Night - by Michael Manheim

China

• Directing O'Neill in China - by George C. White

• From Beyond the Horizon to The Good Earth: Transformation of China in American Literary Consciousness - by Haiping Liu

Cole, Lester

• Lawson & Cole Revisited - by Frederick C. Wilkins

Collecting

• Hammerman's O'Neill - by William Davies King

• On Collecting O'Neill - by Harley J Hammerman

• On Collecting O'Neill:  Part Two - by Harley J Hammerman

Comedy

• Fractured Comedy: A Glimpse into Eugene O’Neill’s Tragic Constructs - by Glenda Frank

• The Lingering (Comic?) Legacy of Eugene O'Neill - by Steven Bloom

Commins, Saxe

• Saxe Commins and The O'Neill's - by Louis Sheaffer

Conrad, Joseph

• Conrad and O'Neill as Playwrights of the Sea - by Kristin Morrison

Craig, Edward Gordon

• Eugene O'Neill and Edward Gordon Craig - by James Fisher

Crane, Hart

• Affinities Between the Poetry of Hart Crane and the Plays of Eugene O’Neill - by Robert Combs

Crane, Stephen

• Crane's Maggie: A Source for The Hairy Ape - by Robert McIlvaine

Cycle, The

• The 'Child' O'Neill Tore Up - by Barbara Gelb

• The Cycle Women and Carlotta Monterey O'Neill - by Martha Bower

• O'Neill's Hopeless Hope for a Giant Cycle - by Arthur Gelb

• Paradise Lost: The Tragic Vision of O’Neill’s Historical Cycle and Faulkner’s Yoknatapawpha Saga - by Laurin Porter

• Self and Other: The Problem of Possession in O'Neill's Historical Cycle - by Laurin R. Porter

Days Without End

• "Denial Without End": Benjamin De Casseres's Parody of Eugene O'Neill's Days Without End - by Robert M. Dowling

• Eugene O'Neill's Days Without End and the Tradition of the Split Character in Modern American and British Drama - by Albert Wertheim

• O'Neill's Catholic Dilemma in Days Without End - by Edward L. Shaughnessy

De Casseres, Benjamin

• "Denial Without End": Benjamin De Casseres's Parody of Eugene O'Neill's Days Without End - by Robert M. Dowling

Dennehy, Brian

• An Interview with Actor Brian Dennehy - by Sheila Hickey Garvey

DePolo, Harold

• Harold DePolo: Pulp Fictions Dark Horse - by Richard Eaton & Madeline Smith

Desire Under the Elms

• Another Biblical Parallel in Desire Under the Elms - by Patrick Bowles

• Another View of Ephraim Cabot: A Footnote to Desire Under the Elms - by Jean Anne Waterstradt

• At the Roots of O'Neill's 'Elms' - by Arthur Gelb

• Cross Cultural O’Neill: A Bengali Desire Under The Elms - by James R. Fleming

• Desire Under the Elms: Characters by Jung - by Patrick J. Nolan

• Desire Under the Elms in the Twenty-First Century - by Jeff Kennedy

• No Elms in Sight - by Timothy Dugan

• Reymont's The Peasants: A Probable Influence on Desire Under the Elms - by Michael Mikoś and David Mulroy

• The Tragic Cosmology of O'Neill's Desire Under the Elms - by Preston Fambrough

Diff’rent

• Diff’rent: Variations on a Theme - by William M. Peterson

Dreamy Kid, The

• Revealing Blindness, Revealing Vision: Interpreting O'Neill's Black Female Characters in Moon of the Caribbees, The Dreamy Kid and All God's Chillun Got Wings - by Deborah Wood Holton

Drug Addiction

• Ella O'Neill's Addiction - by Stephen A. Black

Dynamo

• "Electricity is God Now": D. H. Lawrence and O'Neill - by Susan H. Tuck

• Harnessing O'Neill's Furies: Philip Moeller Directs Dynamo - by Ronald H. Wainscott

Dionysus

• Casting the Curse of Dionysus on the Modern Version of the Greek Gods - by Naeema Ali Abdel Gawad

• Dionysus in Diaspora: O’Neill’s Tragedy of Muted Revelries - by Daniel Larner

• Eugene O’Neill’s Poetics of Dionysus through his Presentation of Xenoi, Metoikoi and Barbaroi - by Yoko Onizuka Chase

• O'Neill's Fear and Pity:  the Dionysian Living Death - by Daniel Larner

Emperor Jones, The

• “Black is white, I yells it out louder ’n deir loudest”: Unraveling The Wooster Group’s The Emperor Jones - by Johan Callens

• “Blarsted Niggers!”: The Emperor Jones and Modernism's Encounter with Africa - by Gabriele Poole

• Brutus in the Heartland: The Emperor Jones in Indianapolis, 1921 - by Edward L. Shaughnessy

• The Colonial Story in The Emperor Jones - by Peter R. Saiz

• The Emperor Jones: A Struggle for Individuality - by Diya M. Abdo

• The Emperor Jones: O'Neill, Nietzshe, and the American Past - by Michael Hinden

• The Emperor Jones: A Jungian View of the Origin of Fear in the Black Race - by Patrick J. Nolan

• The "Formless Fear" of O'Neill's Emperor and Tennyson's King - by Stephen M. Watt

• McTeague's Dream and The Emperor Jones - by Brenda Murphy

• O'Neill, Gruenberg and The Emperor Jones - by Rebecca B. Gauss

• The Ship Scene in The Emperor Jones - by R. Viswanathan

Faulkner, William

• House of Compson, House of Tyrone: Faulkner's Influence on O'Neill - by Susan H. Tuck

• Paradise Lost: The Tragic Vision of O’Neill’s Historical Cycle and Faulkner’s Yoknatapawpha Saga - by Laurin Porter

Fog

• Hints of the Tragic in Fog and Other Early O'Neill Plays - by Stephen A. Black

• Fog: An O'Neill Theological Miscellany - by Gerald Lee Ratliff

• Shifting Perceptions, Precarious Perspectives in Two of O'Neill's Early Sea Plays - by Michael D'Alessandro

Francis, John

• John Francis, Go-Between for Provincetown and the Players - by George Monteiro

• Will the Real John Francis Please Step Forward? - by Madeline C. Smith and Richard B. Eaton

Frankenstein

• Long Day's Journey into Frankenstein - by Joseph Cordaro

Friel, Brian

• Friel's Questions, O'Neill's Answers: Language, Place and Cultural Identity in Translations and A Moon for the Misbegotten - by Laurin Porter

Gallagher, Peter

• Rethinking O'Neill - by Sheila Hickey Garvey

Garbo, Greta

• Fallen Angels at Sea: Garbo, Ullman, Richardson, and the Contradictory Prostitute in Anna Christie - by Arthur Holmberg

Gierow, Karl Ragnar

• Karl Ragnar Gierow on O'Neill, October 6, 1970 - by James P. Pettegrove

• Swede Aglow Over Last Unpublished O'Neill Play - by Arthur Gelb

Glaspell, Susan

• O'Neill's Cape(d) Compatriot - by Linda Ben-Zvi

• Susan Glaspell and Eugene O'Neill - by Linda Ben-Zvi

• Susan Glaspell and Eugene O'Neill: The Imagery of Gender - by Linda Ben-Zvi

Gorelik, Max

• Closed Shop?: Max Gorelik and the Provincetown - by Anne Fletcher

Great God Brown, The

• Altar Ego: O'Neill's Sacrifice of Self and Character in The Great God Brown - by Thomas S. Elliott

• Between Men: Gay Sensibility and The Great God Brown - by Richard Compson Sater

• Casting the Curse of Dionysus on the Modern Version of the Greek Gods - by Naeema Ali Abdel Gawad

• An Epitaph for the O'Neills - by Arthur Gelb

• Eugene O'Neill, Fidei Defensor: An Eschatological Study of The Great God Brown - by Michael E. Rutenberg

• The Great God Brown: A Diagnostic of Commercialism's Ills - by Cynthia McCown

Greek Tragedy

• Casting the Curse of Dionysus on the Modern Version of the Greek Gods - by Naeema Ali Abdel Gawad

• Dionysus in Diaspora: O’Neill’s Tragedy of Muted Revelries - by Daniel Larner

• Mourning Becomes Electra as a Greek Tragedy - by Stephen A. Black

• Oresteian Structures in The Iceman Cometh - by William Davies King

• Staging O’Neill: Staging Greek Tragedy - by Eileen Herrmann-Miller

Gruenberg, Louis

• O'Neill, Gruenberg and The Emperor Jones - by Rebecca B. Gauss

Hairy Ape, The

• The Ape and the Elephant - by P. K. Brask

• Biblical Allusions in The Hairy Ape - by Ann D. Hughes

• The “Big Subject” in The Hairy Ape: A New Look at Scene Five - by D. G. Kehl

• Bob Smith Ain't So Dumb: Directing The Hairy Ape - by Michael E. Rutenberg

• Crane's Maggie: A Source for The Hairy Ape - by Robert McIlvaine

• Global Futurism, Divine Comedy, Greek Tragedy, and . . . The Hairy Ape - by Bert Cardullo

• The Hairy Ape: An Illustrated Blog - by Nathaniel Jones

• The Hairy Ape as Existential Allegory - by Patrick Bowles

• The Hairy Ape in the Context of Early 20th Century American Modernism - by Thomas F. Connolly

• The Hairy Ape's Humanist Hell: Theatricality and Evolution in O'Neill's "Comedy of Ancient and Modern Life" - by Erika Rundle

• Ironic Use of Myth in The Hairy Ape - by Michael Hinden

• Jack London and The Hairy Ape - by Joseph Jurich

• January Revival for ‘Hairy Ape’ - by Arthur Gelb

• The Masculine Primitive and The Hairy Ape - by James A. Robinson

• The "Monkey Problem": Notes on Staging The Ape - by Erika Rundle

• O’Neill’s Existential Man, Distinguished or Extinguished - by Michael D. Sollars

• Rage Against Order: O'Neill's Yank and Milton's Satan - by James R. Keller

• The Search for Self in The Hairy Ape: An Exercise in Futility? - by Virginia Floyd

• Stumbling Amid the Ruins: Yank’s Absurd Inheritance in The Hairy Ape - by J. Chris Westgate

• Three European Productions of The Hairy Ape - by Horst Frenz

• Yank: A Musical Adaptation of Eugene O'Neill's The Hairy Ape - by Samuel J. Bernstein

• Yank’s Consciousness of Alienation in O’Neill’s The Hairy Ape - by Elizabeth Oldman

Hellman, Lillian

• O'Neill and Hellman - by Peter L. Hays

• Sibling Rivalry in Mourning Becomes Electra and The Little Foxes - by Vance Philip Hedderel

Hemingway, Ernest

• The fusion of the Epic and Dramatic: Hemingway, Strindberg and O'Neill - by Peter Egri

Homosexuality

• Between Men: Gay Sensibility and The Great God Brown - by Richard Compson Sater

Hughie

• Ain't It the Truth: Hughie and the Power of Fiction - by James C. McKelly

• Artifice and Art -- Words in The Iceman Cometh and Hughie - by Robert Butler

• Dream and Live - by Arthur Gelb

• Hughie and The Zoo Story - by Marcelline Krafchick

• Hughie: By Way of Obit - by Frederic I. Carpenter

• Hughie: Recutting a Jewel in Paris - by Thierry Dubost

• Hughie: Robards' Monte Cristo? - by Harley J Hammerman

• Hughie: Some Light on O'Neill's Moon - by Marcelline Krafchick

• “No Use Gabbin' Here All Night”: Male Talk and Silence in Hughie - by Robert Vorlicky

• O’Neill’s ‘Hughie’ to Make U.S. Bow - by Arthur Gelb

• Questions and Answers in Hughie - by Edward L. Shaughnessy

Iceman Cometh, The

• Absence as Presence: The Second Sex in The Iceman Cometh - by Bette Mandl

• Artifice and Art -- Words in The Iceman Cometh and Hughie - by Robert Butler

• Chipping at the Iceman: The Text and the 1946 Theatre Guild Production - by Gary Vena

• Concealing While Revealing: O'Neill's Way With Truth - by Barbara Gelb

• Dreaming Pipe Dreams Under the Influence of Dionysus: Nietzsche's The Birth of Tragedy as Inspiration for Eugene O'Neill's The Iceman Cometh - by Kara Reilly

• Drinking and Drunkenness in The Iceman Cometh: A Response to Mary McCarthy - by Steven F. Bloom

• Female Characters in (and not in) Eugene O’Neill’s The Iceman Cometh: Tracing Twentieth-Century Feminist Response into a New Era - by Christopher S. Glover

• The Iceman Cometh - by Michael Manheim

• The Iceman Cometh and the Critics--1946, 1956, 1973 - by William Hawley

• The Iceman Cometh as Infertility Myth - by Julia White

• The Iceman Cometh: European Origins and American Originality - by Peter Egri

• The Iceman Cometh: European Origins and American Originality (Part Two) - by Peter Egri

• The Iceman Cometh: European Origins and American Originality (Conclusion) - by Peter Egri

• The Iceman Cometh in Context: An American Saloon Trilogy - by Brenda Murphy

• The Iceman Melteth: O'Neill's Return to Cultural Origins - by Edward L. Shaughnessy

• The Id, Ego and Super Ego of O’Neill: Reflected in The Iceman Cometh - by John Iverson

• O'Neill's 'Iceman' Sprang From the Ashes of His Youth - by Barbara Gelb

• O'Neill's Realism: A Structural Approach - by Brenda Murphy

• On Jason Robards as O'Neill's Nietzschean Iceman - by Stephen A. Black

• Oresteian Structures in The Iceman Cometh - by William Davies King

• Reacreating a Myth: The Iceman Cometh in Washington, 1985 - by Sheila Hickey Garvey

• The Role of Drinking and Alcoholism in O'Neill's Late Plays - by Steven F. Bloom

• Tragic Anagnorisis in The Iceman Cometh - by Stephen A. Black

• The Transcendence of Melodrama in O’Neill’s The Iceman Cometh - by Michael Manheim

• The Turks on O'Neill: Putting the Iceman on Ice - by Eileen Miller

Immigrant Experience

• Using O’Neill on the Immigrant Experience in the American Literature Classroom - by Glenda Frank

Inscriptions: Eugene O'Neill to Carlotta Monterey O'Neill

• January Revival for ‘Hairy Ape’ - by Arthur Gelb

In the Zone

• Possible Sources for Two O'Neill One-Acts - by Esther Tamár

Irish Themes

• Eugene O’Neill in Ireland: An Update - by Edward L. Shaughnessy

• O’Neill’s African and Irish Americans:  Stereotypes or “Faithful Realism”? - by Edward L. Shaughnessy

• O'Neill's Ireland: Old Sod or Blarney Bog? - by Michael C. O'Neill

Jansen, Cornelis

• Jansenism and O’Neill’s “Black Mystery of the Soul” - by Thomas E. Porter

Jones, Robert Edmund

• Robert Edmund Jones and Eugene O'Neill: Two American Visionaries - by Dana S. McDermott

Jung, Carl

• Desire Under the Elms: Characters by Jung - by Patrick J. Nolan

• The Emperor Jones: A Jungian View of the Origin of Fear in the Black Race - by Patrick J. Nolan

Kemp, Harry

• Harry Kemp: Lest We Forget - by Marshall Brooks

Kierkegaard, Søren

• Issues of Community in O’Neill’s Long Day’s Journey into Night, and Kierkegaard’s Works of Love - by Michael Brandon Lopez

Lawrence, D. H.

• "Electricity is God Now": D. H. Lawrence and O'Neill - by Susan Tuck

• O'Neill": the Unwritten Chapter in D.H. Lawrence's Studies in Classic American Literature - by Robert Combs

Lawson, John Howard

• John Howard Lawson's Souls: A Harbinger of Strange Interlude - by Le Roy Robinson

• Lawson & Cole Revisited - by Frederick C. Wilkins

Le Plessis

• Remembrance of Things Past: Le Plessis Revisited - by Richard Eaton and Madeline Smith

Little Foxes, The

• O'Neill and Hellman - by Peter L. Hays

• Sibling Rivalry in Mourning Becomes Electra and The Little Foxes - by Vance Philip Hedderel

London, Jack

• Jack London and The Hairy Ape - by Joseph Jurich

Long Day's Journey Into Night

• Alone in the Dark:  Isolation in O’Neill’s Long Day’s Journey into Night - by B. Thiessen

• Dialogue Between Son and Mother in Chekhov's The Sea Gull and O'Neill's Long Day's Journey Into Night - by Michael Manheim

• Drama and Ethics, Grief and Privacy: The Case of Eugene O'Neill - by James R. Dawes

• Dreams of Journey - by Bert Cardullo

• Ella O'Neill's Addiction - by Stephen A. Black

• A Family Disease - by Gloria Dibble Pond

• From Stage to Screen: The Long Voyage Home and Long Day's Journey Into Night - by William L. Sipple

• House of Compson, House of Tyrone: Faulkner's Influence on O'Neill - by Susan H. Tuck

• Issues of Community in O'Neill's Long Day's Journey into Night and Kierkegaard's Works of Love - by Michael Brandon Lopez

• Long Day's Journey into Frankenstein - by Joseph Cordaro

• Long Day’s Journey Into Night - by Michael Manheim

• Long Day’s Journey into Night and Hughie - by Michael Manheim

• Long Day's Journey Towards Separation: The Mary-Edmund Struggle - by Robert Einenkel

• Long Journey Into Light - by Arthur Gelb

• “The Mad Scene: Enter Ophelia!”: O’Neill’s Use of the Delayed Entrance in Long Day’s Journey into Night - by Steven F. Bloom

• Modern and Postmodern Wastelands: Long Day's Journey and Shepard's Buried Child - by Laurin R. Porter

• Motifs in Long Day’s Journey Into Night - by Michael Manheim

• Olivier's Tyrone - by Normand Berlin

• Parallelism and Divergence: The Case of She Stoops to Conquer and Long Day's Journey Into Night - by Bert Cardullo

• Rethinking O'Neill - by Sheila Hickey Garvey

• The Return of O'Neill's "Play of Old Sorrow" - by Trudy Drucker

• The Role of Drinking and Alcoholism in O'Neill's Late Plays - by Steven F. Bloom

• The Stature of Long Day’s Journey Into Night - by Michael Manheim

• Teaching Long Day’s Journey and Shepard’s Buried Child - by Laurin Porter

• A Theatrical Journey into Long-Lost Lingo - by Robert Fulford

• Too Close for Comfort: Biographical Truth in Long Day’s Journey Into Night - by Zander Brietzke

• Tragic Inheritance and Tragic Expression in Long Day's Journey into Night - by J. Chris Westgate

• The Transcendence of Melodrama in Long Day’s Journey into Night - by Michael Manheim

• The Truth About Hogan - by Madeline C. Smith & Richard Eaton

• The Tyrone Family as Allegory for Pre-World War Two United States of America: Illusions of an Isolationist Nation - by Jessica L. Nastal

• The "Veil," Neoplatonism, and Genre in Long Day's Journey into Night - by Vivian Casper

• "Why do I feel so lonely?": Literary Allusions and Gendered Space in Long Day's Journey into Night - by Laurin Porter

Long Voyage Home, The

• Eugene O’Neill and John Ford: Their Long Voyage Home - by Richard Compson Sater

• From Stage to Screen: The Long Voyage Home and Long Day's Journey Into Night - by William L. Sipple

• The Long Voyage Home: A Vicious Cycle at Sea - by Zander Brietzke

Lynch, Peter

• O’Neill’s Bridge - by Sheila Hickey Garvey

Magaldi, Sábato

• Sábato Magaldi: Carlotta O’Neill’s Man in Brazil - by George Monteiro

Magon, Jero

• Jero Magon, Stager of Eugene O'Neill - by George Monteiro

Marco Millions

• All the Wrong Dreams: Marco Millions and the Acquisitive Instinct - by Cynthia McCown

• Marco Millions—Not Theatrical Millions - by Yvonne Shafer

• O’Neill in the Czech Republic: Marco Millions and the Velvet Revolution - by Laurin Porter

• Quintero in the Square - by Barbara Gelb

Masks

• Masks in the Dramaturgy of Yeats and O'Neill - by Edward L. Shaughnessy

• Not-so-Random Notes on Masks in Yeats and O'Neill - by Frederick Lapisardi

McCarthy, Mary

• The Turks on O'Neill: Putting the Iceman on Ice - by Eileen Miller

Middleton, Richard

• "Splendid Twaddle": O'Neill and Richard Middleton - by Michael Hinden

Miller, Arthur

• Founding Father: O'Neill's Correspondence with Arthur Miller and Tennessee Williams - by Dan Isaac

Milton, John

• Rage Against Order: O'Neill's Yank and Milton's Satan - by James R. Keller

Moffat, John

• The Real John Moffat - by Madeline C. Smith and Richard Eaton

Moody, William Vaughn

• O’Neill’s American Precursors - by Rupendra Guha Majumdar

Moon for the Misbegotten, A

• Friel's Questions, O'Neill's Answers: Language, Place and Cultural Identity in Translations and A Moon for the Misbegotten - by Laurin Porter

• A Moon for the Misbegotten - by Michael Manheim

• New Myths for Old: A Production History of the 2000 Broadway Revival of A Moon for the Misbegotten - by Sheila Hickey Garvey

• O’Neill’s Transcendence of Melodrama in A Touch of the Poet and A Moon for the Misbegotten - by Michael Manheim

• O’Neill, the Theatre Guild, and A Moon for the Misbegotten - by Laura Shea

• The Role of Drinking and Alcoholism in O'Neill's Late Plays - by Steven F. Bloom

• A Second Look, and a Second Chance to Forgive - by Barbara Gelb

• The Stillbirth of Modern Humanity in A Moon for the Misbegotten - by Yuji Omori

• Up From Melodrama - by Michael Manheim

Moon of the Caribbees, The

• Revealing Blindness, Revealing Vision: Interpreting O'Neill's Black Female Characters in Moon of the Caribbees, The Dreamy Kid and All God's Chillun Got Wings - by Deborah Wood Holton

More Stately Mansions

• At Home With the Harfords - by Michael Manheim

• The Banished Prince Revisited: A Feminist Reading of More Stately Mansions - by Laurin Porter

• A Cabin in the Woods, A Summerhouse in a Garden: Closure and Enclosure in O'Neill's More Stately Mansions - by Thomas P. Adler

• The 'Child' O'Neill Tore Up - by Barbara Gelb

• Drama by O'Neill Slated in Sweden - by Arthur Gelb

• Eugene O'Neill's More Stately Mansions: Studies in Dramatic Form at the University of Wisconsin-Madison - by Esther M. Jackson

• History as Image: Approaches to the Staging of Eugene O'Neill's More Stately Mansions - by Ronald R. Miller

• More Stately Mansions Redux: Straightening Out the “Twisted Path” - by Martha Gilman Bower

• New O’Neill Drama Is Found by Swede - by Arthur Gelb

• O'Neill's Endings: the Tragicomedy of Distant Echoes - by Daniel Larner

• Onstage He Played the Novelist - by Arthur Gelb

• The Paradox of Power in More Stately Mansions - by Joseph Petite

• Swede Aglow Over Last Unpublished O'Neill Play - by Arthur Gelb

Mourning Becomes Electra

• Electra's First Hazel: An Interview with Mary Arbenz - by Jeffrey Sands

• Inscribing the Body: Lavinia Mannon as the Site of Struggle - by Susan Harris Smith

• Iphigenia: An Overlooked Influence in Mourning Becomes Electra - by Lisa Miller

• Mother and Daughter in Mourning Becomes Electra - by William Young

• Mourning Becomes Electra as a Greek Tragedy - by Stephen A. Black

• Mourning Becomes Electra at 74 - by Stephen A. Black

• Moving Fate into the Family: Tragedy Redefined in O’Neill’s Mourning Becomes Electra - by Miriam M. Chirico

• O'Neill and Hellman - by Peter L. Hays

• O'Neill as Seth in Mourning Becomes Electra - by Joan McQueen

• A Portrait of O'Neill's Electra - by William M. Peterson

• Sibling Rivalry in Mourning Becomes Electra and The Little Foxes - by Vance Philip Hedderel

• The Tiger as Daddy's Girl - by Glenda Frank

My Gene

• Carlotta Takes Center-Stage: A Review of My Gene - by Gary Vena

• Notes on a Work in Progress: An Interview with Barbara Gelb - by Sheila Hickey Garvey

Nathan, George Jean

• Was Good Old Nathan Reliable? - by Thomas F. Connolly

Nazimova, Alla

• Alice and Alla - by Travis Bogard

Nietzsche, Friedrich

• Dreaming Pipe Dreams Under the Influence of Dionysus: Nietzsche's The Birth of Tragedy as Inspiration for Eugene O'Neill's The Iceman Cometh - by Kara Reilly

• The Emperor Jones: O'Neill, Nietzshe, and the American Past - by Michael Hinden

• Ironic Use of Myth in The Hairy Ape - by Michael Hinden

Noh Theatre

• Aspects of Noh Theatre in Three Late O'Neill Plays - by Mariko Hori

Olivier, Laurence

• Olivier's Tyrone - by Normand Berlin

O'Neill, Agnes Boulton

• The O’Neill of Pulp Fiction - by William Davies King

• “Our Home! Our Home!”: Eugene O’Neill and Agnes Boulton at Spithead - by William Davies King

O'Neill and Film

• At the Roots of O'Neill's 'Elms' - by Arthur Gelb

• Eugene O'Neill and Film - by Linda Ben-Zvi

• Eugene O’Neill and John Ford: Their Long Voyage Home - by Richard Compson Sater

• From Stage to Screen: The Long Voyage Home and Long Day's Journey Into Night - by William L. Sipple

• The Gift of Ric Burns - by Zander Brietzke

• The Long Voyage Home: A Vicious Cycle at Sea - by Zander Brietzke

• “The Scope of the Movies”: Three Films and Their Influence on Eugene O’Neill - by Richard Hayes

O'Neill, Carlotta Monterey

• Carlotta Monterey and Eugene O'Neill: A Specular Collaboration - by Martha Gilman Bower

• The Cycle Women and Carlotta Monterey O'Neill - by Martha Bower

• Taasinge or Tharsing? - by Louis Sheaffer

• To O'Neill, She Was Wife, Mistress, Mother, Nurse - by Barbara Gelb

O'Neill, Ella Quinlan

• Ella, James, and Jamie O'Neill: "My Name Is Might-Have-Been" - by Edward L. Shaughnessy

• Ella O'Neill and the Imprint of Faith - by Edward L. Shaughnessy

• 'Written in Tears And Blood...' - by Barbara Gelb

O'Neill, Eugene Gladstone

• About O'Neill - by Romulus Linney

• As O’Neill Saw the Theatre - by Arthur and Barbara Gelb

• Coronet Theatre to Be Renamed in Honor Of Eugene O’Neill - by Arthur Gelb

• Correcting Some Errors in Annals of O'Neill (Part I) - by Louis Sheaffer

• Correcting Some Errors in Annals of O'Neill (Part II) - by Louis Sheaffer

• Eugene O’Neill, 1888-1953: A Descriptive Chronology of His Plays, Theatrical Career, and Dramatic Theories - by Charles A. Carpenter

• Eugene O'Neill: America's National Playwright - Michael Manheim

• The Genius of O’Neill - by Tony Kushner

• A Humanitarian Playwright - by George H. Quinby

• Lawson & Cole Revisited - by Frederick C. Wilkins

• The Legacy of O'Neill - by Israel Horovitz

• Name of O’Neill Adorns Theatre - by Arthur Gelb

• Notes on O'Neill and A Touch of the Poet - by Per K. Brask

• O'Neill's Beginnings and the Birth of Modernism in American Drama - by Frank R. Cunningham

• O'Neill, Eugene Gladstone (1888-1953) - by Edward L. Shaughnessy

• O'Neill Family Genealogy -- Frank A. Kunckel's Letter - by Mary K. Mallett

• O’Neill the Humanist - by Esther M. Jackson

• O’Neill's Birthplace Is Marked By Plaque at Times Square Site - by Arthur Gelb

• O'Neill's First Wife Defamed - by Louis Sheaffer

• What Did Eugene O’Neill Look Like Naked?: Trouble in the Flesh - by William Davies King

O'Neill in the Czech Republic

• O’Neill in the Czech Republic: Marco Millions and the Velvet Revolution - by Laurin Porter

O'Neill in France

• O’Neill in France - by Brian Rogers

O'Neill in Iran

• O’Neill in Iran - by George H. Quinby

O'Neill in Japan

• On Two Major Recent Productions of O’Neill in Japan - by Mariko Hori

O'Neill in Poland

• O'Neill's Plays in Poland - by Halina Filipowicz-Findlay

O'Neill in Spain

• Eugene O'Neill in Madrid, 1918-1936 - by Dru Dougherty & M.F. Vilches de Frutos

O'Neill in Sweden

• Sweden to Stage Two O'Neill Plays - by Arthur Gelb

O'Neill, James Jr.

• Ella, James, and Jamie O'Neill: "My Name Is Might-Have-Been" - by Edward L. Shaughnessy

• 'Written in Tears And Blood...' - by Barbara Gelb

O'Neill, James Sr.

• Ella, James, and Jamie O'Neill: "My Name Is Might-Have-Been" - by Edward L. Shaughnessy

• O'Neill and the Old Ham - by Stephen A. Black

• O'Neill's Father Shaped His Son's Vision - by Barbara Gelb

• 'Written in Tears And Blood...' - by Barbara Gelb

O'Neill's Characters

• Characterization in O'Neill: Self-doubt as an Aid to Art - by Brad Field

• Corrections in O'Neill - by Brad Field

• The Invisible: A Study of O'Neill's Offstage Characters - by Haiping Liu

• No He-Men Need Apply: A Look at O'Neill's Heroes - by Judith E. Barlow

• O'Neill's Divided Agonists - by William M. Peterson

• O'Neill's (and Others') Characters as Others - by Robert Combs

• Unseen, Unheard, Inescapable: Unseen Characters in the Dramaturgy of Eugene O’Neill - by Robert E. Byrd

O'Neill's Early Plays

• Hints of the Tragic in Fog and Other Early O'Neill Plays - by Stephen A. Black

• Onstage He Played the Novelist - by Arthur Gelb

• Politics, But Literature: The Example of Eugene O'Neill's Apprenticeship - by Paul D. Voelker

• Twitting O’Neill: His Plays of the 1920s Subjected to La Critique Créatrice - by Felicia Hardison Londré

O'Neill's Genres

• O'Neill's Genres: Early Performance and Late Achievement - by Peter Egri

O'Neill's Homes

• “C. W. D’s” at Tao House - by Travis Bogard

• O'Neill's Stately Mansions: A Visitors Reminiscences - by Winifred Frazer

• Remembrance of Things Past: Le Plessis Revisited - by Richard Eaton and Madeline Smith

O'Neill's Late Plays

• Aspects of Noh Theatre in Three Late O'Neill Plays - by Mariko Hori

• “The End of the Quest”: Freedom and Selfhood in O’Neill’s Late Plays - by Laurin Porter

• Musical and Literary Allusions in O'Neill's Final Plays - by Laurin Porter

O'Neill's Poetry

• Eugene O'Neill, Poems: 1912-1944: A Review - by Winifred Frazer

• A Lost Poem by Eugene O'Neill - by Winifred Frazer

• A Touch of the Poet - by Barbara Gelb

O'Neill Studies

• An Agenda for O'Neill Studies - by Paul D. Voelker

• Bringing O'Neill's Works to Life in the Drama Classroom - by Robert Perrin

• Reaching Beyond the Horizon: Introducing a New Generation to Eugene O’Neill at the 2009 O’Neill Studio Retreat - by Beth Wynstra

• Scholarship on Eugene O'Neill: A Comparative Statistical Study - by Charles A. Carpenter

O'Neill's Women

• Absence as Presence: The Second Sex in The Iceman Cometh - by Bette Mandl

• Camus, O’Neill, and the Dead Mother Society - by Robert Combs

• The Cycle Women and Carlotta Monterey O'Neill - by Martha Bower

• The Magna Mater: The Maternal Goddess in O’Neill’s Plays - by Thomas E. Porter

• Mother and Daughter in Mourning Becomes Electra - by William Young

• O'Neill and Frank Wekekind (Conclusion) - by Susan Tuck

• O'Neill's Women - by Doris Nelson

• Sexuality as Destiny: The Shadow Lives of O'Neill's Women - by Trudy Drucker

• Staging the "Poor, Wicked Lot": O'Neill's Rebuttal to Fallen Woman Plays - by J. Chris Westgate

• Susan Glaspell and Eugene O'Neill - by Linda Ben-Zvi

Paradise Lost

• Rage Against Order: O'Neill's Yank and Milton's Satan - by James R. Keller

Philosophical Anarchism

• On Eugene O'Neill's "Philosophical Anarchism" - by Robert M. Dowling

Plays

• Gene & Aggie - by Jo Morello

• "Here Before You...Eugene O'Neill" - by David Wheeler

• Laughing Lazarus: Eugene O’Neill’s Lost Burlesque Sketch - by Louis Phillips

• Trial Run: A One-Act Drama - by Jack Donahue

• Yank: A Musical Adaptation of Eugene O'Neill's The Hairy Ape - by Samuel J. Bernstein

Poems

• Ah, Wilderness! - by Louis Phillips

• "Good Morning, Eugene" - by Norman Andrew Kirk

Performance Reviews

• Abortion, Studio Theatre, New York City - by Robert S. McLean

• Ah, Wilderness!, Seattle Repertory Theatre, Seattle, 1981 - by Deborah Kellar Pattin

• Ah, Wilderness!, Kennedy Theatre. University of Hawaii, Honolulu, 1985 - by Eugene K. Hanson

• Ah, Wilderness!, Alliance Theatre School of Atlanta, Madison-Morgan Cultural Center, Madison, Georgia, 1986 - by Ward B. Lewis

• Ah, Wilderness!, The Rozsa Center, Michigan Technological University, 2002 - by Glenda E. Gill

• Ah, Wilderness!, Cincinnati Playhouse in the Park, Cincinnati, Ohio, 2002 - by Stephen A. Black

• Ah, Wilderness!, The Court House Theater, Shaw Festival, Niagara-on-the-Lake, Canada, 2004 - by Robert S. McLean

• Ah, Wilderness!, The Court House Theater, Shaw Festival, Niagara-on-the-Lake, Canada, 2004 - by Michael C. O’Neill

• All God's Chilluns Got Wings, Peccadillo Theater, New York City, 2001 - by Glenda Frank

• All God's Chilluns Got Wings, Peccadillo Theater, New York City, 2001 - by William M. Peterson

• Andi (Anna Christie), Theater of the Central Academy of Dramatic Arts, Beijing, China, 1984 - by Haiping Liu

• Anna Christie, New England Repertory Theatre, Worcester, 1981 - by Marshall Brooks

• Anna Christie, Your Theatre, New Bedford, 1984 - by Frederick C. Wilkins

• Anna Christie, The Studio Theatre, New York City, 2002 - by Robert S. McLean

• Anna Christie, Arena Theatre Company, Washington, D.C., 2005 - by Glenda Frank

• Anna Christie, Boomerang Theatre Company, 2006 - by Robert S. McLean

• Anna Christie, Metropolitan Playhouse, New York City, 2008 - by Robert S. McLean

• Before Breakfast, Common Basis Theatre Company, New York City, 1994 - by Robert S. McLean

• Beyond the Horizon, Fred Miller Theater, Milwaukee, 1962 - by Arthur Gelb

• Beyond the Horizon, The Old Barn, Tao House, Danville, California, 2002 - by Stephen A. Black

• Beyond the Horizon, Boomerang Theatre Company at Center Stage, New York, NY, 2004 - by Glenda Frank

• Desire Under the Elms, Asolo Theatre, Sarasota, 1977 - by Winifred Frazer

• Desire Under the Elms, Guthrie Theater, Minneapolis, 1980 - by Paul D. Voelker

• Desire Under the Elms, Indiana Repertory Theatre, Indianapolis, 1983 - by Susan H. Tuck

• Desire Under the Elms, Roundabout Theatre Company (Stage One), New York City, 1984 - by Frederick C. Wilkins

• Desire Under the Elms, Rand Theater, Amherst, 1984 - by Frederick C. Wilkins

• Desire Under the Elms, American Repertory Theatre, Cambridge, MA, 2005 - by Robert Simpson McLean

• Den Ludna Gorillan (The Hairy Ape), Folkteatern (The People's Theatre), Gavle, Sweden, 1986 - by Tom J. A. Olsson

• The Emperor Jones, Operawork, New York City, 2001 - by Yvonne Shafer

• The Emperor Jones, La MaMa E.T.C., 2006 - by Sarah Ann Standing

• The Emperor Jones, The Wooster Group, 2006 - by Sarah Ann Standing

• "Eugene O'Neill: From the Sea to the City," Studio Theatre Productions, New York City, 1982 - by Vera Jiji

• The First Man, New Vic Theatre, New York City, 1984 - by Gary Vena

• The Great God Brown, Laurie Theatre, Brandeis University, Waltham, 1984 - by Marshall Brooks

• The Great God Brown, State University of New York, Albany, 1985 - by Jarka Burian

• The Hairy Ape, Hopkins Center, Hanover, 1979 - by Frederick C. Wilkins

• The Hairy Ape, Studio Theatre Productions, New York City, 1982 - by Frederick C. Wilkins

• The Hairy Ape, La Jolla Playhouse, San Diego, CA, 1993 - by Eugene Kenneth Hanson

• The Hairy Ape, Cleveland Public Theatre, 2002 - by Joseph Fahey

• The Hairy Ape, Irish Repertory Theatre, 2006 - by Robert S. McLean

• Hughie, American Repertory Theatre, Cambridge, 1983 - by Thomas F. Connolly

• Hughie, Provincetown Playhouse, Provincetown, 1984 - by Frederick C. Wilkins

• Hughie, Trinity Repertory Company, Providence, Rhode Island, 2004 - by Deirdre O’Leary

• The Iceman Cometh, Trinity Square Repertory Company, Providence, 1981 - by Frederick C. Wilkins

• The Iceman Cometh, Lunt-Fontanne Theatre, New York, 1985 - by Frederick C. Wilkins

• The Iceman Cometh, Dulaang Theater, Manila, the Philippines, 2004 - by Stephen A. Black

• Kejsar Jones, Royal Opera, Stockholm, Sweden, 1984 - by Tom J. A. Olsson

• Long Day's Journey Into Night, Cort Theatre, New York, 1962 - by Arthur Gelb

• Long Day's Journey Into Night, New York Shakespeare Festival Public Theater, New York City, 1981 - by Marshall Brooks

• Long Day's Journey Into Night, Nucleo Eclettico, Boston, 1982 - by Marshall Brooks

• Long Day's Journey Into Night, Richmond Shepard Theater Studios, Hollywood, 1982 - by Eugene K. Hanson

• Long Day's Journey Into Night (abridged), Edinburgh International Festival, Scotland, 1982 - by Gerald M. Berkowitz

• Long Day's Journey Into Night, High Point Theatre, North Carolina Shakespeare Festival, 1983 - by Joedy Lister

• Long Day's Journey Into Night, Court Theatre (University of Chicago), Chicago, 1984 - by Michael Manheim

• Long Day's Journey Into Night, Arts Theatre, London, 1984 - by Albert E. Kalson

• Long Day's Journey, Intiman Theatre, Seattle, 1984 - by Eugene K. Hanson

• Long Day's Journey,Gateway Playhouse, Wareham, 1984 - by Thomas F. Connolly

• Long Day's Journey and Ah, Wilderness!, San Diego Repertory Theatre, 1984 - by Eugene K. Hanson

• Long Day's Journey Into Night, Pacific Conservatory of the Performing Arts, Santa Maria, California, 1985 - by Luther Hanson

• Long Day's Journey Into Night, Broadhurst Theatre, New York City, 1986 - by Steven F. Bloom

• Long Day's Journey Into Night, Portland Stage Company, Portland, Maine, 1987 - by Frederick C. Wilkins

• Long Day's Journey Into Night,  Tom Patterson Theatre, Stratford (ONT) Festival, 1994 - by Robert S. McLean

• Long Day's Journey Into Night, Arena Stage, Washington, D.C., 1995 - by Margaret Loftus Ranald

• Long Day's Journey Into Night, Plymouth Theatre, New York City, 2003 - by Robert S. McLean

• The Long Voyage Home, Mermaid Theatre, New York, 1961 - by Arthur Gelb

• The Long Voyage Home, Kresge Little Theatre, Cambridge, 1984 - by Thomas F. Connolly

• The Lost Works of Eugene O'Neill, Key Theatre, New York, 1959 - by Arthur Gelb

• Marco Millions (Based on Lies), Waterwell, 2006 - by Robert M. Dowling

• Miles to Babylon, Sargent Theatre, 2006 - by Robert S. McLean

• A Moon for the Misbegotten, Guthrie Theater, Minneapolis, 1977 - by Paul D. Voelker

• A Moon for the Misbegotten, Barton Square Playhouse, Salem, 1982 - by Thomas F. Connolly

• A Moon for the Misbegotten, The Lyric Stage, Boston, 1983 - by Thomas F. Connolly

• A Moon for the Misbegotten, Steppenwolf Theatre Company, Chicago, 1983 - by Susan H. Tuck

• A Moon for the Misbegotten, Riverside Studios, London, 1983 - by Gerald M. Berkowitz

• A Moon for the Misbegotten, American Repertory Theatre, Cambridge, 1983 - by Frederick C. Wilkins

• A Moon for the Misbegotten, Asolo State Theater, Sarasota, Florida, 1986 - by Winifred L. Frazer

• A Moon for the Misbegotten, Grove Theatre Company, Gem Theatre, Garden Grove, CA, 1986 - by Eugene K. Hanson

• A Moon for the Misbegotten. Great Lakes Theater Festival, Cleveland, 2002 - by Joseph Fahey

• A Moon for the Misbegotten, Triad Stage, Greensboro, NC, 2005 - by Stephen A. Black

• A Moon for the Misbegotten, Long Wharf Theatre, New Haven, CT, 2005 - by Robert S. McLean

• A Moon for the Misbegotten, American Conservatory Theater, San Franscisco, CA, 2005 - by J. Chris Westgate

• A Moon for the Misbegotten, Pittsburgh Public Theater, Pittsburgh, PA, 2009 - by Madeline Smith

• The Moon of the Caribbees, Bat Theatre Company, New York City, 2001 - by Robert S. McLean

• Mourning Becomes Electra, The Harvard-Radcliffe Summer Theatre, Loeb Drama Center, Cambridge, 1983 - by Frederick C. Wilkins

• Mourning Becomes Electra, Indiana Repertory Theatre, Indianapolis, 1986 - by James Fisher

• Mourning Becomes Electra. Long Wharf Theatre, New Haven, CT, 2002 - by Normand Berlin

• Mourning Becomes Electra. Long Wharf Theatre, New Haven, CT, 2002 - by Robert S. McLean

• Mourning Becomes Electra, The National Theatre, London, England, 2003 - by Marvin Carlson

• Mourning Becomes Electra, Het Toneelschuur, Haarlem, Amsterdam. 2003 - by Egil Törnqvist

• Mourning Becomes Electra, New York City Opera, 2004 - by Judith Milhous

• Mourning Becomes Electra, The National Theater of Iceland, Reykjavík, Iceland, 2004 - by J Ranelli

• Mourning Becomes Electra, Acorn Theatre, New York City, 2009 - by Robert S. McLean

• New Girl in Town, The Village Theatre, Eugene O’Neill Foundation, Danville, CA, 2004 - by Eileen Herrmann-Miller

• Servitude, University of Wisconsin Center-Richland, 1981 - by Paul D. Voelker

• Staging O’Neill Today: An Interview with Ivo van Hove - by Egil Törnqvist

• Strange Interlude, Duke of York's Theatre, London, 1984 - by Albert E. Kalson

• Strange Interlude, Bretania Theatre, Athens, Greece, Spring 1985 - by Eugene K. Hanson

• Strange Interlude, Nederlander Theatre, New York, 1985 - by Frederick C. Wilkins

• Strindberg and O'Neill: A Shared Legacy, Circle in the Square, New York City, 1982 - by Frederick C. Wilkins

• Take Me Along, York Theatre, 2006 - by Robert S. McLean

• "Three Lost Plays of Eugene O'Neill," Lotus Theatre Group, Playhouse 46, New York City, 1982 - by Frederick C. Wilkins

• A Touch of the Poet, Intiman Theatre, Seattle, 1981 - by Deborah Kellar Pattin

• A Touch of the Poet, Yale Repertory Theatre, New Haven, 1983 - by Frederick C. Wilkins

• A Touch of the Poet, The Concord Players, Concord, 1983 - by Marshall Brooks

• A Touch of the Poet, American Repertory Theatre, Cambridge, MA, 1994 - by Thomas F. Connolly

• A Touch of the Poet, Renaissance Theater, Berlin, 1994 - by Yvonne Shafer

• A Touch of the Poet, Roundabout Theater Company, New York City, NY, 2005 - by Robert Simpson McLean

• A Touch of the Poet,Fourteenth Street Theater, New York City,2008 - by Robert S. McLean

• "Where the Cross is Made," "Before Breakfast," and "The Dreamy Kid," Tower Theatre, Massachusetts College of Art, Boston, 1986 - by Thomas F. Connolly

• Yank, Boston Center for the Arts, Boston, MA, 2008 - by Robert S. McLean

Petherbridge, Edward

• Marsden Revisited - by Yvonne Shafer

Provincetown Players

• Closed Shop?: Max Gorelik and the Provincetown - by Anne Fletcher

• From Paterson to P’town: How a Silk Strike in New Jersey Inspired the Provincetown Players - by Rosemary McLaughlin

• Influence, Echo and Coincidence: O’Neill and the Provincetown’s Women Writers - by Judith E. Barlow

• John Francis, Go-Between for Provincetown and the Players - by George Monteiro

• The Provincetown Players and The Playwrights' Theatre 1915-1922 - by Edna Kenton

• The Provincetown Players: The Success that Failed - by Linda Ben-Zvi

Provincetown Playhouse

• Wharf-Theater Era Takes a Curtain Call - by Arthur Gelb

Production, Direction, and Staging

• Doing O'Neill - by Brad Field

• Stage Directions: O'Neill's Unheard Voice - by Michael Basile

• Staging O’Neill: Staging Greek Tragedy - by Eileen Herrmann-Miller

Quintero, José

• Quintero in the Square - by Barbara Gelb

• A Touch of the Tragic - by Barbara Gelb

Recklessness

• O'Neill's Early Recklessness - by Stephen A. Black

• Possible Sources for Two O'Neill One-Acts - by Esther Tamár

Reed, John

• Eugene O'Neill and John Reed: Recording the Body Politic, 1913-1922 - by John S. Bak

Richardson, Natasha

• Fallen Angels at Sea: Garbo, Ullman, Richardson, and the Contradictory Prostitute in Anna Christie - by Arthur Holmberg

Robards, Jason

• Hughie: Robards' Monte Cristo? - by Harley J Hammerman

• Jason Jamie Robards Tyrone - by Barbara Gelb

• Long Journey Into Light - by Arthur Gelb

• A Meeting with the Redoubtable Jason - by Edward L. Shaughnessy

• On Jason Robards as O'Neill's Nietzschean Iceman - by Stephen A. Black

Robeson, Paul

• Eugene O'Neill and Paul Robeson: An Uneasy Collaboration in Three of O'Neill's Early Plays - by Glenda E. Gill

• O'Neill, Othello and Robeson - by Richard Brucher

Rope, The

• Nina Moise Directs Eugene O'Neill's The Rope - by Robert K. Sarlós

Royalties

• A Mint From the 'Misbegotten' - by Barbara Gelb

"Screenews of War, The"

• Debunking "The Screenews of War" - by Harley J Hammerman

Shepard, Sam

• The Curse of the Misbegotten: The Wanton Son in O'Neill and Shepard - by Michael Abbott

• Modern and Postmodern Wastelands: Long Day's Journey and Shepard's Buried Child - by Laurin R. Porter

• Teaching Long Day’s Journey and Shepard’s Buried Child - by Laurin Porter

Simon, Neil

• The Lingering (Comic?) Legacy of Eugene O'Neill - by Steven Bloom

S.S. Glencairn Cycle

• Eugene O’Neill and John Ford: Their Long Voyage Home - by Richard Compson Sater

• O’Neill’s S.S. Glencairn Cycle: Page Vs. Stage - by Richard Compson Sater

• Refiguring O'Neill's Early Sea Plays: Maritime Labor Enters the Age of Modernity - by Jason Berger

• Shifting Perceptions, Precarious Perspectives in Two of O'Neill's Early Sea Plays - by Michael D'Alessandro

Stagecraft

• Towards a "New Stagecraft": Eugene O'Neill and Some Aspects of the Early Narrative Cinema - by Richard Hayes

Strange Interlude

• Gender as Design in Eugene O'Neill's Strange Interlude - by Bette Mandl

• The Inescapable Father:  O'Neill's Strange Interlude - by B. Thiessen

• John Howard Lawson's Souls: A Harbinger of Strange Interlude - by Le Roy Robinson

• O'Neill and Frank Wekekind (Conclusion) - by Susan Tuck

• O'Neill's Seething 'Interlude' Returns to Broadway - by Barbara Gelb

• O'Neill's Strange Interlude and the "Strange Marriage" of Louise Bryant - by Patrick Chura

• Strange Interlude, and the Quest for Truth - by Thierry Dubost

• Strange Interlude, or the Pursuit of Happiness Revisited - by Thierry Dubost

• Strange Interlude -- Strange Criticism - by Frederic I. Carpenter

• “Thinking Aloud” in Eugene O’Neill’s Strange Interlude - by Bette Mandl

• What They Really Saw: Using Archives to Reconstruct the Censored Performance of Eugene O’Neill’s Strange Interlude - by Claudia Wilsch Case

• When Strange is Good: A Neo-Futurist Strange Interlude - by Katie N. Johnson

Strindberg, August

• The fusion of the Epic and Dramatic: Hemingway, Strindberg and O'Neill - by Peter Egri

Studies in Classic American Literature

• "O'Neill": the Unwritten Chapter in D.H. Lawrence's Studies in Classic American Literature - by Robert Combs

Synge, John Millington

• Anna Christie and Christy Mahon - by Richard Brucher

• Synge and the Irish Influence of the Abbey Theatre on Eugene O'Neill - by Nelson O`Ceallaigh Ritschel

Tao House

• “C. W. D’s” at Tao House - by Travis Bogard

• O'Neill in the Community: Down the Hill from Tao House to Danville and Beyond - by Wendy Cooper

Theatre Guild

• O’Neill, the Theatre Guild, and A Moon for the Misbegotten - by Laura Shea

Touch of the Poet, A

• Behind the Scenes of O'Neill's Elephant Opus - by Arthur & Barbara Gelb

• A Crutch of the Poet - by Albert Bermel

• The Function of Simon Harford in A Touch of the Poet - by Bert Cardullo

• Incest Fantasy and the Hero in A Touch of the Poet - Robert Meade

• Narcissistic Fantasies in A Touch of the Poet: A Self-Psychological Study - by Maria T. Miliora

• Notes on O'Neill and A Touch of the Poet - by Per K. Brask

• O'Neill's Hopeless Hope for a Giant Cycle - by Arthur Gelb

• O’Neill’s Transcendence of Melodrama in A Touch of the Poet and A Moon for the Misbegotten - by Michael Manheim

• O'Neill's Use of Irish-Yankee Stereotypes in A Touch of the Poet - by Norma Jenckes

• The Role of Drinking and Alcoholism in O'Neill's Late Plays - by Steven F. Bloom

• A Touch of the Tragic - by Barbara Gelb

• Upstairs/Downstairs: Dueling Triangles in A Touch of the Poet - by Martha Gilman Bower

Translations

• Friel's Questions, O'Neill's Answers: Language, Place and Cultural Identity in Translations and A Moon for the Misbegotten - by Laurin Porter

Trouble in the Flesh

• What Did Eugene O’Neill Look Like Naked?: Trouble in the Flesh - by William Davies King

Ullman, Liv

• Fallen Angels at Sea: Garbo, Ullman, Richardson, and the Contradictory Prostitute in Anna Christie - by Arthur Holmberg

Works of Love

• Issues of Community in O'Neill's Long Day's Journey into Night and Kierkegaard's Works of Love - by Michael Brandon Lopez

Yale University

• The Eugene O'Neill Collection at Yale - by Donald Gallup

Yeats, William Butler

• Masks in the Dramaturgy of Yeats and O'Neill - by Edward L. Shaughnessy

Young, Stark

• The Legacy of Eugene O'Neill According to Stark Young - by Thomas P. Adler

Wedekind, Frank

• O'Neill and Frank Wedekind (Part One) - by Susan Tuck

• O'Neill and Frank Wekekind (Conclusion) - by Susan Tuck

Where the Cross Is Made

• O'Neill's Use of Language in Where the Cross Is Made - by Robert Perrin

• Shifting Perceptions, Precarious Perspectives in Two of O'Neill's Early Sea Plays - by Michael D'Alessandro

Wife for a Life, A

• O'Neill's First Play: A Wife for a Life - by Robert H. Vorlicky

Williams, Tennessee

• Founding Father: O'Neill's Correspondence with Arthur Miller and Tennessee Williams - by Dan Isaac

Wilson, August

• Parallels in the Work of Eugene O’Neill and August Wilson - by Yvonne Shafer

Wylie, Max

• What Did Eugene O’Neill Look Like Naked?: Trouble in the Flesh - by William Davies King

Yeats, W. B.

• Not-so-Random Notes on Masks in Yeats and O'Neill - by Frederick Lapisardi