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Abbott, Michael
Abdo,
Diya M.
Adler, Thomas P.
Bak, John S.
Barlow,
Judith E.
Basile, Michael
Ben-Zvi,
Linda
Berger, Jason
Berkowitz, Gerald
M.
Berlin,
Normand
Bermel, Albert
Bernstein,
Samuel J.
Black,
Cheryl
Black, Stephen
A.
-
Ah, Wilderness!,
Cincinnati Playhouse in the Park, Cincinnati, Ohio,
2002
(review)
-
Beyond the Horizon, The Old Barn,
Tao House, Danville, California, 2002
(review)
-
Ella
O'Neill's Addiction
-
Hints of the Tragic in Fog and
Other Early O'Neill Plays
-
The Iceman Cometh,
Dulaang Theater,
Manila, the Philippines, 2004
(review)
-
A Moon for the Misbegotten,
Triad Stage, Greensboro, NC,
2005 (review)
-
Mourning Becomes Electra
as a Greek Tragedy
-
Mourning
Becomes Electra
at 74
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O'Neill and the Old Ham
-
O'Neill in Mourning
-
O'Neill's Early Recklessness
-
On Jason Robards as O'Neill's
Nietzschean Iceman
-
Tragic Anagnorisis in The Iceman Cometh
Bloom, Steven F.
Bogard,
Travis
Bower, Martha Gilman
Bowles, Patrick
Brask,
Per K.
Brietzke,
Zander
Brooks,
Marshall
-
Anna Christie,
New England Repertory Theatre, Worcester,
1981 (review)
-
Brevda, William.
Harry Kemp, The Last Bohemian (review)
-
Eugene O'Neill's Boston
-
The
Great God Brown, Laurie Theatre,
Brandeis University, Waltham, 1984 (review)
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Harry Kemp: Lest We Forget
-
Long Day's Journey Into Night,
New York Shakespeare Festival Public Theater, New York City,
1981 (review)
-
Long Day's Journey Into Night, Nucleo
Eclettico, Boston, 1982 (review)
-
A
Touch of the Poet, The Concord Players,
Concord, 1983 (review)
Brucher, Richard
Burian, Jarka
Butler,
Robert
Byrd,
Robert E.
Callens,
Johan
Cardullo,
Bert
Carlson,
Marvin
Carpenter, Charles A.
Carpenter, Frederic I.
Case, Claudia Wilsch
Casper, Vivian
Chase, Yoko Onizuka
Chirico,
Miriam M.
Chura,
Patrick
Combs,
Robert
Connolly,
Thomas F.
-
Alexander, Doris. Eugene
O'Neill's Last Plays: Separating Art from Autobiography (review)
-
Gelb, Arthur.
City Room (review)
-
The
Hairy Ape in the Context of Early 20th Century American
Modernism
-
Hughie, American Repertory Theatre,
Cambridge, 1983 (review)
-
Long Day's Journey,Gateway
Playhouse, Wareham, 1984 (review)
-
The Long Voyage Home, Kresge Little
Theatre, Cambridge, 1984 (review)
-
A Moon for the Misbegotten,
Barton Square Playhouse, Salem, 1982
(review)
-
A Moon for the
Misbegotten, The
Lyric Stage, Boston, 1983
(review)
-
A
Touch of the Poet,
American Repertory Theatre, Cambridge, MA, 1994
(review)
-
Was Good Old Nathan Reliable?
-
"Where the Cross is Made,"
"Before Breakfast," and "The
Dreamy Kid," Tower Theatre, Massachusetts
College of Art, Boston, 1986 (review)
Cooper, Wendy
Cordaro, Joseph
Cornwell,
Paul
Cunningham, Frank R.
D'Alessandro,
Michael
Dawes,
James R.
Donahue,
Jack
Dorset,
Gerald
Dougherty, Dru
Dowling, Robert M.
Drucker,
Trudy
Dubost, Thierry
Dugan,
Timothy
Eaton,
Richard B.
Egri,
Peter
Einenkel, Robert
Eisen,
Kurt
-
Ben-Zvi, Linda. Susan
Glaspell: Her Life and Times
(review)
-
Black,
Cheryl. The Women of Provincetown,
1915-1922 (review)
-
Manheim, Michael. Vital
Contradictions: Characterization in the Plays of Ibsen, Strindberg,
Chekhov and O'Neill (review)
-
A Moon for the Misbegotten on the American Stage: A
History of the Major Productions by Laura Shea
(review)
-
Richter, Robert A.
Eugene O’Neill and “Dat Ole Davil
Sea”: Maritime Influences in the Life
and Works of Eugene O’Neill
(review)
-
Walker, Julia A. Expressionism and Modernism in the American
Theatre: Bodies, Voices, Words
(review)
Elliott, Thomas S.
Fahey,
Joseph
Fambrough, Preston
Farfan, Penny
Field, Brad
Filipowicz-Findlay,
Halina
Fisher, James
Fleming,
James R.
Fletcher, Anne
Floyd,
Virginia
Frank,
Glenda
-
All
God's Chilluns Got Wings, Peccadillo
Theater, New
York City, 2001
(review)
-
"Anna Christie", Arena Theatre
Company, Washington, D.C., 2005
(review)
-
Beyond the
Horizon,
Boomerang Theatre Company at Center Stage, New York, NY,
2004
(review)
-
Fractured Comedy: A Glimpse into
Eugene O’Neill’s Tragic Constructs
-
Houchin, John H.,
ed., The Critical Response to Eugene O'Neill
(review)
-
The Tiger as Daddy's Girl
-
Using O’Neill on the
Immigrant Experience in the American Literature Classroom
Frazer, Winifred
Frenz,
Horst
Fulford, Robert
Gallup, Donald
Garvey, Sheila Hickey
Gauss, Rebecca B.
Gawad, Naeema A.
Gelb, Arthur
Gelb, Barbara
Gill,
Glenda E.
Glover, Christopher S.
Hammerman,
Harley J
Hanson, Eugene K.
-
Ah, Wilderness!,
Kennedy Theatre. University of Hawaii, Honolulu, 1985
(review)
-
The
Hairy Ape,
La Jolla Playhouse, San Diego, CA, 1993
(review)
-
Long Day's Journey
and Ah, Wilderness!, San Diego Repertory
Theatre, 1984
(review)
-
Long Day's Journey
Into Night, Richmond Shepard Theater
Studios, Hollywood, 1982
(review)
-
Long Day's Journey,
Intiman Theatre, Seattle, 1984
(review)
-
A Moon for the Misbegotten,
Grove Theatre Company, Gem Theatre, Garden Grove, CA, 1986
(review)
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Strange Interlude, Bretania
Theatre, Athens, Greece, Spring 1985 (review)
Hanson,
Luther
Hawley,
William
Hayes, Richard
Hays, Peter L.
Hedderel, Vance Philip
Herrmann-Miller, Eileen
Hinden, Michael
Holmberg, Arthur
Fallen Angels at Sea: Garbo, Ullman, Richardson, and the
Contradictory Prostitute in
Anna Christie
Holton, Deborah Wood
Hori, Mariko
Horovitz, Israel
Hughes,
Ann D.
Isaac, Dan
Iverson, John
Jackson,
Esther M.
Jenckes, Norma
Jiji, Vera
Johnson, Katie N.
Jones, Nathaniel
Jurich,
Joseph
Kalson, Albert E.
Kehl, D. G.
Keller, James R.
Kennedy, Jeff
Kenton, Edna
King, William Davies
Kirk, Norman
Andrew
Krafchick, Marcelline
Kushner, Tony
Lapisardi, Frederick
Larner, Daniel
Lewis, Ward B.
Linney,
Romulus
Lister, Joedy
Liu, Haiping
Londré, Felicia Hardison
Lopez, Michael Brandon
Majumdar,
Rupendra Guha
Mallett, Mary K.
Mandl,
Bette
Manheim,
Michael
McCown, Cynthia
McDermott, Dana S.
McIlvaine, Robert
McKelly, James C.
McLaughlin, Rosemary
McLean,
Robert S.
-
Abortion,
Studio Theatre, New York
City (review)
-
Ah, Wilderness!,
The Court House Theater, Shaw Festival, Niagara-on-the-Lake,
Canada, 2004
(review)
-
Anna Christie,
The Studio
Theatre,
New York
City, 2002
(review)
-
"Anna Christie" at the Metropolitan Playhouse, New
York City (review)
-
"Anna Christie", Boomerang Theatre Company,
2006 (review)
-
Before Breakfast,
Common Basis Theatre Company, New York
City, 1994
(review)
-
Desire Under the Elms,
American
Repertory Theatre, Cambridge, MA, 2005
(review)
-
The Hairy Ape, Irish Repertory Theatre,
2006 (review)
-
Koutsoudaki,
Mary. The
Greek Plays of Eugene O'Neill
(review)
-
Long
Day's Journey Into Night, Tom Patterson Theatre, Stratford (ONT)
Festival, 1994
(review)
-
Long Day's Journey Into Night,
Plymouth Theatre, New York City, 2003
(review)
-
Miles to Babylon, Sargent Theatre,
2006 (review)
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A Moon for the Misbegotten,
Long Wharf Theatre, New Haven, CT, 2005
(review)
-
The
Moon of the Caribbees, Bat Theatre
Company,
New York
City, 2001
(review)
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Mourning Becomes Electra by the New Group at Theater
Row, Acorn Theatre, New York City
(review)
-
Mourning Becomes Electra.
Long Wharf
Theatre, New
Haven, CT,
2002
(review)
-
Take Me Along, York Theatre,
2006 (review)
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A Touch of the Poet by Friendly Fire at the
Fourteenth Street Theater, New York City
(review)
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A Touch of the Poet, Roundabout
Theater Company, New York City, NY, 2005
(review)
-
Yank at the Boston Center for the Arts (review)
McQueen, Joan
Meade, Robert
Mikoś, Michael
Milhous, Judith
Miliora, Maria T.
Miller, Eileen
Miller, Jordan Y.
Miller,
Lisa
Miller,
Ronald R.
Monteiro, George
Morello, Jo
Morrison, Kristin
Mulroy, David
Murphy,
Brenda
Nastal, Jessica L.
Nelson,
Doris
Noe, Marcia
Nolan,
Patrick J.
Oldman, Elizabeth
O’Leary, Deirdre
Olsson, Tom J. A.
Omori, Yuji
O’Neill,
Michael C.
Pattin, Deborah Kellar
Perrin,
Robert
Peterson,
William M.
Petite,
Joseph
Pettegrove, James P.
Phillips, Louis
Pond, Gloria Dibble
Poole, Gabriele
Porter, Laurin R.
Porter, Thomas E.
Quinby,
George H.
Ranald, Margaret Loftus
Ranelli, J
Ratliff,
Gerald Lee
Regenbaum,
Shelly
Reilly, Kara
Ritschel, Nelson O`Ceallaigh
Roazen, Paul
Robinson, James A.
Robinson,
Le Roy
Rogers, Brian
Rossini, Jon D.
Rundle, Erika
Rutenberg, Michael E.
Sands, Jeffrey
Saiz, Peter R.
Sarlós,
Robert K.
Sater, Richard Compson
Shafer,
Yvonne
Shaughnessy, Edward L.
Shea, Laura
Sheaffer,
Louis
Sipple,
William L.
Smith, Madeline C.
Smith, Susan Harris
Sollars, Michael D.
Standing, Sarah Ann
Sullivan, Dan
Tamár,
Esther
Thiessen, B.
Törnqvist, Egil
Tuck, Susan
H.
Vena, Gary
Viswanathan,
R.
Voelker,
Paul D.
-
An Agenda for O'Neill
Studies
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Desire Under the Elms,
Guthrie Theater, Minneapolis,
1980 (review)
-
Floyd, Virginia. Eugene O'Neill: A World View
(review)
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A Moon for the Misbegotten,
Guthrie Theater, Minneapolis,
1977 (review)
-
O'Neill and George Pierce Baker
-
Politics, But
Literature: The Example of Eugene O'Neill's Apprenticeship
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Servitude, University
of Wisconsin Center-Richland, 1981
(review)
Vorlicky, Robert H.
Wainscott, Ronald H.
Waterstradt, Jean
Anne
Watkinson,
Sharon O.
Watt,
Stephen M.
Wertheim,
Albert
Westgate, J. Chris
Wheeler, David
White, George C.
White,
Julia
Wilkins,
Frederick C.
-
Ahuja, Chaman. Tragedy,
Modern Temper and O'Neill (review)
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Anna Christie,
Your Theatre, New Bedford, 1984 (review)
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Benchley, Robert.
Benchley at the Theatre: Dramatic Criticism, 1920-1940
(review)
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Berlin,
Normand.
Eugene O'Neill (review)
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Berlin, Normand, O'Neill's
Shakespeare (review)
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Berlin, Normand. The Secret Cause:
A Discussion of Tragedy (review)
-
Book Reviews, Long and Short (review)
-
Cheuse,
Alan. The Bohemians:
John Reed and His Friends Who Shook the World
(review)
-
Commins, Dorothy.
"Love and Admiration and Respect": The O'Neill-Commins
Correspondence
(review)
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Desire Under the Elms, Rand
Theater, Amherst, 1984 (review)
-
Desire Under the Elms, Roundabout
Theatre Company (Stage One), New York City, 1984
(review)
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Egan, Leona Rust, Provincetown as
a Stage (review)
-
Egri, Peter.
Chekhov and O'Neill: The Uses of the Short Story in Chekhov's
and O'Neill's Plays (review)
-
The Hairy Ape,
Hopkins Center, Hanover,
1979 (review)
-
The Hairy Ape, Studio Theatre Productions,
New York City, 1982 (review)
-
Hughie,
Provincetown Playhouse,
Provincetown, 1984 (review)
-
The
Iceman Cometh, Trinity Square Repertory
Company, Providence,
1981 (review)
-
The Iceman Cometh,
Lunt-Fontanne Theatre, New York, 1985
(review)
-
Lawson & Cole
Revisited
-
Long Day's Journey
Into Night, Portland Stage Company, Portland, Maine, 1987
(review)
-
A Moon for the Misbegotten,
American Repertory Theatre, Cambridge, 1983
(review)
-
Mourning Becomes Electra,
The Harvard-Radcliffe Summer Theatre, Loeb Drama Center,
Cambridge, 1983 (review)
-
On the Shelf:
New Books By and About O'Neill (Part One)
-
On the Shelf: New Books By
and About O'Neill (Part Two)
-
Orlandello,
John. O'Neill on Film (review)
-
Strange Interlude,
Nederlander Theatre, New York, 1985 (review)
-
Strindberg and O'Neill: A Shared
Legacy, Circle in
the Square, New York City, 1982
(review)
-
"Three Lost Plays of
Eugene O'Neill," Lotus Theatre Group, Playhouse 46, New York
City, 1982
(review)
-
A Touch of the Poet, Yale Repertory
Theatre, New Haven, 1983
(review)
-
Weathers, Winston. The Broken Word:
The Communication Pathos in Modern Literature
(review)
Winn, Melissa Leigh
Wynstra, Beth
Young, William
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