Abdo, Diya M.

• The Emperor Jones: A Struggle for Individuality

Adler, Thomas P.

• A Cabin in the Woods, A Summerhouse in a Garden: Closure and Enclosure in O'Neill's More Stately Mansions

Barlow, Judith E.

• Influence, Echo and Coincidence: O’Neill and the Provincetown’s Women Writers

Basile, Michael

• Stage Directions: O'Neill's Unheard Voice

Ben-Zvi, Linda

• Eugene O'Neill and Film

• The Provincetown Players: The Success that Failed

• Susan Glaspell and Eugene O'Neill

• Susan Glaspell and Eugene O'Neill: The Imagery of Gender

Berger, Jason

• Refiguring O'Neill's Early Sea Plays: Maritime Labor Enters the Age of Modernity

Berkowitz, Gerald M.

• Long Day's Journey Into Night (abridged), Edinburgh International Festival, Scotland, 1982 (review)

• A Moon for the Misbegotten, Riverside Studios, London, 1983 (review)

Berlin, Normand

• Mourning Becomes Electra. Long Wharf Theatre, New Haven, CT, 2002 (review)

Bermel, Albert

• A Crutch of the Poet

Bernstein, Samuel J.

• Making It, Madness, and Motherhood: The Deep Structure of All God's Chillun Got Wings

• Smith, Madeline C. and Eaton, Richard B. Eugene O'Neill: An Annotated International Bibliography, 1973 through 1999 (review)

• Yank: A Musical Adaptation of Eugene O'Neill's The Hairy Ape

Black, Cheryl

• Deboer-Langworthy, Carol Ed. The Modern World of Neith Boyce: Autobiography and Diaries (review)

• Ozieblo, Barbara. Susan Glaspell: A Critical Biography (review)

Black, Stephen A.

• Ah, Wilderness!, Cincinnati Playhouse in the Park, Cincinnati, Ohio, 2002 (review)

• Beyond the Horizon, The Old Barn, Tao House, Danville, California, 2002 (review)

• Ella O'Neill's Addiction

• Hints of the Tragic in Fog and Other Early O'Neill Plays

• The Iceman Cometh, Dulaang Theater, Manila, the Philippines, 2004 (review)

• A Moon for the Misbegotten, Triad Stage, Greensboro, NC, 2005 (review)

• Mourning Becomes Electra as a Greek Tragedy

• Mourning Becomes Electra at 74

• Tragic Anagnorisis in The Iceman Cometh

Bloom, Steven F.

• Drinking and Drunkenness in The Iceman Cometh: A Response to Mary McCarthy

• Long Day's Journey Into Night, Broadhurst Theatre, New York City, 1986 (review)

• “The Mad Scene: Enter Ophelia!”: O’Neill’s Use of the Delayed Entrance in Long Day’s Journey into Night

• The Role of Drinking and Alcoholism in O'Neill's Late Plays

• Wakefield, Thaddeus. The Family in Twentieth-Century American Drama (review)

Bogard, Travis

• “C. W. D’s” at Tao House

• Eugene O'Neill in the West

• "My Yosephine": The Music for Anna Christie

Bower, Martha Gilman

• All God’s Chillun: Religion and “Painty Faces” versus the NAACP and the Provincetown Players

• The Cycle Women and Carlotta Monterey O'Neill

• More Stately Mansions Redux: Straightening Out the “Twisted Path”

Bowles, Patrick

• Another Biblical Parallel in Desire Under the Elms

• The Hairy Ape as Existential Allegory

Brask, Per K.

• Notes on O'Neill and A Touch of the Poet

Brietzke, Zander

• The Gift of Ric Burns

• The Long Voyage Home: A Vicious Cycle at Sea

• Murphy, Brenda. O'Neill: Long Day's Journey Into Night (review)

• Smith, Madeline C. and Eaton, Richard B. Eugene O'Neill Production Personnel (review)

• Too Close for Comfort: Biographical Truth in Long Day’s Journey Into Night

• Tragic Vision and the Happy Ending in “Anna Christie”

Brooks, Marshall

• Anna Christie, New England Repertory Theatre, Worcester, 1981 (review)

• Brevda, William. Harry Kemp, The Last Bohemian (review)

• Eugene O'Neill's Boston

• The Great God Brown, Laurie Theatre, Brandeis University, Waltham, 1984 (review)

• Harry Kemp: Lest We Forget

• Long Day's Journey Into Night, New York Shakespeare Festival Public Theater, New York City, 1981 (review)

• Long Day's Journey Into Night, Nucleo Eclettico, Boston, 1982 (review)

• A Touch of the Poet, The Concord Players, Concord, 1983 (review)

Brucher, Richard

• Anna Christie and Christy Mahon

Burian, Jarka

• The Great God Brown, State University of New York, Albany, 1985 (review)

Butler, Robert

• Artifice and Art -- Words in The Iceman Cometh and Hughie

Byrd, Robert E.

• Unseen, Unheard, Inescapable: Unseen Characters in the Dramaturgy of Eugene O’Neill

Callens, Johan

• “Black is white, I yells it out louder ’n deir loudest”: Unraveling The Wooster Group’s The Emperor Jones

Cardullo, Bert

• The Function of Simon Harford in A Touch of the Poet

• Global Futurism, Divine Comedy, Greek Tragedy, and . . . The Hairy Ape

• Parallelism and Divergence: The Case of She Stoops to Conquer and Long Day's Journey Into Night

Carlson, Marvin

• Mourning Becomes Electra, The National Theatre, London, England, 2003 (review)

Carpenter, Charles A.

• Eugene O’Neill, 1888-1953: A Descriptive Chronology of His Plays, Theatrical Career, and Dramatic Theories

Carpenter, Frederic I.

• Hughie: By Way of Obit

• Strange Interlude -- Strange Criticism

Casper, Vivian

• The "Veil," Neoplatonism, and Genre in Long Day's Journey into Night

Chase, Yoko Onizuka

• Eugene O’Neill’s Poetics of Dionysus through his Presentation of Xenoi, Metoikoi and Barbaroi

Chirico, Miriam M.

• Moving Fate into the Family: Tragedy Redefined in O’Neill’s Mourning Becomes Electra

Combs, Robert

• Affinities Between the Poetry of Hart Crane and the Plays of Eugene O’Neill

• Camus, O’Neill, and the Dead Mother Society

Connolly, Thomas F.

• Alexander, Doris. Eugene O'Neill's Last Plays: Separating Art from Autobiography (review)

• Gelb, Arthur. City Room (review)

• The Hairy Ape in the Context of Early 20th Century American Modernism

• Hughie, American Repertory Theatre, Cambridge, 1983 (review)

• Long Day's Journey,Gateway Playhouse, Wareham, 1984 (review)

• The Long Voyage Home, Kresge Little Theatre, Cambridge, 1984 (review)

• A Moon for the Misbegotten, Barton Square Playhouse, Salem, 1982 (review)

• A Moon for the Misbegotten, The Lyric Stage, Boston, 1983 (review)

• "Where the Cross is Made," "Before Breakfast," and "The Dreamy Kid," Tower Theatre, Massachusetts College of Art, Boston, 1986 (review)

Cooper, Wendy

• O'Neill in the Community: Down the Hill from Tao House to Danville and Beyond

Cornwell, Paul

• American Drama at the Cambridge Theatre Festival, 1928-1935

Cunningham, Frank R.

• The Ancient Mariner and the Genesis of O'Neill's Romanticism

D'Alessandro, Michael

• Shifting Perceptions, Precarious Perspectives in Two of O'Neill's Early Sea Plays

Donahue, Jack

• Trial Run: A One-Act Drama (play)

Dorset, Gerald

• Orlandello, John. O'Neill on Film (review)

Dowling, Robert M.

• Marco Millions (Based on Lies), Waterwell, 2006 (review)

• On Eugene O'Neill's "Philosophical Anarchism"

Drucker, Trudy

• The Return of O'Neill's "Play of Old Sorrow"

• Sexuality as Destiny: The Shadow Lives of O'Neill's Women

Dubost, Thierry

• Strange Interlude, and the Quest for Truth

• Strange Interlude, or the Pursuit of Happiness Revisited

Eaton, Richard B.

• Dismissed without Prejudice: O'Neill's Anti-Semitism or, Some of My Best Friends. . .

• IT HATH MADE US MAD: Two O’Neillians’ Adventures in Bibliography

• Remembrance of Things Past: Le Plessis Revisited

• Will the Real John Francis Please Step Forward?

Egri, Peter

• Beneath The Calms of Capricorn: O'Neill's Adoption and Naturalization of European Models

• The fusion of the Epic and Dramatic: Hemingway, Strindberg and O'Neill

• The Iceman Cometh: European Origins and American Originality

• The Iceman Cometh: European Origins and American Originality (Part Two)

• The Iceman Cometh: European Origins and American Originality (Conclusion)

• O'Neill's Genres: Early Performance and Late Achievement

Einenkel, Robert

• Long Day's Journey Towards Separation: The Mary-Edmund Struggle

Eisen, Kurt

• Ben-Zvi, Linda. Susan Glaspell: Her Life and Times (review)

• Black, Cheryl. The Women of Provincetown, 1915-1922 (review)

• Manheim, Michael. Vital Contradictions: Characterization in the Plays of Ibsen, Strindberg, Chekhov and O'Neill (review)

• Richter, Robert A. Eugene O’Neill and “Dat Ole Davil Sea”: Maritime Influences in the Life and Works of Eugene O’Neill (review)

• Walker, Julia A. Expressionism and Modernism in the American Theatre: Bodies, Voices, Words (review)

Fahey, Joseph

• The Hairy Ape, Cleveland Public Theatre, 2002 (review)

• A Moon for the Misbegotten. Great Lakes Theater Festival, Cleveland, 2002 (review)

Fambrough, Preston

• The Tragic Cosmology of O'Neill's Desire Under the Elms

Farfan, Penny

• Johnson, Katie N. Sisters in Sin: Brothel Drama in America, 1900-1920 (review)

Field, Brad

• Doing O'Neill

Filipowicz-Findlay, Halina

• O'Neill's Plays in Poland

Fisher, James

• Eugene O'Neill and Edward Gordon Craig

• Mourning Becomes Electra, Indiana Repertory Theatre, Indianapolis, 1986 (review)

Fleming, James R.

• Cross Cultural O’Neill: A Bengali Desire Under The Elms

Fletcher, Anne

• Closed Shop?: Max Gorelik and the Provincetown

Floyd, Virginia

• The Search for Self in The Hairy Ape: An Exercise in Futility?

Frank, Glenda

• All God's Chilluns Got Wings, Peccadillo Theater, New York City, 2001 (review)

• "Anna Christie", Arena Theatre Company, Washington, D.C., 2005 (review)

• Beyond the Horizon, Boomerang Theatre Company at Center Stage, New York, NY, 2004 (review)

• Fractured Comedy: A Glimpse into Eugene O’Neill’s Tragic Constructs

• Using O’Neill on the Immigrant Experience in the American Literature Classroom

Frazer, Winifred

• Desire Under the Elms, Asolo Theatre, Sarasota, 1977 (review)

• Eugene O'Neill, Poems: 1912-1944: A Review

• Floyd, Virginia. Eugene O'Neill at Work (review)

• A Lost Poem by Eugene O'Neill

• A Moon for the Misbegotten, Asolo State Theater, Sarasota, Florida, 1986 (review)

• O'Neill's Stately Mansions: A Visitors Reminiscences

Frenz, Horst

• Three European Productions of The Hairy Ape

Gallup, Donald

• The Eugene O'Neill Collection at Yale

Garvey, Sheila Hickey

• New Myths for Old: A Production History of the 2000 Broadway Revival of A Moon for the Misbegotten

• Notes on a Work in Progress: An Interview with Barbara Gelb

• O’Neill’s Bridge

• Reacreating a Myth: The Iceman Cometh in Washington, 1985

• Rethinking O'Neill

Gawad, Naeema A.

• Casting the Curse of Dionysus on the Modern Version of the Greek Gods

Gelb, Arthur

• As O’Neill Saw the Theatre

• At the Roots of O'Neill's 'Elms'

• Behind the Scenes of O'Neill's Elephant Opus

• Coronet Theatre to Be Renamed in Honor Of Eugene O’Neill

• Drama by O'Neill Slated in Sweden

• Dream and Live

• Early O'Neill: 'Long Voyage Home' Given at Mermaid (review)

• An Epitaph for the O'Neills

• January Revival for ‘Hairy Ape’

• Long Journey Into Light

• Name of O’Neill Adorns Theatre

• Native Tragedy: 'Beyond the Horizon' Given in Milwaukee (review)

• New O’Neill Drama Is Found by Swede

• O'Neill Tragedy: Swedish Actors Give Play Its Full Value (review)

• O’Neill’s Birthplace Is Marked By Plaque at Times Square Site

• O'Neill's Hopeless Hope for a Giant Cycle

• O’Neill’s ‘Hughie’ to Make U.S. Bow

• O'Neill's 'Lost Work' (review)

• Onstage He Played the Novelist

• Second Thoughts

• Swede Aglow Over Last Unpublished O'Neill Play

• Sweden to Stage Two O'Neill Plays

• Wharf-Theater Era Takes a Curtain Call

Gelb, Barbara

• As O’Neill Saw the Theatre

• Behind the Scenes of O'Neill's Elephant Opus

• The 'Child' O'Neill Tore Up

• Concealing While Revealing: O'Neill's Way With Truth

• Jason Jamie Robards Tyrone

• A Mint From the 'Misbegotten'

• O'Neill's Father Shaped His Son's Vision

• O'Neill's 'Iceman' Sprang From the Ashes of His Youth

• O'Neill's Seething 'Interlude' Returns to Broadway

• Quintero in the Square

• A Second Look, and a Second Chance to Forgive

• Second Thoughts

• Theater for Readers (review)

• To O'Neill, She Was Wife, Mistress, Mother, Nurse

• A Touch of the Poet

• A Touch of the Tragic

• 'Written in Tears And Blood...'

Gill, Glenda E.

• Ah, Wilderness!, The Rozsa Center, Michigan Technological University, 2002 (review)

• Eugene O'Neill and Paul Robeson: An Uneasy Collaboration in Three of O'Neill's Early Plays

• “Interlopers”: African-American Actors in Non-Traditional Roles in the Works of Eugene O’Neill

Glover, Christopher S.

• Female Characters in (and not in) Eugene O’Neill’s The Iceman Cometh: Tracing Twentieth-Century Feminist Response into a New Era

Hammerman, Harley J

• Debunking "The Screenews of War"

• Hughie: Robards' Monte Cristo?

• On Collecting O'Neill

• On Collecting O'Neill:  Part Two

Hanson, Eugene K.

• Ah, Wilderness!, Kennedy Theatre. University of Hawaii, Honolulu, 1985 (review)

• Long Day's Journey and Ah, Wilderness!, San Diego Repertory Theatre, 1984 (review)

• Long Day's Journey Into Night, Richmond Shepard Theater Studios, Hollywood, 1982 (review)

• Long Day's Journey, Intiman Theatre, Seattle, 1984 (review)

• A Moon for the Misbegotten, Grove Theatre Company, Gem Theatre, Garden Grove, CA, 1986 (review)

• Strange Interlude, Bretania Theatre, Athens, Greece, Spring 1985 (review)

Hanson, Luther

• Long Day's Journey Into Night, Pacific Conservatory of the Performing Arts, Santa Maria, California, 1985 (review)

Hawley, William

• The Iceman Cometh and the Critics--1946, 1956, 1973

Hayes, Richard

• “The Scope of the Movies”: Three Films and Their Influence on Eugene O’Neill

Herrmann-Miller, Eileen

• New Girl in Town, The Village Theatre, Eugene O’Neill Foundation, Danville, CA, 2004 (review)

• The Sea versus Anna: Metaphoric Contrarieties

• Staging O’Neill: Staging Greek Tragedy

Hinden, Michael

• The Emperor Jones: O'Neill, Nietzshe, and the American Past

• Ironic Use of Myth in The Hairy Ape

• "Splendid Twaddle": O'Neill and Richard Middleton

• The Transitional Nature of All God's Chillun Got Wings

Hori, Mariko

• On Two Major Recent Productions of O’Neill in Japan

Horovitz, Israel

• The Legacy of O'Neill

Hughes, Ann D.

• Biblical Allusions in The Hairy Ape

Jackson, Esther M.

• Eugene O'Neill's More Stately Mansions: Studies in Dramatic Form at the University of Wisconsin-Madison

• O’Neill the Humanist

Jenckes, Norma

• O'Neill's Use of Irish-Yankee Stereotypes in A Touch of the Poet

Jiji, Vera

• "Eugene O'Neill: From the Sea to the City," Studio Theatre Productions, New York City, 1982 (review)

Johnson, Katie N.

• “Anna Christie”: the Repentant Courtesan, Made Respectable

Jones, Nathaniel

• The Hairy Ape: An Illustrated Blog

Jurich, Joseph

• Jack London and The Hairy Ape

Kalson, Albert E.

• Long Day's Journey Into Night, Arts Theatre, London, 1984 (review)

• Strange Interlude, Duke of York's Theatre, London, 1984 (review)

King, William Davies

• The O’Neill of Pulp Fiction

• Oresteian Structures in The Iceman Cometh

• “Our Home! Our Home!”: Eugene O’Neill and Agnes Boulton at Spithead

• What Did Eugene O’Neill Look Like Naked?: Trouble in the Flesh

Kirk, Norman Andrew

• "Good Morning, Eugene" (poem)

Krafchick, Marcelline

• Hughie and The Zoo Story

• Hughie: Some Light on O'Neill's Moon

Kushner, Tony

• The Genius of O’Neill

Larner, Daniel

• Dionysus in Diaspora: O’Neill’s Tragedy of Muted Revelries

• O'Neill's Fear and Pity:  the Dionysian Living Death

Lewis, Ward B.

• Ah, Wilderness!, Alliance Theatre School of Atlanta, Madison-Morgan Cultural Center, Madison, Georgia, 1986 (review)

Linney, Romulus

• About O'Neill

Lister, Joedy

• Long Day's Journey Into Night, High Point Theatre, North Carolina Shakespeare Festival, 1983 (review)

Liu, Haiping

• Andi (Anna Christie), Theater of the Central Academy of Dramatic Arts, Beijing, China, 1984 (review)

• From Beyond the Horizon to The Good Earth: Transformation of China in American Literary Consciousness

Londré, Felicia Hardison

• Twitting O’Neill: His Plays of the 1920s Subjected to La Critique Créatrice

Majumdar, Rupendra Guha

• O’Neill’s American Precursors

Mallett, Mary K.

• O'Neill Family Genealogy -- Frank A. Kunckel's Letter

Mandl, Bette

• Absence as Presence: The Second Sex in The Iceman Cometh

• “Thinking Aloud” in Eugene O’Neill’s Strange Interlude

Manheim, Michael

• Brietzke, Zander. The Aesthetics of Failure: Dynamic Structure in the Plays of Eugene O'Neill (review)

• Dialogue Between Son and Mother in Chekhov's The Sea Gull and O'Neill's Long Day's Journey Into Night

• Eugene O'Neill: America's National Playwright

• The Iceman Cometh

• Long Day’s Journey Into Night

• Long Day’s Journey into Night and Hughie

• Long Day's Journey Into Night, Court Theatre (University of Chicago), Chicago, 1984 (review)

• Majumdar, Rupendra Guha. Central Man: The Paradox of Heroism in Modern American Drama (review)

• A Moon for the Misbegotten

• Motifs in Long Day’s Journey Into Night

• O’Neill’s Transcendence of Melodrama in A Touch of the Poet and A Moon for the Misbegotten

• The Stature of Long Day’s Journey Into Night

• The Transcendence of Melodrama in Long Day’s Journey into Night

• The Transcendence of Melodrama in O’Neill’s The Iceman Cometh

• Up From Melodrama

McCown, Cynthia

• All the Wrong Dreams: Marco Millions and the Acquisitive Instinct

McDermott, Dana S.

• Robert Edmund Jones and Eugene O'Neill: Two American Visionaries

McIlvaine, Robert

• Crane's Maggie: A Source for The Hairy Ape

McKelly, James C.

• Ain't It the Truth: Hughie and the Power of Fiction

McLaughlin, Rosemary

• From Paterson to P’town: How a Silk Strike in New Jersey Inspired the Provincetown Players

McLean, Robert S.

• Abortion, Studio Theatre, New York City (review)

• Ah, Wilderness!, The Court House Theater, Shaw Festival, Niagara-on-the-Lake, Canada, 2004 (review)

• Anna Christie, The Studio Theatre, New York City, 2002 (review)

• "Anna Christie", Boomerang Theatre Company, 2006 (review)

• Desire Under the Elms, American Repertory Theatre, Cambridge, MA, 2005 (review)

• The Hairy Ape, Irish Repertory Theatre, 2006 (review)

• Koutsoudaki, Mary. The Greek Plays of Eugene O'Neill (review)

• Long Day's Journey Into Night, Plymouth Theatre, New York City, 2003 (review)

• Miles to Babylon, Sargent Theatre, 2006 (review)

• A Moon for the Misbegotten, Long Wharf Theatre, New Haven, CT, 2005 (review)

• The Moon of the Caribbees, Bat Theatre Company, New York City, 2001 (review)

• Mourning Becomes Electra. Long Wharf Theatre, New Haven, CT, 2002 (review)

• Take Me Along, York Theatre, 2006 (review)

• A Touch of the Poet, Roundabout Theater Company, New York City, NY, 2005 (review)

McQueen, Joan

• O'Neill as Seth in Mourning Becomes Electra

Mikoś, Michael

• Reymont's The Peasants: A Probable Influence on Desire Under the Elms

Milhous, Judith

• Mourning Becomes Electra, New York City Opera, 2004 (review)

Miller, Jordan Y.

• Barlow, Judith E. Final Acts: The Creation of Three Late O'Neill Plays (review)

• Floyd, Virginia. The Plays of Eugene O'Neill: A New Assessment (review)

Miller, Lisa

• Iphigenia: An Overlooked Influence in Mourning Becomes Electra

Miller, Ronald R.

• History as Image: Approaches to the Staging of Eugene O'Neill's More Stately Mansions

Monteiro, George

• John Francis, Go-Between for Provincetown and the Players

• Sábato Magaldi: Carlotta O’Neill’s Man in Brazil

Morello, Jo

• Gene & Aggie

Morrison, Kristin

• Conrad and O'Neill as Playwrights of the Sea

Mulroy, David

• Reymont's The Peasants: A Probable Influence on Desire Under the Elms

Murphy, Brenda

• Bogard, Travis and Jackson R. Bryer ed. The Provincetown Players and the Playwrights’ Theatre, 1915-1922 by Edna Kenton (review)

• The Iceman Cometh in Context: An American Saloon Trilogy

• O'Neill's Realism: A Structural Approach

Nelson, Doris

• O'Neill's Women

Noe, Marcia

• Murphy, Brenda. The Provincetown Players and the Culture of Modernity (review)

Nolan, Patrick J.

• Desire Under the Elms: Characters by Jung

• The Emperor Jones: A Jungian View of the Origin of Fear in the Black Race

Oldman, Elizabeth

• Yank’s Consciousness of Alienation in O’Neill’s The Hairy Ape

O’Leary, Deirdre

• Hughie, Trinity Repertory Company, Providence, Rhode Island, 2004 (review)

Olsson, Tom J. A.

• Den Ludna Gorillan (The Hairy Ape), Folkteatern (The People's Theatre), Gavle, Sweden, 1986 (review)

• Kejsar Jones, Royal Opera, Stockholm, Sweden, 1984 (review)

Omori, Yuji

• The Stillbirth of Modern Humanity in A Moon for the Misbegotten

O’Neill, Michael C.

• Ah, Wilderness!, The Court House Theater, Shaw Festival, Niagara-on-the-Lake, Canada, 2004 (review)

• O'Neill's Ireland: Old Sod or Blarney Bog?

Pattin, Deborah Kellar

• Ah, Wilderness!, Seattle Repertory Theatre, Seattle, 1981 (review)

• A Touch of the Poet, Intiman Theatre, Seattle, 1981 (review)

Perrin, Robert

• Bringing O'Neill's Works to Life in the Drama Classroom

• O'Neill's Use of Language in Where the Cross Is Made

Peterson, William M.

• All God's Chilluns Got Wings, Peccadillo Theater, New York City, 2001 (review)

• Diff’rent: Variations on a Theme

• Viswanathan, R. O'Neill and the Sea (review)

Petite, Joseph

• The Paradox of Power in More Stately Mansions

Pettegrove, James P.

• Karl Ragnar Gierow on O'Neill, October 6, 1970

• Lewis, Ward E. Eugene O'Neill: The German Reception of America's First Dramatist (review)

Phillips, Louis

• Ah, Wilderness! (poem)

• Laughing Lazarus: Eugene O’Neill’s Lost Burlesque Sketch (play)

Pond, Gloria Dibble

• A Family Disease

Porter, Laurin

• “The End of the Quest”: Freedom and Selfhood in O’Neill’s Late Plays

• Musical and Literary Allusions in O'Neill's Final Plays

• O’Neill in the Czech Republic: Marco Millions and the Velvet Revolution

• Teaching Long Day’s Journey and Shepard’s Buried Child

• Tornqvist, Egil. Eugene O'Neill: A Playwright's Theatre (review)

Porter, Thomas E.

• Jansenism and O’Neill’s “Black Mystery of the Soul”

• The Magna Mater: The Maternal Goddess in O’Neill’s Plays

Quinby, George H.

• A Humanitarian Playwright

• O’Neill in Iran

Ranelli, J

• Mourning Becomes Electra, The National Theater of Iceland, Reykjavík, Iceland, 2004 (review)

Ratliff, Gerald Lee

• Fog: An O'Neill Theological Miscellany

Regenbaum, Shelly

• Wrestling with God: Old Testament Themes in O'Neill's Beyond the Horizon

Reilly, Kara

• Dreaming Pipe Dreams Under the Influence of Dionysus: Nietzsche's The Birth of Tragedy as Inspiration for Eugene O'Neill's The Iceman Cometh

Ritschel, Nelson O`Ceallaigh

• Synge and the Irish Influence of the Abbey Theatre on Eugene O'Neill

Roazen, Paul

• Eugene O’Neill and Louise Bryant: New Documents

Robinson, James A.

• Christianity and All God's Chillun Got Wings

Robinson, Le Roy

• John Howard Lawson's Souls: A Harbinger of Strange Interlude

Rogers, Brian

• O’Neill in France

Rossini, Jon D.

• Ben-Zvi, Linda. Susan Glaspell: Essays on her Theater and Fiction (review)

Rutenberg, Michael E.

• Bob Smith Ain't So Dumb: Directing The Hairy Ape

• Eugene O'Neill, Fidei Defensor: An Eschatological Study of The Great God Brown

Sands, Jeffrey

• Electra's First Hazel: An Interview with Mary Arbenz

Sarlós, Robert K.

• Glaspell, Susan. The Road to the Temple: A Biography of George Cram Cook. Ed. Linda Ben-Zvi (review)

• Nina Moise Directs Eugene O'Neill's The Rope

Sater, Richard Compson

• Between Men: Gay Sensibility and The Great God Brown

• Eugene O’Neill and John Ford: Their Long Voyage Home

• O’Neill’s S.S. Glencairn Cycle: Page Vs. Stage

Shafer, Yvonne

• The Emperor Jones, Operawork, New York City, 2001 (review)

• Filtering America’s Past Through Sunlight: Eugene O’Neill’s Ah, Wilderness!

• Marco Millions—Not Theatrical Millions

• Parallels in the Work of Eugene O’Neill and August Wilson

Shaughnessy, Edward L.

• Brutus in the Heartland:  The Emperor Jones in Indianapolis, 1921

• A Connecticut Yankee in the Wilderness: The Sterner Stuff of O'Neill's Comedy

• Ella, James, and Jamie O'Neill: "My Name Is Might-Have-Been"

• Ella O'Neill and the Imprint of Faith

• Eugene O’Neill in Ireland: An Update

• The Iceman Melteth: O'Neill's Return to Cultural Origins

• Masks in the Dramaturgy of Yeats and O'Neill

• A Meeting with the Redoubtable Jason

• O'Neill, Eugene Gladstone (1888-1953)

• O’Neill’s African and Irish Americans:  Stereotypes or “Faithful Realism”?

• O'Neill's Catholic Dilemma in Days Without End

• Questions and Answers in Hughie

Shea, Laura

• O’Neill, the Theatre Guild, and A Moon for the Misbegotten

Sheaffer, Louis

• Correcting Some Errors in Annals of O'Neill (Part I)

• Correcting Some Errors in Annals of O'Neill (Part II)

• O'Neill's First Wife Defamed

• Saxe Commins and The O'Neill's

• Taasinge or Tharsing?

Sims, Dale

• An Augmented Euphony in Paradise: A Film Adaptation of Eugene O'Neill's Before Breakfast

Sims, Yvonne

• An Augmented Euphony in Paradise: A Film Adaptation of Eugene O'Neill's Before Breakfast

Sipple, William L.

• From Stage to Screen: The Long Voyage Home and Long Day's Journey Into Night

Smith, Madeline C.

• Dismissed without Prejudice: O'Neill's Anti-Semitism or, Some of My Best Friends. . .

• IT HATH MADE US MAD: Two O’Neillians’ Adventures in Bibliography

• King, William Davies. "A Wind is Rising": The Correspondence of Agnes Boulton and Eugene O'Neill (review)

• Remembrance of Things Past: Le Plessis Revisited

• Will the Real John Francis Please Step Forward?

Standing, Sarah Ann

• The Emperor Jones at La MaMa E.T.C. and at The Wooster Group, New York City (review)

Tamár, Esther

• Possible Sources for Two O'Neill One-Acts

Thiessen, B.