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Editor: Harley Hammerman
St. Louis, Missouri

Volume 7


Our Contributors

ADEL BAHROUN is a member of the Faculty of Arts and Humanities at the University of Kairouan, Tunisia. In 2005, he achieved a DEA in American Literature at the University of Caen, France, under the supervision of Professor Thierry Dubost. His topic was “Entrapment and Escape in Mourning Becomes Electra.”

GLENDA E. GILL is Professor Emerita of Drama in Humanities at the Michigan Technological University in Houghton. A theatre historian, she is the author of two books and more than twenty-five articles. She was among fifteen theatre professionals commissioned by Harry J. Elam, Editor of Theatre Journal, to participate in a forum of black theatre for the December, 2005 issue.

YVONNE SHAFER has published books on Ibsen, American Women Playwrights, and August Wilson. She has published a volume of interviews, Performing O’Neill: Conversations with Actors and Directors (2000), and her one-person performance piece, “Eugene O’Neill Onstage,” has been presented at Amerika Haus in Berlin and other locations in Europe, Canada, and the US. She has taught in Europe and China and is Professor Emerita at St. John’s University.


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