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William Davies King |
What Did Eugene O’Neill Look Like Naked?:
Trouble in the Flesh
|
|
Richard Compson Sater |
Between Men: Gay Sensibility and
The Great God Brown
(1 response)
|
|
Rupendra Guha Majumdar |
O’Neill’s American Precursors
|
|
Glenda E. Gill |
Eugene O'Neill and Paul Robeson:
An Uneasy Collaboration in
Three of O'Neill's Early Plays
(2 response, 1 reply)
|
|
George Monteiro |
John Francis, Go-Between for
Provincetown and the Players
(2 responses)
|
|
William M. Peterson |
Diff’rent: Variations on a Theme
|
|
Mariko Hori |
On Two Major Recent Productions of O’Neill
in Japan
|
Madeline C. Smith
Richard Eaton |
Dismissed without Prejudice:
O'Neill's Anti-Semitism or, Some of My Best Friends.
. .
|
|
Richard Brucher |
Anna Christie and Christy Mahon
|
|
Elizabeth Oldman |
Yank’s Consciousness of Alienation in
O’Neill’s The Hairy Ape
|
|
Eileen Herrmann-Miller |
The Sea versus Anna: Metaphoric
Contrarieties
|
|
Richard Compson
Sater |
Eugene O’Neill and John Ford:
Their Long Voyage Home
|
|
Richard Compson
Sater |
O’Neill’s S.S. Glencairn Cycle: Page
Vs. Stage
|
|
Michael C. O'Neill |
O'Neill's Ireland: Old Sod or Blarney Bog?
|
|
Martha Gilman Bower |
All God’s Chillun: Religion and
“Painty Faces” versus the NAACP and the Provincetown Players
|
|
Rosemary
McLaughlin |
From Paterson to P’town:
How a Silk Strike in New Jersey Inspired the Provincetown Players
|
|
Yvonne Shafer |
Filtering America’s Past Through Sunlight:
Eugene O’Neill’s Ah, Wilderness!
|
|
Harley J Hammerman |
Debunking "The Screenews of War"
(4 responses, 1 reply)
|
THEATRE REVIEWS
|
|
|
Joanne Greco Rochman |
“Misbegotten” Is Memorable Pietà
Hartford Stage, Hartford, Connecticut, January 5, 2006-February 6, 2006.
|
|
Harley Hammerman |
Documentary 101: Eugene O’Neill – The Genius of
Ric Burns
Eugene O’Neill – A Documentary Film,
PBS, March 27, 2006.
|
|
Glenda Frank |
“The Emperor Jones” by Eugene O’Neill
The First Floor Theatre, La MaMa, ETC, New York, NY. Feb. 2-12, 2006;
The Wooster Group, St. Ann’s Warehouse, Brooklyn, New York. March
1 - April 2, 2006.
|
|
William Davies King |
Hughie
Center Stage Theater; SBT: The Santa Barbara Theatre in association with
The Namaste Theatre, April 7-15, 2006.
|
|
Robert M. Dowling |
"Money, Money, Money, Money…MONEY!"
Marco Millions (based on lies). Waterwell, Lion at Theatre
Row, 410 W. 42nd Street, New York, NY. August
4-26, 2006.
|
|
Anna Airoldi |
A Compassionate and Wonderfully Acted
Moon
A Moon for the Misbegotten. The
Old Vic Theatre, London, England, September 15 -
December 23, 2006.
|
|
OUR CONTRIBUTORS |
