By TRAVIS BOGARD New York: Oxford University Press, 1972 Revised Edition, 1988
Introduction I The Tyro (1913-1914) The Beginning, A Wife for a Life, The First Plays, The Web, Recklessness/Abortion, Warnings, Fog, Thirst, Servitude, Bread and Butter, Bound East for Cardiff
II The Student (1914-1916) George Pierce Baker, The Personal Equation, Now I Ask You, The Harvard Plays
III The Amateur (1916-1917) George Cram Cook, Before Breakfast, In the Zone, The Long Voyage Home, The Moon of the Caribbees, Ile, Tomorrow
IV Pause (1918-1919) S.O.S., Shell-Shock, Where the Cross is Made, The Rope, The Dreamy Kid, Exorcism, The Straw, Beyond the Horizon
V Amateur’s End (1920) The Emperor Jones, Gold, Diff’rent, The First Man, “Anna Christie”
VI The Triumvirate, 1 (1922-1924) The Art Theatre, Sheldon Cheney, Kenneth Macgowan, Welded, All God’s Chillun Got Wings, Desire Under the Elms
VII The Triumvirate, 2 (1921-1926) The Rime of the Ancient Mariner, The Fountain, The Hairy Ape, Marco Millions, The Great God Brown, Lazarus Laughed
VIII The End of Experiment (1924-1932) Strange Interlude, Dynamo, Days Without End
IX The Historian (1929-1933) Mourning Becomes Electra, Ah, Wilderness!
X The Door and the Mirror (1933-1941) Retreat, The Cycle, The Calms of Capricorn, The Cycle (continued), A Touch of the Poet, More Stately Mansions, The Iceman Cometh, Hughie, Long Day’s Journey into Night, A Moon for the Misbegotten
Bibliographical Note
A Note on the Revised Edition
Notes
Appendix I. The Staging of the Tao House Plays
Appendix II. The Casts of O'Neill's Plays
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