|
|
Chaplin, Oona
|
|
|
Wearing costume outfit, sitting on wall in Bermuda Islands
|
(1927?)
|
|
2028 |
Wearing bathing suit and cap,
standing in garden at Tao House (Danville, Calif.) |
(1941 Jul) |
|
|
Swimming in pool at Tao House
(Danville, Calif.) (2 versions) |
(1941 Jul) |
|
2029 |
Sitting at table outside at Tao
House (Danville, Calif.) (3 versions) |
(1941 Jul) |
|
|
O'Neill, Eugene, Jr.
|
|
2030 |
Studio portrait by Ben Pinchot |
(192-) |
|
|
Inscribed by EO, Jr. to EO.
|
|
2031 |
Standing with double quartet
singing group at Yale |
(193-) |
|
|
Annotated on back by EO, Jr.
|
|
|
O'Neill, James
|
|
2032 |
Sitting on carved wooden chair |
(186-) |
|
2033 |
Standing, wearing dark suit |
(18-) |
|
2034 |
Portrait by Bradley &
Rulofson,
sitting, next to Richard M. Hooley, standing |
(18--) |
|
|
Inscribed on back by JO.
|
|
2035 |
Standing in long coat next to table |
(18--) |
|
2036 |
Portrait by Sarony, N.Y., standing,
wearing boots |
(18--) |
|
2037 |
Wearing jacket and tie, close-up |
(18--) |
|
2038 |
Portrait by Sarony, N.Y., standing,
wearing toga |
(18--) |
|
2039 |
As Pierre in The Two Orphans
at Union Square Theatre, N.Y. |
1876 |
|
2040 |
As Jesus Christ in passion play,
Booth's Theatre, N.Y. |
1880 Nov 22 |
|
|
Annotated on back.
|
|
2041 |
Portrait by Elite Photographic
Studio, San Francisco (Calif.), left profile |
(188-?) |
|
2042 |
Portrait by Ye Rose Studio,
Providence (R.I.) |
(18--?) |
|
2043 |
Sitting with W. H. Crane in Toronto
(Ont.) |
1908 |
|
2044 |
Portrait by John H. Ryder,
Cleveland (Ohio), left profile |
(191-) |
|
2045 |
Portrait, from left |
(191-) |
|
2046 |
Standing in overcoat and hat with
unidentified man |
(191-) |
|
|
O'Neill, Mary Ellen Quinlan
|
|
2047 |
Studio portrait, wearing bow at
collar |
(187-?) |
|
2048 |
Studio portrait, wearing hat (copy) |
(187-?) |
|
2049 |
Studio portrait, wearing cross (2
versions) |
(187-?) |
|
2050 |
Studio
portrait, wearing lace blouse |
(188-?) |
|
|
O'Neill, Shane Rudraighe. At Casa
Genotta (Sea Island, Ga.)
|
|
2051 |
Standing next to house |
(1934 Dec) |
|
|
Sitting next to Blemie on lawn |
(1934 Dec) |
|
|
Stram, Cynthia Chapman
|
|
2052 |
Sitting on chair outside (4
versions), with woman hidden behind chair |
1918 |
|
2053 |
Studio portrait, side view |
(1920?) |
|
2054 |
Studio portrait, sitting with
(Nellie Gotchett Tharsing?) |
(1920?) |
|
2055 |
Outside with (Nellie Gotchett
Tharsing?) in California (3 versions) |
(1922) |
|
2056 |
Sitting on deck chair with dog on
lap at Casa Genotta (Sea Island, Ga.) |
(1932?) |
|
2057 |
Stram, Denise Dayle. Standing in
living room |
1963 Dec 25 |
|
2058 |
Stram, Gerald Eugene. Studio
portrait |
1956 |
|
|
In enclosure inscribed by Stram to CMO, 1956 Feb 4.
|
|
|
(Tharsing, Nellie Gotchett?)
|
|
2059 |
Studio portrait by J. F. Ryder
(Cleveland, Ohio) of woman |
(18--?) |
|
|
Labeled "Mother."
|
|
2060 |
Sitting outside |
(1918?) |
OTHER PEOPLE
|
|
|
Babb, James T.
|
| 113 |
2061 |
Sitting in boat, holding fish |
n.d. |
|
|
Holding Long Day's Journey Into
Night, standing next to unidentified man
|
|
2062 |
Barrymore, John. As unidentified
character (2 versions) |
n.d. |
|
2063 |
Bergman, Ingrid. Sitting with her
four children |
1968 Feb 14 |
|
|
Inscribed by Bergman to CMO.
|
|
|
Bernhardt, Sarah
|
|
2064 |
Portrait No. 22 by Sarony, fainting
on couch |
1880 |
|
|
Portrait No. 42 by Sarony, standing |
1880 |
|
|
Portrait No. 59 by Sarony, sitting
on chair |
1880 |
|
|
Booth, Edwin
|
|
2065 |
As Iago |
1870 |
|
2066 |
Holding sword and carrying lamp |
(187-?) |
|
2067 |
Caldwell, Jane. Portrait, close-up |
n.d. |
|
|
Inscribed on back: "To Genie
with love, Janie."
|
|
2068 |
Chase, Ilka. Portrait |
n.d. |
|
|
Inscribed to CMO.
|
|
2069 |
Dukes, Charles A. Portrait,
close-up |
n.d. |
|
|
Annotated on back by CMO.
|
|
2069a |
Duse, Eleanora. Studio portrait (by
Ugo Bettini), wearing lace blouse |
(1888) |
|
2070 |
Estes, Ira. Watering garden at Casa
Genotta (Sea Island, Ga.), portrait by Carl Van Vechten |
1936 May 16 |
|
2071 |
Estes, Walter. Standing in yard at
Casa Genotta (Sea Island, Ga.), side view, portrait by Carl Van
Vechten |
1936 May 16 |
|
2072 |
Forrest, Edwin. Studio portrait,
close-up |
(18--) |
|
|
Freeman, Herbert. Portraits by Carl
Van Vechten at Casa Genotta (Sea Island, Ga.)
|
|
2073 |
Standing in front of car |
1936 May 16 |
|
|
Standing on dunes |
1936 May 16 |
|
|
Sitting on dunes |
1936 May 16 |
|
2074 |
Freeman, Herbert. Wearing military
uniform, standing in yard at Tao House (Danville, Calif.) |
(1944?) |
|
2075 |
Gallup, Donald Clifford. Portrait
by Carl Van Vechten |
(195-?) |
|
2076 |
Gelb, Arthur and Barbara. Standing
with Curtis Canfield |
1962 Apr |
|
|
Yale University News Bureau photograph.
|
|
2077 |
Gierow, Karl Ragnar. Close-up |
(195-?) |
|
|
Havre, Paralee
|
|
2078 |
Sitting with Eleanor and Carolyn
Jean Havre |
1953 Dec 25 |
|
|
Sitting on terrace at Eleanor's
house |
1954 Jun |
|
|
Sitting on deck chair |
1957 Sep |
|
2079 |
Henri Christophe, King of Haiti.
Portrait from The Illustrated London News, 1934 May 31 |
n.d. |
|
|
Annotated on back by CMO:
"Emperor Jones!"
|
|
|
Levy, Marvin David
|
|
2080 |
Portrait by Carl Van Vechten |
1959 Dec 11 |
|
2081 |
Studio portrait |
n.d. |
|
|
Nathan, George Jean
|
|
|
Sitting on deck chair, front view
|
(1930)
|
|
|
See: Chateau du
Plessis album #2, box 114, folder 2120 |
|
|
Sitting on deck chair, from right
|
(1930)
|
|
|
See: Chateau du
Plessis album #2, box 114, folder 2120 |
|
|
Standing with Lillian Gish
|
(1930)
|
|
|
See: Chateau du
Plessis album #2, box 114, folder 2120 |
|
|
Standing with Lillian Gish and
Blemie at Chateau du Plessis
|
(1930)
|
|
|
See: Chateau du
Plessis album #2, box 114, folder 2120 |
|
|
Standing with arms around Lillian Gish, and Blemie in foreground
|
(1930)
|
|
|
See: Chateau du
Plessis album #2, box 114, folder 2120 |
|
|
Sitting on steps with Lillian Gish,
front view
|
(1930)
|
|
|
See: Chateau du
Plessis album #2, box 114, folder 2120 |
|
|
Sitting on steps with Lillian Gish,
side view
|
(1930)
|
|
|
See: Chateau du
Plessis album #2, box 114, folder 2120 |
|
2082 |
Standing outside at Tao House
(Danville, Calif.) |
(1939) |
|
2083 |
Post, Harrison. Sitting, with
Italian greyhound in lap |
n.d. |
|
|
Seldes, Marian
|
|
2084 |
Wearing a dirndl, portrait by Carl
Van Vechten |
1939 Jul 18 |
|
2085 |
As Bertha in Ondine,
portrait by Carl Van Vechten |
1954 May 30 |
|
2086 |
Speyer, James. Portrait |
n.d. |
|
|
Inscribed to CMO, 1927 Oct.
|
|
2087 |
Tairov, Alexander. Portrait by
Fayer Wien, close-up |
n.d. |
|
|
Inscribed to CMO.
|
|
|
Van Vechten, Carl
|
|
2088 |
Sitting, side view |
1952 Dec 24 |
|
|
Inscribed to CMO.
|
|
2089 |
Sitting with arm around Fania
Marinoff Van Vechten |
1959 May 9 |
|
2090 |
----, Edna. Holding pineapples at
Casa Genotta (Sea Island, Ga.), portrait by Carl Van Vechten (2
versions) |
1936 May 16 |
|
2091 |
----, Hazel. Standing in yard at
Casa Genotta (Sea Island, Ga.), side view, portrait by Carl Van
Vechten |
1936 May 16 |
|
2092 |
----, Penny. Standing in yard at
Casa Genotta (Sea Island, Ga.), side view, portrait by Carl Van
Vechten |
1936 May 16 |
|
|
Unidentified
|
|
2093 |
Portrait of man wearing striped
suit, close-up |
(191-?) |
|
2094 |
Portrait by Hazelton's Studio
(Salem) of man with mustache |
(191-?) |
|
2095 |
Portrait of family of eight people |
(191-?) |
|
2096 |
Portrait of woman by Ben Pinchot,
inscribed "To Carlotta - always, Toni - 1927" |
(1927) |
|
2097 |
Portraits (2 versions) by Nickolas
Muray of woman, one inscribed in French and signed
"Nat." |
(192-?) |
|
2098 |
Woman holding string of kite |
(192-?) |
|
2099 |
Man wearing bathing suit, holding
child at beach |
(192-?) |
|
2100 |
Woman wearing long skirt standing
in field |
(192-?) |
|
2101 |
Man wearing cap standing in field |
(192-?) |
|
2102 |
Woman in costume, standing in hall |
(192-?) |
|
2103 |
Man wearing tweed suit, smoking |
(192-?) |
|
|
Inscribed to CMO, Nov 25.
|
|
2104 |
Chauffeur standing next to O'Neills'
car, Chateau du Plessis |
(1930) |
|
|
For another print, see also: Chateau du Plessis album #2, box
114, folder 2120
|
|
|
(Butler?) standing on lawn next to
Ben |
(1930) |
|
|
See: Chateau du
Plessis album #1, box 114, folder 2120 |
|
2105 |
Man sitting on chair, with baby on
lap, wearing top hat |
(193-?) |
|
|
Photograph by Joseph Di Pietro, Ladies Home Journal.
|
|
2106 |
Photograph of framed picture of man
and woman |
(193-?) |
|
2107 |
Man wearing suit, standing on
walkway |
(193-?) |
|
2108 |
Woman walking dog |
(194-?) |
|
|
Annotation on back by CMO:
"Edie. Scotland!"
|
|
2109 |
Man wearing military uniform,
standing in front of tents |
(194-?) |
|
2110 |
Man holding baby in front of steps |
1956 Nov |
|
|
Man standing next to girl and boy
on swings at beach |
1958 Aug 16 |
|
|
Portrait of girl wearing dress |
(196-) |
|
|
Portrait of boy wearing suit |
(196-) |
|
|
Group portrait by Fabian Bachrach
of (law firm?) |
(195-?) |
|
|
Stored in: Oversize, box 144, folder 2563
|
|
2111 |
Group portrait of eleven men (copy
print) |
(195-?) |
|
2112 |
Portrait of man, inscribed "Jo
I. M. from B. B. 1957" |
(195-?) |
|
2113 |
Man wearing military uniform |
1964 Aug |
|
|
Portrait of man wearing military
uniform, close-up |
(196-?) |
|
|
Stored in: Oversize, box 144, folder 2564
|
|
2114 |
Man sitting at desk, holding pipe |
(196-?) |
|
2115 |
Motion picture still by John Griggs
of woman with long curls |
n.d. |
|
2116 |
Motion picture still by John Griggs
of two men wearing military uniform |
n.d. |
ALBUMS (The contents of each album are listed
in the Appendix)
|
| 114 |
2117 |
Guethary (France) |
(1928) |
|
2118 |
Guethary (France) and Cap-d'Ail
(France) |
1928-29 |
|
|
Chateau du Plessis (St. Antoine-du-
Rocher, Indre et Loire, France)
|
|
2119 |
Album #1 |
1929-30 |
|
2120 |
Album #2 |
1930 |
|
|
Tao House (Danville, Calif.)
|
| 115 |
2121 |
Album #1 |
1940 Dec 6 |
|
|
In Bear Photo Service booklet.
|
|
2122 |
Album #2 |
1941 Jun 26 |
|
|
In Bear Photo Service booklet.
|
|
2123 |
Album #3 |
1941 Aug 4 |
|
|
In Bear Photo Service booklet labeled "July 1941" by
CMO.
|
|
2124 |
Album #4 |
1941 Aug 4 |
|
|
In Bear Photo Service booklet labeled "July 1941" by
CMO.
|
|
2125 |
Album #5 |
1942 May 3 |
|
|
In The Emporium (San Francisco, Calif.) booklet.
|
|
|
Scrapbook made by Carlotta Monterey
O'Neill, containing notes and copies of photographs |
(1954?) |
|
|
Cover labeled: "Note Book.
Eugene O'Neill"; inscribed by CMO to EO, 1933.
|
|
|
Stored in: Oversize, box 138,
folder 2495
|
|
2126 |
Envelope that contained scrapbook
made by Carlotta Monterey O'Neill |
(1954?) |
ANIMALS
|
Ben
|
|
|
At Chateau du Plessis (St. Antoine-du-
Rocher, Indre et Loire, France)
|
|
2127 |
Lying in driveway (2 versions) |
(1930) |
|
|
For another print of version one, see also: Chateau du Plessis album
#1, box 114, folder 2119 For another print of version two, see also: Chateau du Plessis album
#2, box 114, folder 2120
|
|
|
Lying on path |
(1930) |
|
|
See: Chateau du
Plessis album #1, box 114, folder 2119 |
Silverdene Emblem ("Blemie")
|
|
|
At Chateau du Plessis (St. Antoine-du-
Rocher, Indre et Loire, France)
|
|
2128 |
Lying in driveway |
(1930) |
|
|
Standing on lawn |
(1930) |
|
|
Lying on steps |
(1930) |
|
|
Sitting, leaning against house |
(1930) |
|
|
Looking toward bushes |
(1930) |
|
|
For other versions of first photograph and other prints of
first, second, and fourth photographs, see also: Chateau du Plessis album #1, box 114, folder
2119 For another print of fourth photograph, see also: Chateau du Plessis album #2, box 114, folder
2120
|
|
|
Lying on steps near birdcage |
(1930) |
|
|
See: Chateau du
Plessis album #2, box 114, folder 2120 |
|
|
Sitting near birdcage |
(1930) |
|
|
See: Chateau du
Plessis album #2, box 114, folder 2120 |
|
|
At Beacon Farm (Northport, N.Y.)
|
|
2129 |
Sitting in front of porch (2
versions) |
(1931 summer) |
|
|
Lying on lawn, with view of house
(3 versions) |
(1931 summer) |
|
|
Lying on lawn near bush |
(1931 summer) |
|
|
Lying on beach |
(1931 summer) |
|
|
Sitting on stool, wearing sun
glasses, at Casa Genotta (Sea Island, Ga.) |
(1934) |
|
|
See: Green
"Daily Reminder" 1940, box 86, folder 1508 |
|
|
Portraits at Casa Genotta (Sea
Island, Ga.) by Carl Van Vechten
|
|
2130 |
Lying on steps (2 versions) |
1936 May 16 |
|
|
Lying on side on steps, close-up |
1936 May 16 |
|
2131 |
Standing on beach (at Casa Genotta,
Sea Island, Ga.?) (colorized) |
(193-) |
|
|
At Tao House (Danville, Calif.)
|
|
2132 |
In field, with view of back of
house |
1939 |
|
2133 |
Lying on porch |
(1939) |
|
2134 |
Lying in his bed |
(1940) |
|
|
Annotated on back by CMO.
|
|
|
See also: Green
"Daily Reminder" 1940, box 86, folder 1508 |
John Moffat's dog
|
|
2135 |
Sitting on bench |
(195-?) |
Unidentified
|
|
2136 |
White dog with puppies on lawn,
Belgrade Lakes (Me.) |
(1926 summer) |
|
2137 |
View from above of ducks swimming
in Guethary (France) |
(1928) |
|
|
Fox terrier dog at Chateau du
Plessis (St. Antoine-du-Rocher, Indre et Loire, France)
|
|
|
Lying on lawn in front of house
|
(1929)
|
|
|
See: Chateau du
Plessis album #1, box 114, folder 2119 |
|
|
Lying on path
|
(1929)
|
|
|
See: Chateau du
Plessis album #1, box 114, folder 2119 |
|
2138 |
Two shepherd dogs |
(195-?) |
PLACES
|
Adour River (France)
|
|
2139 |
Scenes (10) |
(1930?) |
|
|
Includes one photograph of three
men on boat. For other prints of all but last photograph, see also: Guethary
(France) and Cap-d'Ail (France) album, box 114, folder 2118
|
Beacon Farm (Northport, N.Y.)
|
|
2140 |
Front of house (2 versions) |
(1931 summer) |
|
|
Views (6) of sides and back of
house |
(1931 summer) |
|
|
Guest house |
(1931 summer) |
|
|
Rowboat on beach |
(1931 summer) |
Blemie's grave at Tao House
|
|
2141 |
Danville (Calif.) (2 views) |
(1943) |
(Cap-d'Ail (France)?)
|
|
2142 |
Scenes (6) |
(1929) |
Casa Genotta (Sea Island, Ga.)
|
|
|
1932
|
|
|
From beach, while being constructed
|
1932
|
|
|
See: Green
"Daily Reminder" 1932, box 84, folder 1500 |
|
2143 |
Driveway and entrance (4 versions) |
(1932?) |
|
|
Windows of Eugene O'Neill's study
(2 versions) |
(1932?) |
|
|
Side of house, from lawn |
(1932?) |
|
|
View of house from beach (2
versions) |
(1932?) |
|
2144 |
Balconies |
1932 Oct |
|
|
Goldfish pond |
1932 Oct |
|
2145 |
Entrance, from driveway |
(1932) |
|
|
Goldfish pond |
(1932) |
|
|
Side of house, from lawn |
(1932) |
|
|
1932, by Robert Tebbe
|
|
2146 |
Stairs in hall |
(1932) |
|
2147 |
Dining room |
(1932) |
|
2148 |
Living room |
1932 |
|
2149 |
Study (2 versions)
#1
#2 |
(1932) |
|
|
Annotated on back by CMO:
"Before furnishing."
|
|
|
1933-35
|
|
2150 |
Bedroom |
1933 May |
|
2151 |
Walkway (2 versions) |
1933 May |
|
2152 |
View of house from beach (3
versions) |
1933 May |
|
2153 |
Patio |
1935 |
|
|
"Right garden" |
(1935) |
|
|
See: Green
"Daily Reminder" 1935, box 84, folder 1503 |
|
|
Bird house |
1935 |
|
|
See: Green
"Daily Reminder" 1935, box 84, folder 1503 |
|
|
1936, by Carl Van Vechten
|
|
2154 |
"The drive" |
1936 May 15 |
|
|
"The road" (2 versions) |
1936 May 16 |
|
2155 |
"Entrance" (2 versions) |
1936 May 16 |
|
2156 |
"Window" |
1936 May 16 |
|
|
Pond |
1936 May 16 |
|
|
Views of the house (4 versions) |
1936 May 15-16 |
|
2157 |
"The weather vane" (4
versions) |
1936 May 15 |
|
2158 |
"The wall toward the sea"
(2 versions) |
1936 May 15 |
|
2159 |
"From the beach" (2
versions) |
1936 May 16 |
|
|
1936; (193-)
|
|
2160 |
Driveway (3 versions) |
1936 May |
|
2161 |
Patio (2 versions) |
1936 May |
|
|
Goldfish pond |
(1936 May) |
|
|
Windows of Eugene O'Neill's study
(2 versions) |
1936 May |
|
|
"Left garden; show
garden" |
1936 May |
|
2162 |
View of house from beach (5
versions) |
(1936 May) |
|
2163 |
Aerial shot |
(193-) |
|
2164 |
Entrance, from driveway |
(193-) |
|
2165 |
Entrance |
(193-) |
|
|
Goldfish pond |
(193-) |
|
|
Door in wall (3 versions) |
(193-) |
|
2166 |
Garage (2 versions) |
(193-) |
|
|
Arched window on patio |
(193-) |
|
|
Door in wall |
(193-) |
|
|
Yard (2 versions) |
(193-) |
|
2167 |
Balconies |
(193-) |
|
|
Windows of Eugene O'Neill's study |
(193-) |
|
|
View into patio |
(193-) |
| 116 |
2168 |
Patio |
(193-) |
|
|
Goldfish pond (4 versions) |
(193-) |
|
|
Windows of Eugene O'Neill's study |
(193-) |
|
2169 |
Goldfish pond (2 versions) |
(193-) |
|
2170 |
Goldfish pond |
(193-) |
|
2171 |
(Side lawn?) |
(193-) |
|
2172 |
"Sand corner. Left
garden" |
(193-) |
|
2173 |
Yard side of wall (3 versions) |
(193-) |
|
2174 |
Views (5) of house from yard |
(193-) |
|
|
Yard |
(193-) |
|
|
View from house looking across
patio |
(193-) |
|
|
See: Green
"Daily Reminder" 1935, box 84, folder 1503 |
|
2175 |
Beach side of wall (2 versions) |
(193-) |
|
|
View of house from beach (5
versions) |
(193-) |
|
2176 |
View of house from beach |
(193-) |
|
2177 |
Outdoor plants |
(193-) |
Chateau du Plessis
|
|
|
(St. Antoine-du-Rocher, Indre et Loire, France).
|
|
|
(1929 Sep?), by Bonney
|
|
2178 |
Living room (2 versions) |
(1929 Sep?) |
|
|
Hallway, showing stairs |
(1929 Sep?) |
|
|
Dining room |
(1929 Sep?) |
|
|
Bedroom |
(1929 Sep?) |
|
2179 |
Views (10) of outside of house |
(1929 Sep?) |
|
2180 |
View of driveway from house |
(1929 Sep?) |
|
|
Views (2) of grounds |
(1929 Sep?) |
|
|
Pool |
(1929 Sep?) |
|
|
(1930)
|
|
2181 |
View of drive |
(1930) |
|
|
For other versions, see also: Chateau du Plessis album #1, box
114, folder 2119 For another print, see also: Chateau du Plessis album #2, box
114, folder 2120
|
|
2182 |
Views (13) of house and
outbuildings |
(1930) |
|
|
For other prints of versions 7, 10,
and 11, see also: Chateau du Plessis album #1, box 114, folder 2119
|
|
2183 |
Views (11) of grounds |
(1930) |
|
|
For other prints of versions 7 and 9, see also: Chateau du Plessis
album #2, box 114, folder 2120
|
|
2184 |
Pool (2 versions) |
(1930) |
|
|
For other versions, see also: Chateau du Plessis album #1, box
114, folder 2119 For other prints, see also: Chateau du Plessis album #2, box 114,
folder 2120
|
Escorial
|
|
2185 |
View of building |
(1930?) |
Paralee Havre's house
|
|
2186 |
Six views |
(1950?) |
Marblehead Neck (Mass.)
|
|
2187 |
View of ocean from lawn (2
versions) |
(1948?) |
|
|
Front of house (5 versions) |
(1948?) |
|
|
Side of house (4 versions) |
(1948?) |
New York (N.Y.)
|
|
2188 |
Unidentified building, by Carl Van
Vechten |
(193-) |
Eugene O'Neill's grave
|
|
2189 |
Forest Hills Cemetery (Boston,
Mass.) (2 versions) |
(1955) |
Pompei (Italy)
|
|
2190 |
View of a street |
1929 Jan |
Saint Simons Island (Ga.)
|
|
|
By Carl Van Vechten
|
|
2191 |
"Live oak with moss" |
1936 May 15 |
|
|
"In the cemetery" |
1936 May 15 |
|
|
"The church" |
1936 May 16 |
|
|
"Moss in the churchyard |
1936 May 16 |
|
|
"Churchyard" (2 versions) |
1936 May 16 |
Sao Paulo (Brazil)
|
|
2192 |
Exhibition on Eugene O'Neill (6
views) |
(1959) |
|
|
Stored also in: Oversize, box 152, folders 2631-2632
|
(Sea Island, Ga.)
|
|
2193 |
(Downtown?) |
(193-) |
Spain
|
|
2194 |
View of garden and building with
arches |
(1930) |
Stockholm (Sweden)
|
|
2195 |
Exhibition on Eugene O'Neill. 4
views by Beata Bergstroem |
(1955) |
Tao House (Danville, Calif.)
|
|
|
1939 May, by Ray Moulin
|
|
|
Stamped on back by Gabriel Moulin Studios, San Francisco (Calif.).
|
|
|
Front of house, looking up hill (2 versions)
|
1939 May 23
|
|
|
Stored in: Oversize, box 144, folder 2565
|
|
|
Back of house, looking down hill
|
1939 May 23
|
|
|
Stored in: Oversize, box 144, folder 2566
|
|
|
Back of house, in yard
|
1939 May 23
|
|
|
Stored in: Oversize, box 144, folder 2567
|
|
|
Driveway, looking toward back of house, close-up
|
1939 May 23
|
|
|
Stored in: Oversize, box 144 folder 2568
|
|
|
Driveway, looking toward back of house, further away
|
1939 May 23
|
|
|
Stored in: Oversize, box 144, folder 2569
|
|
|
Living room
|
1939 May 24
|
|
|
Stored in: Oversize, box 144, folder 2570
|
|
|
1939-44, n.d.
|
|
2196 |
Back of house from fields |
1939 |
|
2197 |
Back of house, looking down hill |
(1939?) |
|
|
Outside of wall of yard |
1941 Jun 26 |
|
|
See: Tao House
Album #2, box 115, folder 2122 |
|
|
View of yard from house |
1941 Jun 26 |
|
|
See: Tao House
Album #2, box 115, folder 2122 |
|
|
View of countryside from house |
1941 Jun 26 |
|
|
See: Tao House
Album #2, box 115, folder 2122 |
|
|
View inside back yard |
1941 Jun 26 |
|
|
See: Tao House
Album #2, box 115, folder 2122 |
|
2198 |
Front of house, looking up hill (2
versions) |
1941 Aug 4 |
|
|
For another print of version 2, see
also: Tao House Album #3, box 115, folder 2123
|
|
2199 |
Garage |
(1941 Aug 4) |
|
|
View of yard from house |
1941 Aug 4 |
|
|
See: Tao House
Album #4, box 115, folder 2124 |
|
2200 |
Views inside back yard (16
versions) #1
#2
#3
#4
#5 |
(1941 Aug 4) |
|
|
For other versions, see also: Tao House Album #4, box 115, folder
2124
|
|
2201 |
Views outside of wall of yard (11
versions) #1
#2
#3 |
(1941 Aug 4) |
|
|
For another print of version 8, see
also: Tao House Album #3, box 115, folder 2123
|
|
2202 |
Two elephant statues at top of
brick steps |
(1941 Aug 4) |
|
|
Outbuilding |
1941 Aug 4 |
|
|
See: Tao House
Album #4, box 115, folder 2124 |
|
|
"Large meadow" |
(1941 Aug 4) |
|
|
See: Green
"Daily Reminder" 1941, box 86, folder 1509 |
|
2203 |
Pool (7 versions) |
1941 Aug 4 |
|
|
For other prints of versions 6 and 7, see also: Tao House Album #3,
box 115, folder 2123 For another print of version 4, see also: Tao House Album #4, box 115,
folder 2124
|
|
|
Views (11) of house from fields |
1941 Dec 6 |
|
|
See: Tao House
Album #1, box 115, folder 2121 |
|
|
View of orchard from terrace |
1941 Dec 6 |
|
|
See: Tao House
Album #1, box 115, folder 2121 |
|
|
Pool |
1941 Dec 6 |
|
|
See: Tao House
Album #1, box 115, folder 2121 |
|
|
Views inside back yard (4 versions) |
1942 May 3 |
|
|
See: Tao House
Album #5, box 115, folder 2125 |
|
2204 |
"Patio" (2 versions)
#1
#2 |
1944 |
|
|
"Garden in patio" |
(1944) |
|
|
"View from terrace" |
(1944) |
|
|
Titles by CMO on back.
|
|
|
View from entrance door |
n.d. |
|
|
See: Green
"Daily Reminder" 1928, box 83, folder 1496 |
|
|
"Black gate entering patio
from drive-in circle |
n.d. |
|
|
See: Green
"Daily Reminder" 1941, box 86, folder 1509 |
|
2205 |
Door with wreath at entrance to
patio |
n.d. |
|
|
Horse head carriage post |
n.d. |
|
|
View from house of landscape |
n.d. |
|
2206 |
View of yard from house in winter |
n.d. |
|
|
View of terrace and part of house |
n.d. |
|
|
See: Green
"Daily Reminder" 1941, box 86, folder 1509 |
|
|
"Corner of patio" (2
versions) |
n.d. |
|
|
See: Green
"Daily Reminder" 1941, box 86, folder 1509 |
|
|
"Another view of patio" |
n.d. |
|
|
See: Green
"Daily Reminder" 1941, box 86, folder 1509 |
(Jean Welton's cottage and land?)
|
|
2207 |
Six views |
1959-60 |
|
|
Annotated by (Jean Welton?) on
back.
|
Wolf Lake (N.Y.)
|
|
2208 |
View of cabin |
1934 (Aug) |
Unidentified
|
|
2209 |
Photograph of drawing (signed by
"Wm. F. (Paterson?)) of house |
(193-?) |
|
2210 |
Front door to house |
(193-?) |
|
2211 |
View of a beach on a lake |
(196-) |
OBJECTS
|
|
2212 |
Six photographs of Egyptian statues
in the Metropolitan Museum of Art (New York, N.Y.) |
(195-?) |
|
2213 |
Renault car, Chateau du Plessis (2
versions) |
(193-) |
|
|
In enclosure printed "Rahma
Portraits d'Art," Paris.
|
|
2214 |
(Silver bracelet?). Portrait by
Metropolitan Museum of Art (New York, N.Y.) |
n.d. |
|
|
Annotated on back by CMO.
|
|
2215 |
Statue of Chinese dog, New York,
N.Y. |
1946 |
|
|
By Carl Van Vechten
|
|
2216 |
Flower arrangement in picnic basket |
(196-?) |
|
|
Flower arrangement on table (2
versions) |
1964 Jun 17 |
|
|
Flower bouquet in front of curtain |
(196-?) |
|
|
Orange tree in pot (2 versions) |
1961 Dec 19 |
PLAY PRODUCTIONS
|
Ah, Wilderness!
|
| 117 |
2217 |
Theatre Guild. One shot by Vandamm
Studio (New York, N.Y.) |
(1933-34) |
|
2218 |
Dramatiska teatern (Stockholm,
Sweden). Six shots by Almberg & Preinitz |
1935 Apr 28 |
|
2219 |
Tokyo (Japan). Six shots |
1948 Dec |
|
2220 |
Royal Theatre (Copenhagen,
Denmark). Two shots by H. J. Mydtskov |
n.d. |
|
|
Stored also in: Oversize, box 145, folder 2571
|
|
|
Westminster Theatre (London,
England). Six shots #1
#2
#3 |
n.d. |
|
|
Stored in: Oversize, box 145,
folder 2572
|
|
|
Dublin (Ireland). Six shots |
n.d. |
|
|
Stored in: Oversize, box 145,
folder 2573
|
|
2221 |
Amsterdam (Netherlands). One shot |
n.d. |
|
2222 |
Stockholm (Sweden). Eight shots by
H. J. Mydtskov |
n.d. |
All God's Chillun Got Wings
|
|
|
Dramatiska teatern (Stockholm,
Sweden)
|
|
2223 |
Seventeen shots by Almberg &
Preinitz |
1945 Apr 11 |
|
2224 |
Three shots by Atelier Bernhard |
(1945 Apr 11) |
Anna Christie
|
|
|
Vanderbilt Theatre (New York, N.Y.)
|
|
2225 |
Two contact sheets by Abbe Studio
(New York, N.Y.) |
1921 Nov 2 |
|
|
Seven shots by Abbe Studio (New
York, N.Y.) #1
#2 |
1921 Nov 2 |
|
|
Stored in: Oversize, box 145, folder 2574
|
|
2226 |
Dramatiska teatern (Stockholm,
Sweden). Four shots (five prints) |
1923 Oct 25 |
|
2227 |
National Theatre of Greece. One
shot |
(1932?) |
|
2228 |
Japan. One shot |
n.d. |
Beyond the Horizon
|
|
2229 |
(Elberfeld (Wuppertal, Germany)).
Five shots by Kurt Saurin-Sorani |
(195-?) |
(Beyond the Horizon?)
|
|
|
Unidentified production. Two shots
by Stage Photo Company (London, England)
|
n.d.
|
|
|
Stored in: Oversize, box 145,
folder 2575
|
Bound East for Cardiff
|
|
2230 |
Provincetown Players at The Wharf
Theatre (Provincetown, Mass.). Two shots #1
#2 |
1916 Jul 28 |
|
|
One annotated on back by EO.
|
Cycle plays
|
|
|
More Stately Mansions
|
|
|
Dramatiska teatern (Stockholm, Sweden). One shot by Beata Bergstroem
|
1962 Nov
|
|
|
With postmarked envelope.
|
|
|
Stored in: Oversize, box 145, folder 2576
|
|
|
A Touch of the Poet
|
| 118 |
2231 |
Theater am Kurfuerstendamm in
Berlin (Germany). One shot by Ilse Buhs |
(1958 Apr 15) |
|
2232 |
Theater am Kurfuerstendamm in
Berlin (Germany). One shot by Harry Croner |
(1958 Apr 15) |
|
2233 |
Theater am Kurfuerstendamm in
Berlin (Germany). Fourteen shots by Heinz Koester |
1958 Apr 15 |
|
2234 |
Theater am Kurfuerstendamm in
Berlin (Germany). One shot by Ruth Wilhelmi |
(1958 Apr 15) |
|
2235 |
Salzburg (Austria). Three shots by
F. Schreiber |
n.d. |
|
2236 |
Finnish National Theatre in
Helsinki (Finland). Five shots by Lehtikuva Oy |
n.d. |
|
2237 |
Duesseldorf (Germany). One shot by
Lore Bermbach |
n.d. |
|
2238 |
Duesseldorf (Germany). Two shots by
Hans-J. Witkowski |
n.d. |
|
2239 |
Duesseldorf (Germany). One shot by
Juergen Theis |
n.d. |
|
2240 |
Hamburg (Germany). Four shots by
Rosemarie Clausen |
n.d. |
|
2241 |
Amsterdam (Netherlands). Two shots
by Lemaire en wennink |
n.d. |
|
2242-2246 |
The Producers Theatre (New York,
N.Y.). Twenty-nine shots by Fred Fehl |
n.d. |
|
2247-2248 |
The Producers Theatre (New York,
N.Y.). Sixteen shots by Alfredo Valente |
n.d. |
|
2249-2251 |
Stockholm (Sweden). Twenty-nine
shots by Beata Bergstroem |
n.d. |
Days Without End
|
| 119 |
2252-2253 |
Theatre Guild at Henry Miller
Theatre (New York, N.Y.). Twelve shots by Vandamm Studio (New
York, N.Y.)
#1
#2 |
(1934) |
|
|
Stored also in: Oversize, box 152, folder 2633
|
|
2254 |
Dramatiska teatern (Stockholm,
Sweden). Three shots by Almberg & Preinitz |
1935 Apr 23 |
|
2255 |
(Berlin (Germany)?). One shot |
(1938?) |
Desire Under the Elms
|
|
|
(Dramatiska teatern (Stockholm, Sweden)?). One shot
|
(192-?)
|
|
|
Stored in: Oversize, box 145,
folder 2577
|
|
|
Gate Theatre (London, England). Seventeen shots on two posters
|
1931 Feb 24
|
|
|
Stored in: Oversize, box 145,
folder 2578
|
|
2256 |
Dramatiska teatern (Stockholm,
Sweden). Six shots by Almberg & Preinitz #1
#2 |
1933 Oct 19 |
|
2257-2258 |
Westminster Theatre (London,
England). Sixteen shots by Houston Rogers |
(1940) |
|
2259 |
Bucharest (Romania). Four shots |
1964-65 |
|
2260 |
Toneeloroep Theater (Amsterdam,
Netherlands). Two shots by Maria Austria |
(1965) |
|
2261 |
Turkish Workers Theatre (Baku,
Azerbaijan). One shot |
n.d. |
|
|
On back: one note from (J. D. P.?)
to EO; one note from Frank Shay to Barrett Harper Clark.
|
|
2262 |
Prague (Czech Republic). Two shots
by Karel Vana |
n.d. |
|
2263 |
Kamerny Theatre (Moscow, Russia).
Three shots |
n.d. |
|
2264 |
Unidentified production. Four shots |
n.d. |
Dynamo
|
|
|
Theatre Guild at Martin Beck
Theatre
|
|
2265 |
Ten shots by Vandamm Studio (New
York, N.Y.) |
1929 (Feb 11) |
|
2266 |
One shot by unidentified (2 prints) |
1929 (Feb 11) |
|
|
Both annotated on back in unidentified hand.
|
The Emperor Jones
|
|
2267 |
Provincetown Players at The
Playwrights' Theatre. Ten shots by Jessie Tarbox Beals
#1
#2
#3 |
1920 Nov 1 |
|
|
Puppet production. Nine shots by
Helen Liebman #1
#2
#3
#4
#5 |
(192-) |
|
|
Stored in: Oversize, box 145,
folders 2579-2582
|
|
2268 |
Six photographs of six drawings by
Walter Rene Fuerst |
(192-?) |
|
2269 |
Stockholm (Sweden). Five shots by
Beata Bergstroem |
(195-?) |
|
2270 |
Hallucinations. Three shots by
William Horace Smith |
n.d. |
The Fountain
|
|
2271-2272 |
Greenwich Village Theatre (New
York, N.Y.). Twenty-three shots |
(1925 Dec 10) |
The Great God Brown
|
|
2273 |
Stockholm (Sweden). Five shots by
Almberg & Preinitz |
n.d. |
The Hairy Ape
|
|
|
Plymouth Theatre (New York, N.Y.)
|
|
2274 |
Two contact sheets by Abbe Studio
(New York, N.Y.) |
1922 |
|
|
CMO in some shots.
|
|
|
Ten shots by Abbe Studio (New York,
N.Y.) |
1922 |
|
|
CMO in some shots.
|
|
|
Stored in: Oversize, box 145, folders 2583-2584
|
|
2275 |
Kamerny Theatre (Moscow, Russia).
Four shots #1
#2
#3
#4 |
n.d. |
Hughie
|
|
2276 |
Dramatiska teatern (Stockholm,
Sweden). Twelve shots by Beata Bergstroem |
(1958 Sep 18) |
The Iceman Cometh
|
| 120 |
2277-2280 |
Dramatiska teatern (Stockholm,
Sweden). Thirty-two shots by Sven Jarlas #1
#2
#3
#4 |
1947 Oct 31 |
|
2281 |
Dublin (Ireland). Eight shots by P.
C. #1
#2 |
1948 |
|
2282-2283 |
Genova (Italy). Sixteen shots by
Pierluigi |
1965 Dec 21 |
|
|
Copenhagen (Denmark). One shot by
H. J. Mydtskov |
n.d. |
|
|
Stored in: Oversize, box 145,
folder 2585
|
|
2284 |
Amsterdam (Netherlands). Two shots
by Maria Austria |
n.d. |
Ile
|
|
2285 |
Opera version by Kungliga teatern
(Stockholm, Sweden). Two shots by Enar Merkel Rydberg #1
#2 |
1958 Oct 28 |
|
2286 |
Lae (Papua, New Guinea). Ten shots |
1963 |
|
|
Japan, translated and directed by
Kihachi Kitamura. Two shots |
n.d. |
|
|
Stored in: Oversize, box 145,
folder 2586
|
In the Zone
|
|
2287 |
Provincetown Players. One shot |
(1918) |
Lazarus Laughed
|
|
|
Pasadena (Calif.)
|
|
2288 |
One shot by A. E. Arnold |
(1928 Apr 9) |
|
2289-2290 |
Twenty-two shots by unidentified
#1
#2 |
1928 Apr 9 |
Long Day's Journey Into Night
|
|
2291 |
Shubert Theater (New Haven, Conn.).
Four publicity shots by Arthur Cantor |
(1956) |
|
2292 |
Berlin (Germany). Three shots by
Heinz Koester |
1956 |
|
2293-2294 |
Helen Hayes Theatre (New York,
N.Y.). Thirteen shots by Gjon Mili #1
#2
#3 |
(1956) |
|
2295 |
Folkteatern (Goeteborg, Sweden).
Eight shots |
(1961) |
|
|
Eleven motion picture stills by
Dennis Stock |
(1962) |
|
|
Stored in: Oversize, box 146,
folder 2587
|
|
2296 |
(Copenhagen, Denmark). Ten shots by
H. J. Mydtskov |
n.d. |
|
2297 |
London (England). Eleven shots by
Angus McBean |
n.d. |
|
2298 |
Duesseldorf (Germany). Two shots by
Juergen Theis |
n.d. |
| 121 |
2299-2301 |
National Theatre of Greece.
Twenty-five shots |
n.d. |
|
|
Dublin (Ireland)
|
|
2302 |
Two shots by Leinster Studios |
n.d. |
|
2303 |
Four shots by Lensmen |
n.d. |
|
2304 |
Milan (Italy). Nineteen shots by
Mario Coppini |
n.d. |
|
2305 |
Amsterdam (Netherlands). One shot
by Maria Austria |
n.d. |
|
|
Stockholm (Sweden)
|
|
2306-2308 |
Thirty-seven shots by Beata
Bergstroem |
n.d. |
|
2309 |
One shot by unidentified |
n.d. |
The Long Voyage Home
|
|
2310 |
Provincetown Players. Two shots by
Paul Thompson |
1917 (Nov 2) |
|
|
One annotated on back by EO.
|
|
|
Motion picture
|
|
2311-2312 |
Twenty-two shots |
(1940) |
|
2313 |
One publicity shot from Minnesota
Theatre Company |
1966 |
|
|
Japan. Two shots |
n.d. |
|
|
Stored in: Oversize, box 146,
folder 2588
|
Marco Millions
|
|
2314 |
The Repertory Theater of Lincoln
Center. Six shots |
1964 |
A Moon for the Misbegotten
|
|
2315 |
Dramatiska teatern (Stockholm,
Sweden). Eleven shots by Sven Jarlas #1
#2 |
1953 Apr 24 |
|
|
Genova (Italy)
|
|
2316 |
One shot by Ciemmefoto |
1958 |
|
|
One shot by De Antonis |
(1958) |
|
|
One shot by Invernizzi |
(1958) |
|
|
One shot by Foto Leoni |
(1958) |
|
|
One shot by Scalfati-Pisoni |
(1958) |
|
|
One shot by unidentified |
(1958) |
|
|
Stored in: Oversize, box 146, folder 2589
|
|
2317 |
Three shots by unidentified |
(1958) |
|
2318 |
Bucharest (Romania). Five shots |
1964-65 |
|
2319 |
Copenhagen (Denmark). Three shots
by H. J. Mydtskov |
n.d. |
|
|
Stored also in: Oversize, box 146, folder 2590
|
|
2320 |
(Berlin (Germany)). One shot |
n.d. |
|
2321 |
Amsterdam (Netherlands). Three
shots by Maria Austria |
n.d. |
|
2322 |
Amsterdam (Netherlands). Two shots
by Lemaire en wennink |
n.d. |
The Moon of the Caribbees
|
|
2323 |
Provincetown Players. Three shots
#1
#2
#3 |
1918 Dec 20 |
|
2324 |
Unidentified production. Two shots |
n.d. |
Mourning Becomes Electra
|
| 122 |
2325-2332 |
Theatre Guild. Thirty-three shots
by Vandamm Studio (New York, N.Y.) |
1931 Oct 26 |
|
|
One shot inscribed to CMO and EO by
Earle (S--?).
|
|
|
Also stored in: Oversize, box 152, folder 2634
|
|
|
Dramatiska teatern (Stockholm,
Sweden)
|
|
2333 |
Five shots by Almberg &
Preinitz |
1933 Mar 29 |
|
2334 |
Four shots by unidentified |
1933 Mar 29 |
|
2335-2336 |
Westminster Theatre (London,
England). Twenty shots by Angus McBean |
1937-38 |
|
|
With note, holograph, of
explanation by EO.
|
| 123 |
2337-2339 |
Teatrul National Bucuresti. Three
volumes of postcards |
1943-44 |
|
|
Inscribed by Petru Comarnescu to EO.
|
|
|
Photographs (some by Alexander
Kahle) from motion picture by Dudley Nichols, with postmarked
envelopes sent by Dudley Nichols to Eugene O'Neill
|
|
2340 |
Eight |
1947 Mar 25 |
|
2341-2342 |
Eighteen |
1947 Apr 28 |
|
|
For cover letter, see: Series I, Dudley Nichols to Eugene O'Neill,
box 3, folder 121
|
|
2343-2344 |
Twenty-three |
1947 Apr 30 |
|
2345-2346 |
Twenty-five |
1947 May 2 |
| 124 |
2347-2348 |
Twenty-two |
1947 May 3 |
|
2349 |
Twelve |
1947 May 5 |
|
2350-2352 |
Thirty-five |
1947 May 8 |
|
2353-2354 |
Seventeen |
1947 May 9 |
|
2355-2356 |
Eighteen |
1947 May 10 |
|
2357 |
Eight |
1947 May 12 |
|
2358 |
Thirteen |
1947 May 13 |
|
2359-2360 |
Twenty-two |
1947 May 14 |
|
2361 |
Seven |
1947 May 15 |
|
2362-2363 |
Seventeen |
1947 May 17 |
| 125 |
2364 |
Twelve |
1947 May 19 |
|
2365 |
Nine |
1947 May 20 |
|
2366-2368 |
Thirty-two |
1947 May 21 |
|
|
For cover letter, see: Series I, Dudley Nichols to Eugene O'Neill,
box 3, folder 121
|
|
2369 |
Nine |
1947 May 22 |
|
|
For cover letter, see: Series I, Dudley Nichols to Eugene O'Neill,
box 3, folder 121
|
|
2370-2372 |
Thirty-three |
1947 May 23 |
|
2373-2374 |
Sixteen |
1947 May 24 |
|
2375 |
Twelve |
1947 May 26 |
|
2376 |
Eight |
1947 May 27 |
|
2377-2378 |
Twenty-five |
1947 Jun 6 |
| 126 |
2379 |
Four |
1947 Jun 7 |
|
2380-2381 |
Fourteen |
1947 Jun 9 |
|
2382 |
Seven |
1947 Jun 10 |
|
2383-2384 |
Twenty-one |
1947 Jun 16 |
|
2385-2386 |
Seventeen |
1947 Jun 18 |
|
2387 |
Seven |
1947 Jun 19 |
|
2388 |
Thirteen |
1947 Jun 20 |
|
2389 |
Five |
1947 Jun 23 |
|
2390-2391 |
Fifteen |
1947 Jun 23 |
|
2392 |
Eight |
1947 Jun 26 |
|
|
For cover letter, see: Series I, Dudley Nichols to Eugene O'Neill,
box 3, folder 121
|
|
2393-2399 |
Fifty-fix photographs (some by
Alexander Kahle) from motion picture by Dudley Nichols |
(1947) |
| 127 |
2400-2403 |
Thirty photographs (some by
Alexander Kahle) from motion picture by Dudley Nichols |
(1947) |
|
|
Photographs of seventeen drawings
by Albert M. Pyke of scenes in motion picture by Dudley Nichols |
(1947) |
|
|
Stored in: Oversize, box 146,
folders 2591-2593
|
|
|
Motion picture by RKO Radio
Pictures, directed by Dudley Nichols. Three reels |
1947 |
|
|
Stored in: Oversize, box 148,
folder 2612; box 149, folder 2613; box 150, folder 2614
|
|
|
Frankfurt am Main (Germany).
Twenty-two shots by Willi Klar |
(1947) |
|
|
For cover letter, see: Series I, United States. War Dept. Civil
Affairs Division to Richard J. Madden
Play Company, Inc., box 15, folder 356
|
|
|
Stored in: Oversize, box 146,
folders 2594-2597
|
|
2404 |
University of Delaware. Two shots |
1956 Dec |
|
|
With one shot of Aeschylus's Agamemnon.
|
|
2405 |
Prague (Czech Republic). Fourteen
shots by Foto Centropress |
n.d. |
|
2406 |
Berlin (Germany). Five shots by
Heinz Koester |
n.d. |
|
2407 |
Bremen (Germany). Ten shots by
Studio Lohrisch-Achilles #1
#2
#3 |
n.d. |
|
|
Lisbon (Portugal)
|
|
|
Fifteen shots by Horacio Novaes
|
n.d.
|
|
|
Stored in: Oversize, box 146, folders 2598-2599
|
|
2408 |
Twelve shots by unidentified |
n.d. |
S. S. Glencairn
|
|
2409 |
(New York, N.Y.?). One shot |
(1924?) |
|
|
Annotated on back in unidentified hand.
|
|
2410 |
Minnesota Theatre Company at Tyrone
Guthrie Theatre (Minneapolis, Minn.). Eight shots; one postcard |
1966 |
Strange Interlude
|
|
|
Dramatiska teatern (Stockholm,
Sweden)
|
|
2411 |
One shot by Almberg & Preinitz |
1928 Mar 11 |
|
|
One shot by unidentified |
1928 Mar 11 |
|
2412 |
Actors Theatre (New York, N.Y.).
Twelve shots by Friedman-Abeles |
(1963) |
Thirst
|
|
2413 |
Provincetown Players at The Wharf
Theatre (Provincetown, Mass.). Two shots
#1
#2 |
1916 (Aug?) |
|
|
EO is in both shots. One annotated
on back by EO.
|
A Touch of the Poet
|
|
|
See: Cycle plays,
box 118, folders 2231-2251 |
|
|
2231-2251
|
Unidentified play
|
|
|
[
Unidentified production. Three shots by] |
|
|
Stage Photo Company (London,
England) |
n.d. |
|
|
Stored in:
Oversize, box 146, folder 2600 |
Unidentified play
|
|
|
Unidentified production. One shot
by Stage Photo Company (London, England)
|
n.d.
|
|
|
Stored in: Oversize, box 146,
folder 2601
|
| Box |
Folder |
|
Date |
