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Volume
17, Nos. 1
& 2,
Spring/Fall 1993
O'Neill's Beginnings and the Birth of Modernism in American
Drama... McTeague's Dream and The Emperor Jones... The Colonial Story in
The Emperor Jones... The “Big Subject” in The Hairy Ape: A New Look at
Scene Five... Rage Against Order: O'Neill's Yank and Milton's Satan...
The Great God Brown: A Diagnostic of Commercialism's Ills... Sibling
Rivalry in Mourning Becomes Electra and The Little Foxes... A Portrait
of O'Neill's Electra... O'Neill and the Old Ham... Drama and Ethics,
Grief and Privacy: The Case of Eugene O'Neill... Corrections in
O'Neill... Modern and Postmodern Wastelands: Long Day's Journey and
Shepard's Buried Child... A Letter to Arthur Miller, introduced by
Travis Bogard and Jackson R. Bryer... Founding Father: O'Neill's
Correspondence with Arthur Miller and Tennessee Williams... Tender Men:
The Acquaintanceship of Eugene O'Neill and Sherwood Anderson... On Jason
Robards as O'Neill's Nietzschean Iceman... Eugene O'Neill in Madrid,
1918-1936... Jorge de Sena, O'Neill's Critic and Translator....
Volume 24, Nos. 1 & 2,
Spring/Fall 2000
Will the Real John Francis Please Step Forward?... Dionysus in Diaspora: O’Neill’s
Tragedy of Muted Revelries... Unseen, Unheard,
Inescapable: Unseen Characters in the Dramaturgy of O’Neill... The Emperor Jones: A Struggle for Individuality... Tragic Vision and the Happy Ending in “Anna Christie”...
O’Neill Beyond Borders: A Bengali Desire Under the
Elms... Two Journey to Wilderness... Moving Fate into the Family: Tragedy Redefined in Mourning
Becomes Electra... Iphigenia: An Overlooked Influence in
Mourning Becomes Electra... The Iceman Cometh as
Infertility Myth... New Myths for Old: A
Production History of the 2000 Broadway Revival of O’Neill’s A Moon for
the Misbegotten...
Volume 25, Nos. 1 & 2,
Spring/Fall 2001
Stumbling Amid the Ruins: Yank’s Absurd Inheritance
in The Hairy Ape... Female Characters in (and not
in) Eugene O’Neill’s The Iceman Cometh: Tracing 20th Century Feminist
Response into a New Era... Too Close for Comfort:
Biographical Truth in Long Day’s Journey Into Night... “The Scope of the Movies”: Three Films and their Influence on Eugene
O’Neill... IT HATH MADE US MAD: Two O’Neillians’ Adventures in Bibliography... “Our
Home! Our Home!”: Eugene O’Neill and Agnes Boulton at Spithead... Staging O’Neill: Staging Greek Tragedy... The Hairy Ape in the Context of Early 20th Century American
Modernism... Teaching Long Day’s Journey Into Night and
Shepard’s Buried Child... Using O’Neill on the Immigrant
Experience in the American Literature Classroom... Trial
Run: A One Act Drama... Laughing Lazarus: Eugene
O’Neill’s Lost Burlesque Sketch...
Volume 26,
2004
O’Neill in France... Remembrance of Things Past: Le Plessis Revisited...
“Thinking Aloud” in Eugene O’Neill’s Strange Interlude... Jansenism and
O’Neill’s “Black Mystery of the Soul”... “Black is white, I yells it out
louder ’n deir loudest”: Unraveling The Wooster Group’s The Emperor
Jones... “Interlopers”: African-American Actors in Non-Traditional Roles
in the Works of Eugene O’Neill... “Anna Christie”: the Repentant
Courtesan, Made Respectable... The O’Neill of Pulp Fiction... Twitting
O’Neill: His Plays of the 1920s Subjected to La Critique Créatrice...
Marco Millions—Not Theatrical Millions... O’Neill in the Czech Republic:
Marco Millions and the Velvet Revolution... Mourning Becomes Electra as
a Greek Tragedy... Camus, O’Neill, and the Dead Mother Society... Sábato
Magaldi: Carlotta O’Neill’s Man in Brazil... The Iceman Cometh in
Context: An American Saloon Trilogy... “The Mad Scene: Enter Ophelia!”:
O’Neill’s Use of the Delayed Entrance in Long Day’s Journey into
Night... More Stately Mansions Redux: Straightening Out the “Twisted
Path”... The Genius of O’Neill...
Volume 27,
2005
The Provincetown Players: The Success that Failed... Influence, Echo and
Coincidence: O’Neill and the Provincetown’s Women Writers... Eugene
O’Neill and Louise Bryant: New Documents... The Magna Mater: The
Maternal Goddess in O’Neill’s Plays... Affinities Between the Poetry of
Hart Crane and the Plays of Eugene O’Neill... American Drama at the
Cambridge Theatre Festival, 1928-1935... O’Neill, the Theatre Guild, and
A Moon for the Misbegotten... O’Neill’s Bridge... Mourning Becomes
Electra at 74... Oresteian Structures in The Iceman Cometh... Fractured
Comedy: A Glimpse into Eugene O’Neill’s Tragic Constructs... All the
Wrong Dreams: Marco Millions and the Acquisitive Instinct... “The End of
the Quest”: Freedom and Selfhood in O’Neill’s Late Plays...
Volume 28,
2006
Hints of the Tragic in Fog and Other Early O'Neill Plays... Refiguring
O'Neill's Early Sea Plays: Maritime Labor Enters the Age of Modernity...
The Long Voyage Home: A Vicious Cycle at Sea... Making It, Madness, and
Motherhood: The Deep Structure of All God's Chillun Got Wings... Staging
the "Poor, Wicked Lot": O'Neill's Rebuttal to Fallen Woman Plays...
Closed Shop?: Max Gorelik and the Provincetown... Behind the Scenes
of O'Neill's Elephant Opus... The Gift of Ric Burns... Musical and
Literary Allusions in O'Neill's Final Plays... Tragic Anagnorisis in The
Iceman Cometh...
Volume 29, 2007
Global Futurism, Divine Comedy, Greek Tragedy, and
. . . The Hairy Ape... Shifting Perceptions,
Precarious Perspectives in Two of O'Neill's Early Sea Plays...
Strange Interlude, or the Pursuit of Happiness Revisited...
On Eugene O'Neill's "Philosophical Anarchism"...
The "Veil," Neoplatonism, and Genre in Long Day's Journey into
Night... The Stillbirth of Modern Humanity in
A Moon for the Misbegotten... Synge and the
Irish Influence of the Abbey Theatre on Eugene O'Neill...
O'Neill in the Community: Down the Hill from Tao House to
Danville and Beyond...
Subject Index
Major articles and reviews in the eOneill.com Library
Author Index
Major articles and reviews in the eOneill.com Library
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