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Marco Millions

Alexander, Doris M. Eugene O’Neill’s creative struggle: the decisive decade, 1924-1933. Univ. Park: Pennsylvania State UP, 1992, 41-58: ‘Marco Millions

Berlin, Normand. Eugene O’Neill. London: Macmillan, 1982, 89-93

Bogard, Travis. Contour in time: the plays of Eugene O’Neill. Rev. ed. NY: Oxford UP, 1988, 252-61

Comarnescu, Petru. O’Neill Õi renaÕterea tragediei. Cluj: Dacia, 1986, 71-81: ‘Marco Millions (Milioanele lui Marco Polo)’

Cooperman, Robert. ‘Marco Millions: O’Neill’s other comedy.’ Eugene O’Neill Review 13 ii 1989 39-44 [S16]

Dubost, Thierry. ‘Home away from home: greed in Marco Millions.’ Pp 131-42 in James Fisher, ed. To have or have not: essays on commerce and capital in modernist theatre. Jefferson, NC: McFarland, 2011

Engel, Edwin A. The haunted heroes of Eugene O’Neill. Cambridge, MA: Harvard UP, 1953, 135-52: ‘Life of a salesman’

Fairservis, Walter. ‘Managing the magic of Marco Millions.’ Eugene O’Neill Newsletter 2 iii 1979 18-21 [S23]

Filipowicz-Findlay, Halina. Eugene O’Neill. Warsaw: Wiedza Powszechna, 1975, 178-85

Floyd, Virginia. The plays of Eugene O’Neill: a new assessment. NY: Ungar, 1985, 288-302

Frenz, Horst. ‘Marco Millions: O’Neill’s Chinese experience and Chinese drama.’ Comparative Literature Studies 18 1981 362-67 [S26]

Gelb, Arthur, & Barbara Gelb. ‘Eugene O’Neill and Marco Millions.’ Theatre (London) 1 1964 25-33

Kim, Ju Yon. ‘When Marco leaves the building: intercultural performances and other audiences.’ Modernism / Modernity 19 2012 677-91

Levin, Eric. ‘A touch of the postmodern: Marco Millions and Nietzschean perspectivism.’ Eugene O’Neill Review 33 2012 14-23

Li, Gang. ‘O’Neill’s understanding of Chinese thought in Marco Millions.’ Pp 37-41 in Liu [S104]

McCown, Cynthia. ‘All the wrong dreams: Marco Millions and the acquisitive instinct.’ Eugene O’Neill Review 27 2005 152-62

McDonough, Edwin J. Quintero directs O’Neill: an examination of eleven plays of Eugene O’Neill staged by José Quintero in New York City, 1956-1981. Chicago: A Capella Books, 1991, 107-27: ‘Marco Millions [1964]’

Moy, James S. ‘Eugene O’Neill’s Marco Millions: desiring marginality and the dematerialization of the Orient.’ Pp 29-36 in Liu [S112]

Murphy, Brenda. ‘Interpreting Marco Millions: two New York productions.’ Recorder 3 i 1989 127-33 [S47]

Ouyang, Ji. ‘Daoist ideas in O’Neill’s play about Marco Polo.’ China Reconstructs (North American edition) 36 June 1987 26-28 [S49]

Porter, Laurin. ‘O’Neill in the Czech Republic: Marco Millions and the Velvet Revolution.’ Eugene O’Neill Review 26 2004 155-65

Robinson, James A. Eugene O’Neill and Oriental thought: a divided vision. Carbondale: Southern Illinois UP, 1982, 108-19: ‘East and West, yin and yang: “Marco Millions”’(from ‘Taoism  and O’Neill’s Marco Millions.’ Comparative Drama 14 1980 251-62 [S55]; repr. on pp 135-46 in Stroupe)

Schmitt, Patrick. ‘Marco Millions and O’Neill’s vision of America.’ Canadian Review of American Studies 20 1989 31-39 [S58]

Seidel, Margot. Bibel und Christentum im dramatischen Werk Eugene O’Neills. Frankfurt: Lang, 1984, 260-66 and see index

Shafer, Yvonne. ‘Marco Millions—not theatrical millions.’ Eugene O’Neill Review 26 2004 144-54

Smith, Madeline C. ‘More roads to Xanadu.’ Eugene O’Neill Review 15 i 1991 27-39 [S62] (possible sources)

Stroupe, John H. ‘Eugene O’Neill and the creative process: a road to Xanadu.’ Pp 115-33 in Stroupe (combines and revises ‘O’Neill’s Marco Millions: a road to Xanadu.’ Modern Drama 12 1970 377-82 [M394] and  ‘Marco Millions and O’Neill’s “two part two-play” form.’ Modern Drama 13 1971 382-92 [M394]

Tiusanen, Timo. O’Neill’s scenic images. Princeton, NJ: Princeton UP, 1968, 136-41

Törnqvist, Egil. A drama of souls: studies in O’Neill’s super-naturalistic technique. New Haven, CT: Yale UP, 1969, see index

Wainscott, Ronald H. Staging O’Neill: the experimental years, 1920-1934. New Haven, CT: Yale UP, 1988, 201-18

Woo, Miseong. ‘O’Neill’s rewriting of a historical text: “the beauty” and “the monster” in Marco Millions.’ Journal of Modern British and American Drama (Seoul) 16 i 2003 181-206

Xuefeng, Zhu. ‘The historical edge of irony: Marco Millions and its Chinese adaptations.’ Modern Drama 57 2014 364-84


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