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Lazarus Laughed Alexander, Doris M. Eugene O’Neill’s creative struggle: the decisive decade, 1924-1933. Univ. Park: Pennsylvania State UP, 1992, 81-101: ‘Lazarus Laughed’ -----. ‘Lazarus Laughed and Buddha.’ Modern Language Quarterly 17 1956 357-65 [M365] Anniah Gowda, Hennur H. Dramatic poetry from mediaeval to modern times: a philosophic inquiry into the nature of poetic drama in England, Ireland and the United States of America. Rev. ed. Madras: Macmillan, 1979, 358-62 [S74] Berlin, Normand. Eugene O’Neill. London: Macmillan, 1982, 93-96 Block, Anita. The changing world in plays and theatre. Boston: Little, Brown, 1939, 137-93 (151-58 on the play) Bogard, Travis. Contour in time: the plays of Eugene O’Neill. Rev. ed. NY: Oxford UP, 1988, 278-90 Cargill, Oscar. Intellectual America: ideas on the march. NY: Macmillan, 1941, 685-720: ‘The Freudians’ (699-702 on the play) Chabrowe, Leonard. Ritual and pathos: the theater of Eugene O’Neill. Lewisburg, PA: Bucknell UP, 1976, 38-58 Chothia, Jean. Forging a language: a study of the plays of Eugene O’Neill. Cambridge: Cambridge UP, 1979, 85-89 and see index Comarnescu, Petru. O’Neill Ői renaŐterea tragediei. Cluj: Dacia, 1986, 108-15: ‘Lazarus Laughed (Rîsul lui Laz|r)’ Cunningham, Frank R. ‘Lazarus Laughed: a study in O’Neill’s romanticism.’ Studies in the Twentieth Century 15 1975 51-75 [S17] -----. ‘A newly discovered fourth production of Lazarus Laughed.’ Eugene O’Neill Review 22 1998 114-22 [S18] Dahlström, Carl E. W. L. ‘Dynamo and Lazarus Laughed: some limitations.’ Modern Drama 3 1960 224-30 [M300] Day, Cyrus. ‘Amor fati: O’Neill’s Lazarus as Superman and savior.’ Modern Drama 3 1960 297-305 [M366]; repr. on pp 72-81 in Gassner Engel, Edwin A. The haunted heroes of Eugene O’Neill. Cambridge, MA: Harvard UP, 1953, 175-96: ‘Dionysus or death’ Falk, Doris V. Eugene O’Neill and the tragic tension: an interpretive study of the plays. NY: Gordian Pr., 1958, 108-14 Filipowicz-Findlay, Halina. Eugene O’Neill. Warsaw: Wiedza Powszechna, 1975, 186-99 Floyd, Virginia. The plays of Eugene O’Neill: a new assessment. NY: Ungar, 1985, 319-33 Gey, Guy. ‘Unité et dualité du mythe Dionysos dans Lazarus Laughed de Eugene O’Neill.’ Caliban (Toulouse) 6 1969 69-72 Han, Kim. ‘Lazarus Laughed: Dionysus and [Nietzsche’s] The Birth of Tragedy.’ English Language and Literature (Seoul) 37 1991 993-1005 [S31] (also treats The Great God Brown) Harap, Louis. Dramatic encounters: the Jewish presence in twentieth-century drama, poetry, and humor and the Black-Jewish literary relationship. NY: Greenwood Pr., 1987, 81-84 King, W. D. ‘“It brought the world to this coast”: the world premiere of Eugene O’Neill’s Lazarus Laughed at the Pasadena Community Playhouse.’ Theatre Survey 29 1988 1-36 [S37] Manheim, Michael. Eugene O’Neill’s new language of kinship. Syracuse, NY: Syracuse UP, 1982, 53-59 Mirlas, León. O’Neill y el teatro contemporáneo. Buenos Aires: Sudamericana, 1950, 153-62: ‘Un mito dionisíaco: Lázaro reía (1925-1926)’ Philomčne de los Reyes, Marie. The biblical theme in modern drama. Quezon City: Philippines UP, 1978, 104-13: ‘Lazarus Laughed: the rhythm of enchantment’ Pommer, Henry F. ‘The mysticism of Lazarus Laughed.’ Crane Review 8 1966 83-91 [M366] Raghavacharyulu, Dhupaty V. K. Eugene O’Neill: a study. Bombay: Popular Prakashan, 1965, 67-75 Raleigh, John H. The plays of Eugene O’Neill. Carbondale: Southern Illinois UP, 1965, 41-47 Robinson, James A. Eugene O’Neill and Oriental thought: a divided vision. Carbondale: Southern Illinois UP, 1982, 132-47: ‘“There is no death”: the mystical monism of Lazarus Laughed’ Rollyson, Carl E. ‘Eugene O’Neill: the drama of self-transcendence.’ Pp 123-37 in Martine [S119] Sarlós. Robert K. ‘“Write a dance”: Lazarus Laughed as O’Neill’s dithyramb of the western hemisphere.’ Theatre Survey 29 1988 37-49 [S57] Seidel, Margot. Bibel und Christentum im dramatischen Werk Eugene O’Neills. Frankfurt: Lang, 1984, 82-85, 211-16 and see index Shurr, William H. ‘American drama and the Bible: the case of Eugene O’Neill’s Lazarus Laughed.’ Pp 83-103 in Giles Gunn, ed. The Bible and American arts and letters. Philadelphia, PA: Fortress Pr., 1983 [S122] Singh, Avadhesh K. The plays of Eugene O’Neill: a study in myths and symbols. New Delhi: Creative Publishers, 1991, 109-13 Thompson, Leslie M. ‘The multiple uses of the Lazarus motif in modern literature.’ Christian Scholar’s Review 7 1977 306-29 [S64] (312-14 on the play) Tiusanen, Timo. O’Neill’s scenic images. Princeton, NJ: Princeton UP, 1968, 141-50 Törnqvist, Egil. A drama of souls: studies in O’Neill’s super-naturalistic technique. New Haven, CT: Yale UP, 1969, 128-30, 167-72, and see index -----. ‘O’Neill’s Lazarus: Dionysus and Christ.’ American Literature 41 1970 543-54 [M366] Wainscott, Ronald H. Staging O’Neill: the experimental years, 1920-1934. New Haven, CT: Yale UP, 1988, 218-27 |
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