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Ahrends, Günter. Traumwelt und Wirklichkeit im Spätwerk Eugene O’Neills. Heidelberg: Winter, 1978, 68-98

Alexander, Doris M. ‘The missing half of Hughie.’ Drama Review 11 1967 125-26 [M342]

Berlin, Normand. Eugene O’Neill. London: Macmillan, 1982, 144-47

Bernstein, Samuel J. ‘Hughie: inner dynamics and canonical relevance.’ Eugene O’Neill Review 22 1998 77-103 [S9]

Bigsby, C. W. E. Modern American drama, 1945-2000.  Cambridge: Cambridge UP, 2000, 24-30

Billman, Carol. ‘Language as theme in Eugene O’Neill’s Hughie.’ Notes on Modern American Literature 3 1979 item  25 [S9]

Black, Stephen  A. Eugene O’Neill: beyond  mourning and tragedy. New Haven, CT: Yale UP, 2000, 447-56

Blesch, Edwin J. ‘O’Neill’s Hughie: a misconceived experiment?’ Nassau Review 2 v 1974 1-8 [S10]

Bloom, Steven F. ‘Waiting for the dough: O’Neill’s Hughie.’ Eugene O’Neill Newsletter 12 iii 1988 28-35 [S11]

Bogard, Travis. Contour in time: the plays of Eugene O’Neill. Rev. ed. NY: Oxford UP, 1988, 424-27

Brietzke, Zander. The aesthetics of failure: dynamic structure in the plays of Eugene O’Neill. Jefferson, NC: McFarland, 2001, 50-58

Butler, Robert. ‘Artifice and art: words in The Iceman Cometh and Hughie.’ Eugene O’Neill Newsletter 5 i 1981 3-6 [S13]

Carpenter, Frederick I. Eugene O’Neill. Rev. ed. Boston: Twayne, 1979, 163-66 (from ‘Hughie: by way of obit.’ Eugene O’Neill Newsletter 2 ii 1978 1-3 [S14])

Chandran, S. Subhash. ‘Life and death at war: a study of Eugene O’Neill’s Hughie.’ Indian Journal of American Studies 27 i 1997 47-53 [S15]

Cohn, Ruby. ‘Absurdity in English: Joyce and O’Neill.’ Comparative Drama 3 1969 156-61 [M169]

-----. Dialogue in American drama. Bloomington: Indiana UP, 1971, 8-67: ‘The wet sponge of Eugene O’Neill’ (60-63 on the play)

Combs, Robert. ‘O'Neill's Hughie: the sea plays revisited.’ Pp 175-92 in Bennett

Curry, John. ‘The New Deal cometh: examining The Iceman Cometh and Hughie in relation to the rhetoric of the Roosevelt administration.’ Eugene O’Neill Review 33 2012 91-109

Doloff, Steven. ‘Panza’s choice: Quixotic salvation in O’Neill’s Hughie.’ Eugene O’Neill Review 32 2010 29-37

Dubost, Thierry. ‘Hughie: recutting a jewel in Paris.’ Eugene O’Neill Review 31 2009 164-79

Egri, Péter. Chekhov and O’Neill: the uses of the short story in Chekhov’s and O’Neill’s plays. Budapest: Akadémiai, 1986, 24-27

Eisen, Kurt. The inner strength of opposites: O’Neill’s novelistic drama and  the melodramatic imagination. Athens: Univ. of Georgia Pr., 1994, 181-92: ‘Hughie: by way of postscript’

Floyd, Virginia. The plays of Eugene O’Neill: a new assessment. NY: Ungar, 1985, 555-65

Frazer, Winifred L. ‘Hughie and [James Forbes’s] The Traveling Salesman.’ Players 44 1969 151-54

Goyal, Bhagwat S. The strategy of survival: human  significance of O’Neill’s plays. Ghaziabad: Vimal, 1975, 167-72

Harvey, Sally. ‘O’Neill’s Hughie and Albee’s The Zoo Story: two tributes to the teller and his tale.’ Journal of American Drama and Theatre 3 ii 1991 14-26 [S32]

Kennedy, Andrew K. Dramatic dialogue: the duologue of personal encounter. Cambridge: Cambridge UP, 1983, 180-93 [S102] (on the play and Long Day’s Journey Into Night)

Krafchick, Marcelline. ‘Film  and fiction in O’Neill’s Hughie.’ Arizona Quarterly 39 1983 47-61 [S38]

-----. ‘Hughie and The Zoo Story.’ Eugene O’Neill Newsletter 10 i 1986 15-16 [S38]

-----. ‘Hughie: some light on O’Neill’s Moon.’ Eugene O’Neill Newsletter 8 iii 1984 8-11 [S38]

Guha Majumdar, Rupendra. Central man: the paradox of heroism  in modern American drama. Brussels: Lang, 2003, 214-32

Maloney, Peter. ‘Who does little but listen: playing O’Neill’s Hughie.’ Eugene O’Neill Review 34 2013 145-66 (autobiographical account)

Manheim, Michael. Eugene O’Neill’s new language of  kinship. Syracuse, NY: Syracuse UP, 1982, 157-63

Maufort, Marc. ‘O’Neill’s variations on an obituary motif in Bound East for Cardiff and Hughie.’ Revue Belge de Philologie et d’Histoire 46 1988 602-12 [S43]

Mayberry, Robert. ‘Sterile wedding: the comic structure of O’Neill’s Hughie.’ Massachusetts Studies in English 7 1980 10-19 [S43]

McDonough, Edwin J. Quintero directs O’Neill: an examination of eleven plays of Eugene O’Neill staged by José Quintero in New York City, 1956-1981. Chicago: A Capella Books, 1991, 128-40: ‘Hughie [1964]’

McKelly, James C. ‘“Ain’t it the truth”: Hughie and the power of fiction.’ Eugene O’Neill Newsletter 11 i 1987 15-19 [S44]

Miliora, Maria T. Narcissism, the family, and  madness: a self-psychological study of Eugene O’Neill and his plays. NY: Lang, 2000, 134-38 (from ‘A self-psychological study of a shared gambling fantasy in Eugene O’Neill’s Hughie.’ Journal of Gambling Studies 13 ii 1997 105-23 [S45])

Porter, Laurin R. The banished prince: time, memory, and ritual in the late plays of Eugene O’Neill. Ann Arbor, MI: UMI Research Pr., 1988, 63-77: ‘The Iceman Cometh and Hughie: tomorrow is yesterday’ (72-76 on the play)

-----. ‘Hughie: pipe dream  for two.’ Pp 178-88 in Martine [S114]

Raghavacharyulu, Dhupaty V. K. ‘Waiting for Hughie.’ Pp 43-51 in Jagdish Chander & Narindar S. Pradhan, eds. Studies in American literature. Delhi: Oxford UP, 1976, 43-51 [S116]

Raleigh, John H. ‘Hughie: a draught of the finest vintage.’ Pp 530-33 in Richard H. Goldstone, ed. Contexts of the drama. NY: McGraw-Hill, 1968

Robinson, James A. Eugene O’Neill and Oriental thought: a divided vision. Carbondale: Southern Illinois UP, 1982, 179-86: ‘Eastern obit: Hughie

Sanchez, Aurélie. ‘“There’d always be something left”: (im)matérialité de la ville dans Hughie de Eugene O’Neill.’ Anglophonia 25 2009 181-89

Scheibler, Rolf. ‘Hughie: a one-act play for the imaginary theatre.’ English Studies 54 1973 231-48 [S58]

Schenker, Ueli. Eugene O’Neills Spätwerk. Zurich: Juris, 1965, 108-15

Shaughnessy, Edward L. ‘Question and answer in Hughie.’ Eugene O’Neill Newsletter 2 ii 1978 3-7 [S59]

Shea, Laura. ‘An e(e)rie sound: the stage directions in O’Neill’s Hughie.’ Eugene O’Neill Review 23 1999 134-40

Smith, Susan H. ‘Actors constructing an audience: Hughie’s postmodern aura.’ Pp 169-80 in Maufort [S124]

Tiusanen, Timo. O’Neill’s scenic images. Princeton, NJ: Princeton UP, 1968, 316-21

Törnqvist, Egil. A drama of souls: studies in O’Neill’s super-naturalistic technique. New Haven, CT: Yale UP, 1969, 151-53, 160-62, and see index

Vorlicky, Robert. Act like a man: challenging masculinities in American drama. Ann Arbor: Univ. of Michigan Pr., 1995, 90-102 [S129]; ‘“No use gabbin’ here all night”: male talk and silence in Hughie.’ Eugene O’Neill Review 19 1995 81-94 [S68]

Weegmann, Martin. ‘Eugene O’Neill’s Hughie and the grandiose addict.’ Psychodynamic Practice 8 i 2002 21-32


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