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Editor: Harley Hammerman
St. Louis, Missouri

Volume 10


Our Contributors

OLFA GANDOUZ is a PhD student at the FLSH (University of Sousse, Tunisia). She has taught in the English Department at the faculty of Arts & Humanities, University of Sousse since 2011. Her PhD project is entitled "Female Oscillation between Idealization and Debasement in Selected Plays of Eugene O’Neill and Tennessee Williams." She obtained her MA thesis (Irish Identity and Ethnicity in Eugene O'Neill's A Touch of the Poet) in American Literature in 2012.

MARNIE J. GLAZIER is a scholar, writer, and social practice artist. She holds an MFA in Dramatic Writing, and a PhD in Theatre and Performance Studies from Southern Illinois University, Carbondale. She has recently worked as a guest artist with In the Heart of the Beast Puppet and Mask Theatre, and is currently teaching Theatre in Salinas, California in a collaborative partnership with Hartnell College and The Western Stage.

JOHN MISAK received his BA in English at Hofstra University, his MA in Creative Writing at Queens College and is currently finishing his dissertation on O'Neill's late plays at St. John's University. He teaches at at New York Institute of Technology, Old Westbury and Queensborough Community College.


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